Stealing Northe

Widow Amy Northe hasn’t known a man’s company in the six years since her husband died. That all changes the night her son comes in from chores with two strangers in tow. Kenneth and Leon are seeking shelter, and though Amy wants to turn them away, she can’t. There’s a blizzard moving through the Utah mountains, and Leon’s busted ankle has him teetering on the edge of consciousness. She does the only thing she can and takes them in, unaware of the secrets these young men hide. Kenneth doesn’t want to take advantage of the older woman’s hospitality, even though she’s the most beautiful woman he’s ever seen. But Leon needs help and Amy is a nurse. If he has to satisfy his desire for her with covert trysts with Leon, then that’s what he’ll do, especially since he’s too much of a gentleman to ever think of making advances. Until she makes one herself. Then everything changes. For all of them.

A novel of love in all its forms: for the land, for family, and the once-in-a-lifetime kind that catches two people when they least expect it Emmy is a shy, sheltered sixteen-year-old when her mom, Kate, sends her to eastern Washington to an aunt and uncle she never knew she had. Fifteen years earlier, Kate had abandoned her sister, Beth, when she fled her painful past and their fundamentalist church. And now, Beth believes Emmy’s participation in a faith healing is her last hope for having a child. Emmy goes reluctantly, but before long she knows she has come home. She feels tied to the rugged landscape of coulees and scablands. And she meets Reuben, the Native American boy next door. In a part of the country where the age-old tensions of cowboys versus Indians still play out, theirs is the kind of magical, fraught love that can only survive with the passion and resilience of youth. Their story is mirrored by the generation before them, who fears that their mistakes are doomed to repeat themselves in Emmy and Reuben. With Louise Erdrich’s sense of place and a love story in the tradition of Water for Elephants, this is an atmospheric family drama in which the question of home is a spiritual one, in which getting over the past is the only hope for the future.

A gripping graphic novel that tells a boy’s experience in a WWII Japanese internment camp, and the lessons that baseball teaches him. Sandy Saito is a happy boy who’s obsessed with baseball — especially the Asahi team, the pride of his community. But when the Japanese attack Pearl Harbor, his life, like that of every North American of Japanese descent, changes forever. Forced to move to a remote internment camp, he and his family cope as best they can. And though life at the camp is difficult, Sandy finds solace in baseball, where there’s always the promise of possibilities. Through his experience, Sandy comes to realize that life is a lot like baseball. It’s about dealing with whatever is thrown at you, however you can. And it’s about finding your way home.

In April 1862, 20 Union soldiers crossed Confederate lines to steal a locomotive called the General and destroy a critical Confederate supply line. In the aftermath half the team was executed; the half that escaped received the newly established Medal of Honor. -- publishers description.

A gripping and true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice, reminiscent of Twelve Years a Slave and Never Caught. Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are instead met with blindfolds, ropes, and knives. Over four long months, their kidnappers drive them overland into the Cotton Kingdom to be sold as slaves. Determined to resist, the boys form a tight brotherhood as they struggle to free themselves and find their way home. Their ordeal—an odyssey that takes them from the Philadelphia waterfront to the marshes of Mississippi and then onward still—shines a glaring spotlight on the Reverse Underground Railroad, a black market network of human traffickers and slave traders who stole away thousands of legally free African Americans from their families in order to fuel slavery’s rapid expansion in the decades before the Civil War. Impeccably researched and breathlessly paced, Stolen tells the incredible story of five boys whose courage forever changed the fight against slavery in America.

During the Civil War, the state of Missouri witnessed the most widespread, prolonged, and destructive guerrilla fighting in American history. With its horrific combination of robbery, arson, torture, murder, and swift and bloody raids on farms and settlements, the conflict approached total war, engulfing the whole populace and challenging any notion of civility. Michael Fellman's Inside War captures the conflict from "inside," drawing on a wealth of first-hand evidence, including letters, diaries, military reports, court-martial transcripts, depositions, and newspaper accounts. He gives us a clear picture of the ideological, social, and economic forces that divided the people and launched the conflict. Along with depicting how both Confederate and Union officials used the guerrilla fighters and their tactics to their own advantage, Fellman describes how ordinary civilian men and women struggled to survive amidst the random terror perpetuated by both sides; what drove the combatants themselves to commit atrocities and vicious acts of vengeance; and how the legend of Jesse James arose from this brutal episode in the American Civil War.

Explains the history of England's northern borderlands in the fifteenth century within a broader social, political and European context.

Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature in the field.