Stoneheart Trilogy Book Two The Ironhand

A city has many lives and layers. London has more than most. Not all the layers are underground, and not all the lives belong to the living. Twelve-year-old George Chapman is about to find this out the hard way. When, in a tiny act of rebellion, George breaks the head from a stone dragon outside the Natural History Museum, he awakes an ancient power. This power has been dormant for centuries but the results are instant and terrifying: A stone Pterodactyl unpeels from the wall and starts chasing George. He runs for his life but it seems that no one can see what he's running from. No one, except Edie, who is also trapped in this strange world. And this is just the beginning as the statues of London awake This is a story of statues coming to life; of a struggle between those with souls and those without; of how one boy who has been emotionally abandoned manages to find hope.

'Edie,' said George, 'we're going to do this together. I'll be right there with you. Anything, anyone trying to get you is going to have to come past me first.' But when George makes his promise he is not aware that high on the rooftops an unseen gargoyle is watching them hungrily, quivering with anticipation for the moment when it will unfold its stone wings and pounce. The thing on the roof knows that nothing is over; nothing is finished. Ironhand takes us deeper into the layers of un-London, the place where the good and the bad statues, the spits and the taints, walk and war. George and Edie must repay the debt which they owe the Gunner for his sacrifice. They must face unspeakable danger and doubt if they are to save him. This second title in the Stoneheart sequence by Charlie Fletcher will shake you with its imaginative grasp and vision. It is an epic excitement, not to be missed ...

n this thrilling conclusion to the international blockbuster Stoneheart trilogy, the battle between the statues and gargoyles of London rages on, with their very souls hanging in the balance.

The battle between the statues and the gargoyles in London rages on, and twelve-year-old George Chapman and his friend Edie are caught in the middle. The clock has struck thirteen, and time is frozen. The city’s inhabitants have mysteriously disappeared, and snow piles up in the streets. George is now sure that his destiny is linked to the Walker’s destruction, but first he must deal with the Dark Knight, a formidable foe who stalks George slowly and deliberately, knowing that things must come to their inevitable end, in what must surely be the decisive and final battle.

'Edie,' said George, 'we're going to do this together. I'll be right there with you. Anything, anyone trying to get you is going to have to come past me first.' But when George makes his promise he is not aware that high on the rooftops an unseen gargoyle is watching them hungrily, quivering with anticipation for the moment when it will unfold its stone wings and pounce. The thing on the roof knows that nothing is over; nothing is finished. Ironhand takes us deeper into the layers of un-London, the place where the good and the bad statues, the spits and the taints, walk and war. George and Edie must repay the debt which they owe the Gunner for his sacrifice. They must face unspeakable danger and doubt if they are to save him. This second title in the Stoneheart sequence by Charlie Fletcher will shake you with its imaginative grasp and vision. It is an epic excitement, not to be missed ...

In this sequel to Stoneheart, the epic battle between London''''s statues and gargoyles continues and George Chapman comes one step closer to fulfiling his destiny as a maker.

Hidden in the Dwarven mine camps since infancy, an Elven princess with a heart of stone finds herself at the center of an uprising. She must choose between the kingdom she was destined to save or the prince who wakes her heart to life. Release date: TBD (will happen sooner than pre-order date)

"Exciting, exhilaring, scary and moving in equal measure, The Oversight is a teeming world of dark deeds and dark magics, brilliantly realized." -- M. R. Carey The Oversight of London has been sworn for millennia to prevent the natural and the supernatural worlds from preying on each other. Now, at its lowest ebb, with its headquarters destroyed and its last members scattered far and wide, this secret society will battle for survival and face the harshest foe it has ever met: itself.

The start of a thrilling, action-packed trilogy from Charlie Fletcher, set in a world where statues come to life and dragons and heroes battle. Something dark has woken in the British Museum, and it has stopped time, literally freezing the city in its tracks. The people are there, but unmoving, unseeing - like statues. The statues, on the other hand, can move, and are astonished at what they see. In the Great Ormond Street Hospital, Will and Jo are suddenly plunged into this world of statues - and find themselves pursued by murderous dragons. With help from a couple of friendly statues, Will and Jo must escape the evil that stalks them in the streets of London. With beautiful illustrations by Nick Tankard.

European traders and soldiers established a foothold on Timor in the course of the seventeenth century, motivated by the quest for the commercially vital sandalwood and the intense competition between the Dutch and the Portuguese. Lords of the Land, Lords of the Sea focuses on two centuries of contacts between the indigenous polities on Timor and the early colonials, and covers the period 1600-1800. In contrast with most previous studies, the book treats Timor as a historical region in its own right, using a wide array of Dutch, Portuguese and other original sources, which are compared with the comprehensive corpus of oral tradition recorded on the island. From this rich material, a lively picture emerges of life and death in early Timorese society, the forms of trade, slavery, warfare, alliances, social life, and so forth. The investigation demonstrates that the European groups, although having a role as ordering political forces, were only part of the political landscape of Timor. They relied on alliances where the distinction between ally and vassal was moot, and led to frequent conflicts and uprisings. During a slow and complicated process, the often turbulent political conditions involving Europeans, Eurasians, and Timorese polities, paved the way for the later division of Timor into two spheres of roughly equal size.