Stranger Than Fiction Essays By Mike Jay

Stranger Than Fiction brings together, for the first time, Mike Jay's distinctive and immensely readable forays into the twilight zones of history, culture and the human mind. Beautifully designed and lavishly illustrated, Stranger Than Fiction is a unique compendium of forgotten histories, untold stories and unexplored worlds.

A Guided Tour through the Untamed Territories of Magic Book 1 of the Great Wizards of History Trilogy The history of wizardry comes alive with dozens of unique portraits capturing the most remarkable and infamous practitioners of magic and alchemy. Combining up-to-date historical scholarship and his own keen interpretations of primary texts, Guy Ogilvy develops a fascinating saga of magical thought and practice. The story begins with the prehistoric culture of the Lion Man and moves on to Orpheus and the great figures of myth. Discover the unparalleled influence of Pythagoras and the pre-Socratics as they experience the mysterious glories of Apollo's touch. Behold the leading alchemists of the Middle Ages and the Renaissance as they carry forth the surviving wisdom of the ancients, working their unique magic even as powerful social and political forces align against them. Magic is a vital element of history. The Great Wizards of Antiquity weaves together the loose threads of magic to form a comprehensive tapestry, challenging the ideas brought forth by peddlers of the mundane and returning a sense of enchantment to its rightful place in the human spirit. In this book, you will discover the beliefs and teachings of sorcerers, healers, philosophers, alchemists, and mythological figures, including: The Lion Man Animal magic & the modern mind Orpheus Incantations & the magic of music Dionysus Wild rites & the gift of wine Pythagoras Metempsychosis & the wisdom of the cave dwellers Pherekydes Open secrets & the immortality of souls The Pythia The oracle at Delphi & ecstatic prophecy Epimenides Sacred caves & the unknown gods Abaris The golden arrow & the Hyperborean Apollo Zalmoxis Thrace & the Celtic connection Hermotimus Astral travel & the preeminence of psyche Aristeas The form of a raven & the wonders of Apollo Parmenides The man who knows & the nightmare ride to hell Empedocles Bronze sandals & the four elements Zosimos Transmutation & inner purification J?bir ibn ?ayy?n Islamic alchemy & the theory of balance Jan Baptista Van Helmont The stranger & the projecting powder The Comte de Saint-Germain Universal medicine & the elixir of life Paracelsus Legendary cures & the open book of nature James Price The Royal Society & the Philosopher's Stone

This catalogue accompanies a touring exhibition of photography, video and film by contemporary British artists. The works reveal a potent and at times exotic world where truth is often more curious than fiction and where fiction is made more powerful through fact.

Strange Cases is the story of the mutual influence of the case history and the British novel during the eighteenth and nineteenth centuries. Fictions from Defoe's Roxana to James's The Turn of the Screw and case histories from George Cheyne's to Sigmund Freud's have found narrative impetus in pathology. The writer of a case history faces a rhetorical bind unique to the human sciences: the need to display the acumen of a scientist and the sympathy warranted to the suffering patient. Repeatedly, case historians justify their publicizing of extreme, often morbid or perverse, states of mind and body by appealing to readers to take pity on patients and to recognize the narrative as a vital social document. Diagnosis and sympathy, explicit rhetorical modes in case histories, operate implicitly in novels, shaping reader-identification. While these two narrative forms set out to fulfill an Enlightenment drive to classify and explain, they also raise social and epistemological questions that challenge some of the Enlightenment's most cherished ideals, including faith in reason, the perfectibility of humankind, and the stability of truth.

This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.

The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but inseparable from Christ-figures), even if sometimes they’re not intended as such, “Spirit-led” characters, are moved to act “prophetically,” against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.

A NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY NPR Amy Poehler, Mel Brooks, Adam McKay, George Saunders, Bill Hader, Patton Oswalt, and many more take us deep inside the mysterious world of comedy in this fascinating, laugh-out-loud-funny book. Packed with behind-the-scenes stories—from a day in the writers’ room at The Onion to why a sketch does or doesn’t make it onto Saturday Night Live to how the BBC nearly erased the entire first season of Monty Python’s Flying Circus—Poking a Dead Frog is a must-read for comedy buffs, writers and pop culture junkies alike.

A definitive history of mescaline that explores its mind-altering effects across cultures, from ancient America to Western modernity Mescaline became a popular sensation in the mid-twentieth century through Aldous Huxley's The Doors of Perception, after which the word "psychedelic" was coined to describe it. Its story, however, extends deep into prehistory: the earliest Andean cultures depicted mescaline-containing cacti in their temples. Mescaline was isolated in 1897 from the peyote cactus, first encountered by Europeans during the Spanish conquest of Mexico. During the twentieth century it was used by psychologists investigating the secrets of consciousness, spiritual seekers from Aleister Crowley to the president of the Church of Jesus Christ of Latter-day Saints, artists exploring the creative process, and psychiatrists looking to cure schizophrenia. Meanwhile peyote played a vital role in preserving and shaping Native American identity. Drawing on botany, pharmacology, ethnography, and the mind sciences and examining the mescaline experiences of figures from William James to Walter Benjamin to Hunter S. Thompson, this is an enthralling narrative of mescaline's many lives.

A behind-the-scenes history of one of the most successful and admired British sitcoms of the 1980s. In 1977 the BBC commissioned a new satirical sitcom set in Whitehall. Production of its first series was stalled, however, by the death throes of Jim Callaghan’s Labour government and the ‘Winter of Discontent’; Auntie being unwilling to broadcast such an overtly political comedy until after the general election of 1979. That Yes Minister should have been delayed by the very events that helped bring Margaret Thatcher to power is, perhaps, fitting. Over three series from 1980—and two more as Yes, Prime Minister until 1988—the show mercilessly lampooned the vanity, self-interest and incompetence of our so-called public servants, making its hapless minister Jim Hacker and his scheming Permanent Secretary Sir Humphrey two of the most memorable characters British comedy has ever produced. The new prime minister professed it her favourite television programme—a ‘textbook’ on the State in inaction—and millions of British viewers agreed. In the years since Yes Minister has become a national treasure: Sir Humphrey’s slippery circumlocutions have entered the lexicon, regularly quoted by political commentators, and the series’ cynical vision of government seems as credible now as it did thirty years ago. Much of this success can be credited to its writers, Antony Jay and Jonathan Lynn, who drew on their contacts in Westminster to rework genuine political folly as situation comedy. Storylines that seemed absurd to the public were often rooted in actual events—so much so that they occasionally attracted the scrutiny of Whitehall mandarins. In A Very Courageous Decision acclaimed entertainment historian Graham McCann goes in search of the real political fiascos that inspired Yes Minister. Drawing on fresh interviews with cast, crew, politicians and admirers, he reveals how a subversive satire captured the mood of its time to become one of the most cherished sitcoms of Thatcher’s Britain.