Storied Scandalous Kansas City

Welcome to Kansas City—the best town this side of Hell. The Paris of the Plains. Home to the Wettest Block in the World. This collection celebrates a storied history of one notorious city. Meet the mobsters and victims, bootleggers, madams, political bosses and raucous entertainers who truly brought the party to the plains even during Prohibition. Witness the best parades, the wackiest costumes and the wildest scams. Kansas City’s sordid underbelly is full of surprises sure to delight and entice—the odd, macabre and delightful. ,

Brief stories of Kansas City history, from the Beatles to Jesse James and Harry Houdini.

Most visitors know all about Kansas City’s barbecue, jazz, and football success, but there are hidden gems and wild pieces of trivia around every turn in Missouri’s largest city. Is the giant Hereford bull anatomically correct? Can a seed that’s been to outer space still grow into a normal tree? And who really killed President William Henry Harrison? You’ll find answers to the questions you didn’t know you had in Secret Kansas City: A Guide to the Weird, Wonderful, and Obscure. Learn why three completely unrelated groups have chosen Kansas City as the center of the world and the place you want to be when the world ends. Between these covers, you’ll also find castles, a horse buried in a cul-de-sac, a ghost who likes a good laugh, and the world’s longest snake. This is not a tour guide for outsiders; it’s a scavenger hunt—insiders only, please. Longtime Kansas Citian Anne Kniggendorf is at your service to bolster your love and boost your respect for this middle-of-the-map city. With her eye for the odd leading the way, you’ll have a great time discovering Kansas City.

Open City is an historical work detailing and analyzing the birth and growth of an organized crime "family" in Kansas City during the first 50 years of the 20th Century. It began with a Mafia-like clan labeled the Black Hand, its roots planted in the secret crime societies of Southern Italy and Sicily - a band of extortionists victimizing the city's "Little Italy" community in the early 1900s. From modest beginnings, the development of the criminal outfit is traced through prohibition, its alliance with the Pendergast Machine, the roaring 20s, Home Rule, the wide open 30s, the birth of La Cosa Nostra, and hard times in the 50s. It is the story of Kansas City, politics, powerful and colorful mob bosses, gangland murders, racket activities, and courageous police officers and reformers. Book jacket.

The story of the American Mafia is not complete without a chapter on Kansas City, MO. The 'City of Fountains' has popped up in The Godfather, Casino and The Sopranos, but many aren't aware that Kansas City is key in the history of organised crime. Events unfolding in this city affected the fortunes of all the 'families' and shaped the entire underworld. In The Mafia and the Machine, author Frank Hayde ties in every major name in organised crime - Luciano, Bugsy, Lanksy - as well as the corrupt Kansas City police force.

Like most cities during Prohibition, Kansas City had illegal alcohol, bootleggers, speakeasies, cops on the take, corrupt politicians and moralizing reformers. But by the time the Eighteenth Amendment was repealed, Kansas City had been singled out by one observer as one of the wettest cities, as well as the wickedest. A grocer managed a still in the basement of his store. A raid on the Tingle Oil Company found two hundred drums of oil and the largest illegal brewery ever found in the state. This seedy underworld transformed the Heart of America into the Paris of the Plains. Author John Simonson resurrects forgotten stories by revisiting places where they occurred and telling the salacious history of booze in Kansas City.

The definitive oral history—with a foreword by Lou Reed—of the center of New York’s 1960s and ’70s underground culture. From its opening in December 1965 on Park Avenue South, Max’s Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York’s underground art, music, literary, film, and fashion scenes. Max’s regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of drugs, sex, and creative collaboration, Max’s was the place to see and be seen among the city’s cultural elite for nearly two decades. With reminiscences from the likes of Alice Cooper, Bebe Buell, Betsey Johnson, Leee Black Childers, Holly Woodlawn, and John Chamberlain, along with Max’s owner Mickey Ruskin and several waitresses and bartenders, this vivid oral history evokes an unforgettable place where a spontaneous striptease, a brawl over the meaning of art, and an early performance by the Velvet Underground were all possibilities on any given night. High on Rebellion dazzles with rare photos and other Max’s memorabilia, and firsthand accounts of legendary nights, chance encounters, romances sparked and extinguished, and stars being born.

The Pendergast machine rose to power riding the industrial and business boom of the 1920s, strengthened its grip during the chaos of the depression years, and grew fat and arrogant during the spending spree that followed. It fell apart in a fantastic series of crimes, including voting fraud and tax evasion, that shocked the nation and resulted in the incarceration of Tom Pendergast in a federal prison in 1939. Now available in paperback with a foreword by Charles Glaab, William M. Reddig's political and social history of Kansas City from the mid-1800s to 1945, focusing on the lives of Alderman Jim Pendergast and especially his younger sibling, Big Tom Pendergast, chronicles both the influence of the brothers on the growing metropolitan area and the national phenomenon of bossism. "The story of the Pendergasts has been told ... in many places and in many ways. It has hardly been told anywhere, however, with more fascinating detail and healthy irony than in this volume of William M. Reddig." --New York Times "Reddig has written his history of the Pendergast machine in a reportorial style which manages to combine plain city desk prose with a great deal of humor, irony, and insight. He has dwelt with obvious delight on the local characters, the factions, and feuds, and has given several brilliant personality sketches." --Saturday Review of Literature

Well-researched and rich with ghastly details, this third historical fiction novel in the Horrors of History series is based on the great influenza epidemic of 1918. Actual and fictionalized victims and survivors, like the young, heroic Barium and the concerned, wise Doctor Wilmer Krusen, help weave together a gripping account of how Philadelphia coped with the outbreak.

There were but four major galaxies in the early jazz universe, and three of them--New Orleans, Chicago, and New York--have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until now. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz. Readers will find a colorful portrait of old Kaycee itself, back then a neon riot of bars, gambling dens and taxi dance halls, all ruled over by Boss Tom Pendergast, who had transformed a dusty cowtown into the Paris of the Plains. We see how this wide-open, gin-soaked town gave birth to a music that was more basic and more viscerally exciting than other styles of jazz, its singers belting out a rough-and-tumble urban style of blues, its piano players pounding out a style later known as "boogie-woogie." We visit the great landmarks, like the Reno Club, the "Biggest Little Club in the World," where Lester Young and Count Basie made jazz history, and Charlie Parker began his musical education in the alley out back. And of course the authors illuminate the lives of the great musicians who made Kansas City swing, with colorful profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, Jimmy Rushing, and Andy Kirk and his "Clouds of Joy." Here is the definitive account of the raw, hard-driving style that put Kansas City on the musical map. It is a must read for everyone who loves jazz or American music history.