St Petersburgs Historic African American Neighborhoods

Pepper Town, Methodist Town, the Gas Plant district and the 22nd Street South community--these once segregated neighborhoods were built by African Americans in the face of injustice. The resilient people who lived in these neighbourhoods established strong businesses, raised churches, created vibrant entertainment spots and forged bonds among family and friends for mutual well-being. After integration, the neighbourhoods eventually gave way to decay and urban renewal, and tales of unquenchable spirit in the face of adversity began to fade. In this companion volume to St. Petersburg's Historic 22nd Street South, Rosalie Peck and Jon Wilson share stories of people who built these thriving communities, and offer a rich narrative of hardships overcome, leaders who emerged and the perseverance of pioneers who kept the faith that a better day would arrive.

With this powerful, evocative new book, St. Petersburg residents Jon Wilson and Rosalie Peck present an informative narrative that explores the history of St. Petersburg, Florida s most vibrant African American neighborhood: 22nd Street South or the deuces. Throughout the city s history, no other area has personified strength for the African American community like this segregation-era thoroughfare. A haven during the brutal Jim Crow years, 22nd Street South was a place where prominent businessmen and community leaders were the role models and residents and neighbors looked out for one another. The close-knit community encouraged strong, positive values even as its members were treated as second-class citizens in the wider world. Authors Wilson and Peck tell the story of this unique district and how its people and events contributed to and helped to shape the history of St. Petersburg in the context of the greater South and the Civil Rights Movement."

St. Petersburg's African-American community enjoys a rich history that is evidenced within these pages of treasured images and detailed captions. Captured are the people, places, and events that have shaped this community from its earliest days to the present. Highlighted are the city's first black settlers John Donaldson and Anna Germain, former slaves, employees of Louis Bell Jr., and true pioneers. Acknowledged is the impact that the blacks who migrated here in the late 1800s had on the city's development. Shared are fond memories of black neighborhoods like Methodist and Pepper Towns that no longer exist, but can never be forgotten. Remembered is the community's fight for racial equality-using both peaceful and militant means.

This book chronicles the history of Sarasota, Florida's African American community - Newtown - that celebrated its 100-year anniversary in 2014. It answers questions about many aspects of community life: why the earliest African Americans who came to Sarasota, then a tiny fishing village, first settled in areas near downtown called -Black Bottom- and -over town;- their transition from there to Newtown; how they developed Newtown from swampland into a self-contained community to ensure their own survival during the Jim Crow era; the ways they earned a living, what self-help organizations they formed; their religious and educational traditions; residents' military service, the strong emphasis placed on education; how they succeeded in gaining political representation after filing a federal lawsuit; and much more. Newtown residents fought for civil rights, endured and triumphed over Jim Crow segregation, suffered KKK intimidation and violence, and currently are resisting the stealthy gentrification of their community. Whether you are new to the area, a frequent visitor, an educator, historian or a longtime resident trying to connect the dots in your family tree, you will find these stories of courage, dignity and determination enlightening and empowering!

The first book devoted to the history of African Americans in south Florida and their pivotal role in the growth and development of Miami, Black Miami in the Twentieth Century traces their triumphs, drudgery, horrors, and courage during the first 100 years of the city's history. Firsthand accounts and over 130 photographs, many of them never published before, bring to life the proud heritage of Miami's black community. Beginning with the legendary presence of black pirates on Biscayne Bay, Marvin Dunn sketches the streams of migration by which blacks came to account for nearly half the city’s voters at the turn of the century. From the birth of a new neighborhood known as "Colored Town," Dunn traces the blossoming of black businesses, churches, civic groups, and fraternal societies that made up the black community. He recounts the heyday of "Little Broadway" along Second Avenue, with photos and individual recollections that capture the richness and vitality of black Miami's golden age between the wars. A substantial portion of the book is devoted to the Miami civil rights movement, and Dunn traces the evolution of Colored Town to Overtown and the subsequent growth of Liberty City. He profiles voting rights, housing and school desegregation, and civil disturbances like the McDuffie and Lozano incidents, and analyzes the issues and leadership that molded an increasingly diverse community through decades of strife and violence. In concluding chapters, he assesses the current position of the community--its socioeconomic status, education issues, residential patterns, and business development--and considers the effect of recent waves of immigration from Latin America and the Caribbean. Dunn combines exhaustive research in regional media and archives with personal interviews of pioneer citizens and longtime residents in a work that documents as never before the life of one of the most important black communities in the United States.

Pushkin's palaces or Dostoevsky's slums? Many a modern-day visitor to St. Petersburg has one or, more likely, both of these images in mind when setting foot in this stage set-like setting for some of the world's most treasured literary masterpieces. What they overlook is the vast uncharted territory in between. In Mapping St. Petersburg, Julie Buckler traces the evolution of Russia's onetime capital from a "conceptual hierarchy" to a living cultural system--a topography expressed not only by the city's physical structures but also by the literary texts that have helped create it. By favoring noncanonical works and "underdescribed spaces," Buckler seeks to revise the literary monumentalization of St. Petersburg--with Pushkin and Dostoevsky representing two traditional albeit opposing perspectives--to offer an off-center view of a richer, less familiar urban landscape. She views this grand city, the product of Peter the Great's ambitious vision, not only as a geographical entity but also as a network of genres that carries historical and cultural meaning. We discover the busy, messy "middle ground" of this hybrid city through an intricate web of descriptions in literary works; nonfiction writings such as sketches, feuilletons, memoirs, letters, essays, criticism; and urban legends, lore, songs, and social practices--all of which add character and depth to this refurbished imperial city.

"The first full-length national history of American race relations examined through the lens of housing discrimination."--Jacket.

In the bookshops of present-day St. Petersburg, guidebooks abound. Both modern descriptions of Russia’s old imperial capital and lavish new editions of pre-Revolutionary texts sell well, primarily attracting an audience of local residents. Why do Russians read one- and two-hundred-year-old guidebooks to a city they already know well? In How St. Petersburg Learned to Study Itself, Emily Johnson traces the Russian fascination with local guides to the idea of kraevedenie. Kraevedenie (local studies) is a disciplinary tradition that in Russia dates back to the early twentieth century. Practitioners of kraevedenie investigate local areas, study the ways human society and the environment affect each other, and decipher the semiotics of space. They deconstruct urban myths, analyze the conventions governing the depiction of specific regions and towns in works of art and literature, and dissect both outsider and insider perceptions of local population groups. Practitioners of kraevedenie helped develop and popularize the Russian guidebook as a literary form. Johnson traces the history of kraevedenie, showing how St. Petersburg–based scholars and institutions have played a central role in the evolution of the discipline. Distinguished from obvious Western equivalents such as cultural geography and the German Heimatkunde by both its dramatic history and unique social significance, kraevedenie has, for close to a hundred years, served as a key forum for expressing concepts of regional and national identity within Russian culture. How St. Petersburg Learned to Study Itself is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series.

Mary Turner and the Memory of Lynching traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia. In 1918, the murder of a white farmer led to a week of mob violence that claimed the lives of at least eleven African Americans, including Hayes Turner. When his wife Mary vowed to press charges against the killers, she too fell victim to the mob. Mary's lynching was particularly brutal and involved the grisly death of her eight-month-old fetus. It led to both an entrenched local silence and a widespread national response in newspaper and magazine accounts, visual art, film, literature, and public memorials. Turner's story became a centerpiece of the Anti-Lynching Crusaders campaign for the 1922 Dyer Bill, which sought to make lynching a federal crime. Julie Buckner Armstrong explores the complex and contradictory ways this horrific event was remembered in works such as Walter White's report in the NAACP's newspaper the Crisis, the “Kabnis” section of Jean Toomer's Cane, Angelina Weld Grimké's short story “Goldie,” and Meta Fuller's sculpture Mary Turner: A Silent Protest against Mob Violence. Like those of Emmett Till and Leo Frank, Turner's story continues to resonate on multiple levels. Armstrong's work provides insight into the different roles black women played in the history of lynching: as victims, as loved ones left behind, and as those who fought back. The crime continues to defy conventional forms of representation, illustrating what can, and cannot, be said about lynching and revealing the difficulty and necessity of confronting this nation's legacy of racial violence.