Spectres Of God

Priest, poet, and broadcaster Rachel Mann believes the world is charged with a divine spark. She explains how in our encounters with what she terms "the spectres of God," one can become at peace with limitation, precariousness, lack of certainty, and one's fractures--and at the same time find in divine fragility the hope of the world. Drawing on her own experiences, in three short chapters (on the body, on love, and on time) Mann explores how God invites us, repeatedly, to live in a rich, three-dimensional mystery that subverts the depressing flat-earth of modern life. In the My Theology series, the world's leading Christian thinkers explain some of the principal tenets of their theological beliefs in concise, pocket-sized books.

Rachel Mann explains how in our encounters with the spectres of God, one can have peace with limitation, precariousness, and lack of certainty and still find in divine fragility the hope of the world. Drawing on her experience, Mann explores how God invites us to live in a three-dimensional mystery that subverts the depressing realities of life.

Priest, poet and broadcaster Rachel Mann believes the world is charged with a divine spark. She explains how in our encounters with what she terms 'the spectres of God', one can become at peace with limitation, precariousness, lack of certainty, and one's fragility and fractures - and at the same time find in divine fragility the hope of the world. Drawing on her own experiences, in three short chapters (on the body, on love, and on time) Mann explores how God invites us, repeatedly, to live in a rich three-dimensional mystery that subverts the depressing flat-earth of modern life.

In Specters of God, John D. Caputo returns to the original impulse of his work, the "mystical element" in things, here under the name of an "anxious apophatics," as distinct from an "edifying apophatics" anchored in unity with God. In dialogue with Schelling, a new turn for him and the lynchpin of this argument, Caputo addresses the nocturnal powers in being, the specters that haunt our being and bring us up short. The result is an erudite and insightful analysis—in his usual lively and masterful style—of several key "spectral" figures from medieval angelology and Eckhart's Gottheit, through Luther's deus absconditus and Schelling's "Satanology," to the spectralization and virtualization of the world in the "posthuman" age. Arguing that the name of God is not the master name of a super-being who is going to save us but a placeholder for sources deep in our apophatic imaginary, he asks, Has "God" become a (holy) ghost of the past? A passing spectral effect of the ancient harmonies of the spheres? Does radical thinking culminate in a cosmopoetics beyond theism and its theology, in a doxology to the transient glory of the world, whatever it was in the beginning, however eerie its end, world without why?

New York Times bestselling author Steven Erikson continues the beloved Malazan Book of the Fallen with this first book in the thrilling Witness sequel trilogy, The God is Not Willing. Many years have passed since three warriors brought carnage and chaos to Silver Lake. Now the tribes of the north no longer venture into the southlands. The town has recovered and yet the legacy remains. Responding to reports of a growing unease among the tribes beyond the border, the Malazan army marches on the new god’s people. They aren't quite sure what they're going to be facing. And in those high mountains, a new warleader has risen amongst the Teblor. Scarred by the deeds of Karsa Orlong, he intends to confront his god even if he has to cut a bloody swathe through the Malazan Empire to do so. Further north, a new threat has emerged and now it seems it is the Teblor who are running out of time. Another long-feared migration is about to begin and this time it won't just be three warriors. No, this time tens of thousands are poised to pour into the lands to the south. And in their way, a single company of Malazan marines . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Spectres of False Divinity presents a historical and critical interpretation of Hume's rejection of the existence of a deity with moral attributes. In Hume's view, no first cause or designer responsible for the ordered universe could possibly have moral attributes; nor could the existence (or non-existence) of such a being have any real implications for human practice or conduct. Hume's case for this 'moral atheism' is a central plank of both his naturalistic agenda in metaphysics and his secularizing program in moral theory. It complements his wider critique of traditional theism, and threatens to rule out any religion that would make claims on moral practice. Thomas Holden situates Hume's commitment to moral atheism in its historical and philosophical context, offers a systematic interpretation of his case for divine amorality, and shows how Hume can endorse moral atheism while maintaining his skeptical attitude toward traditional forms of cosmological and theological speculation.

Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.

Vol. 1: "Originally published in single magazine form in More Fun Comics 52-70"--Title page verso.

In these never-before-collected tales from the 1990s, the Spectre witnesses genocide on a global scale, leading him to sit in judgement on humanity itself. And when he decides to wipe out the human race, it's up to DC's mystic heroes including John Constantine - Hellblazer, Etrigan the Demon, the Phantom Stranger, Doctor Fate, Zatanna and more to try and stop him. Plus: Professor Nicodemus Hazzard tries to control the Spectre with the magical artifact known as the Spear of Destiny, sending the Spectre on a rampage that only Superman has a hope of stopping. Collects THE SPECTRE #13-22.

Adieu to God examines atheism from a psychological perspective and reveals how religious phenomena and beliefs are psychological rather than supernatural in origin. Answers the psychological question of why, in the face of overwhelming scientific evidence to the contrary, do religions continue to prosper? Looks at atheism and religion using a fair and balanced approach based on the latest work in psychology, sociology, anthropology, psychiatry and medicine Acknowledges the many psychological benefits of religion while still questioning the validity of its supernatural belief systems and providing atheist alternatives to a fulfilling life