Spectacular Skepticism

Early modern English culture was marked by a prolonged and multi-faceted struggle with uncertainty. This epistemological crisis took place on several fronts, crossing elite and popular discourses: in the clash of confessional convictions, the ramifications of Calvin's doctrine of election, the long complications of Elizabethan succession, and the threat to traditions of natural philosophy by the burgeoning field of experimental science, to name a few sites of disturbance. A restless cultural awareness emerged that certainty, whether in earthly matters or those of God, might not be possible. In Spectacular Skepticism: Visual Contradiction on the Early Modern English Stage, I show that this general engagement with skeptical irresolution found a place on the English stage: the theater induced doubt in its spectators by staging visually paradoxical spectacles. I argue that the theater was an essential tool for the development of a set of skeptical ethics in popular discourse. Using Richard Popkin's The History of Scepticism from Erasmus to Spinoza (1979) as a philosophical basis, recent works by William Hamlin and Anita Gilman Sherman, for example, place the theater alongside the renewed interest in classical skepticism that, Popkin shows, transformed Continental intellectual culture in the second half of the sixteenth century. Though the intellectual culture of skepticism is crucial to my own work, I find that these studies miss an opportunity to consider what specific cultural practices acquainted spectators of the theater with uncertaintymost of whom, after all, were unfamiliar with the skepticisms of Cicero and Sextus Empiricus. But I mean to do more than to recalibrate our sense of the cultural background of theatrical plotting; my purpose is to show more clearly how doubt is spectacularized. Since the publication of Jonathan Dollimore's Radical Tragedy (1984) and Graham Bradshaw's Shakespeares Scepticism (1987), as well as Stanley Cavell's magisterial Disowning Knowledge in Six Plays of Shakespeare (1988), scholars have examined uncertainty in drama by studying characters -- Hamlet is the most celebrated example -- who themselves experience the anguish of doubt. I argue that conventions of confounding visual spectaclefor example, the incorporeal ghost of Hamlet's father played by a live actor, the materiality of his body all the more emphasized by his heavy armorto a greater degree than the uncertainty of characters, put skepticisms systematic assault on appearances on theatrical display, and in so doing, invited an imaginative experience of doubt on the part of its spectators. Visual contradictions on the early modern stage constructed a skeptical spectatorship in the theater.

Since the publication of the first edition of Richard Popkin s classic The History of Scepticism in 1960, skepticism has been increasingly recognized as a major force in the development of early modern philosophy. This book provides a review of current scholarship and significant updated research on some of the main thinkers and issues related to the reappraisal of ancient skepticism in the modern age. Special attention is given to the nature, importance, and relation to religion of Montaigne s and Hume s skepticisms; to the various skeptical and non-skeptical sources of Cartesian doubt; to the skeptical and anti-skeptical impact of Cartesianism in the seventeenth and eighteenth centuries; and to philosophers who dealt with skeptical issues in the development of their own various intellectual interests.

Whether ghosts, astrology or ESP, up to 80 per cent of the population believes in one or more aspects of the paranormal. Such beliefs are entertaining, and it is tempting to think of them as harmless. However, there is mounting evidence that paranormal beliefs can be dangerous - cases of children dying because parents rejected orthodox medicine in favour of alternative remedies, and 'psychics' who trade on the grief of the bereaved for personal profit and gain. Expenditure on the paranormal runs into billions of dollars each year. In Beyond Belief: Skepticism, Science and the Paranormal Martin Bridgstock provides an integrated understanding of what an evidence-based approach to the paranormal - a skeptical approach - involves, and why it is necessary. Bridgstock does not set out to show that all paranormal claims are necessarily false, but he does suggest that we all need the analytical ability and critical thinking skills to seek and assess the evidence for paranormal claims.

Skepticism: From Antiquity to the Present is an authoritative and up-to-date survey of the entire history of skepticism. Divided chronologically into ancient, medieval, renaissance, modern, and contemporary periods, and featuring 50 specially-commissioned chapters from leading philosophers, this comprehensive volume is the first of its kind. By exploring each of the distinct traditions and providing expert insights, this extensive reference work: - covers major thinkers such as Sextus Empiricus, Cicero, Descartes, Hume, Spinoza, and Wittgenstein. - acknowledges the influence of ancient skeptical traditions on later philosophy and explains why it is still a fertile topic of inquiry among today's philosophers and historians of philosophy. - analyzes various forms of skepticism including Pyrrhonian, Academic, religious, moral, and neo-Pyrrhonian. - addresses issues in contemporary epistemology and indicates new directions of study. Skepticism, a driving force in the history of philosophy, remains at the center of debates in ethics, philosophy of religion, epistemology, and the philosophy of mind. Skepticism: From Antiquity to the Present is an essential point of reference for any student, researcher, or practitioner of philosophy, presenting a systematic and historical survey of this core philosophical topic.

Skepticism remains a central and defining issue in epistemology, and in the wider tradition of Western philosophy. To better understand the contemporary position of this important philosophical subject, Allan Hazlett introduces a range of topics, including: • Ancient skepticism • skeptical arguments in the work of Hume and Descartes • Cartesian skepticism in contemporary epistemology • anti-skeptical strategies, including Mooreanism, nonclosure, and contextualism • additional varieties of skepticism • the practical consequences of Cartesian skepticism Presenting a comprehensive survey of the key problems, arguments, and theories, together with additional readings, A Critical Introduction to Skepticism is an ideal guide for students and scholars looking to understand how skepticism is shaping epistemology today.

In this book, Henrik Lagerlund offers students, researchers, and advanced general readers the first complete history of what is perhaps the most famous of all philosophical problems: skepticism. As the first of its kind, the book traces the influence of philosophical skepticism from its roots in the Hellenistic schools of Pyrrhonism and the Middle Academy up to its impact inside and outside of philosophy today. Along the way, the book covers skepticism during the Latin, Arabic, and Greek Middle Ages and during the Renaissance before moving on to cover Descartes’ methodological skepticism and Pierre Bayle’s super-skepticism in the seventeenth century. In the eighteenth century, it deals with Humean skepticism and the anti-skepticism of Reid, Shepherd, and Kant, taking care to also include reflections on the connections between idealism and skepticism (including skepticism in German idealism after Kant). The book covers similar themes in a chapter on G.E. Moore and Ludwig Wittgenstein, and then ends its historical overview with a chapter on skepticism in contemporary philosophy. In the final chapter, Lagerlund captures some of skepticism’s impact outside of philosophy, highlighting its relation to issues like the replication crisis in science and knowledge resistance.

Kurtz argues that there are objective standards for judging truth claims in science, ethics, and philosophy. Of special interest is the application of the new skepticism to paranormal claims such as reincarnation and faith healing, and to religious beliefs, ethics and politics.

Skepticism is one of the perennial problems of philosophy: from antiquity, to the early modern period of Descartes and Hume, and right through to the present day. It remains a fundamental and widely studied topic and, as Annalisa Coliva and Duncan Pritchard show in Skepticism, it presents us with a paradox with important ramifications not only for epistemology but also for many other core areas of philosophy. This book provides a thorough grounding in contemporary debates about skepticism, exploring the following key topics: the core skeptical arguments, with a particular focus on Cartesian and Humean radical skepticism the epistemic principles that are held to underlie skeptical arguments, such as the Closure and Underdetermination principles the content externalism of Putnam, Davidson, and Chalmers, and how it might help us respond to radical skepticism the epistemic externalism/internalism distinction and how it relates to the skeptical problematic contextualism in epistemology and its anti-skeptical import the various interpretations of a Wittgensteinian hinge epistemology the viability of epistemological disjunctivism, including whether it can be combined with hinge epistemology as part of a dual response to radical skepticism liberal and conservative responses to the Humean skeptical paradox. Both authors are prominent figures who work on skepticism, and so one novelty of the book is that it provides an insight into their own contrasting responses to this philosophical difficulty. With the addition of annotated further reading and a glossary, this is an ideal starting point for anyone studying the philosophy of skepticism, along with students of epistemology, metaphysics, and contemporary analytic philosophy.

The thirteen newly commissioned essays in The Mystery of Skepticism: New Explorations represent the cutting-edge of research on underexplored skeptical challenges, dimensions of the skeptical problematic, and responses to various kinds of skepticism.

Philosophical Skepticism provides a selection of texts drawn from the skeptical tradition of Western philosophy as well as texts written by opponents of skepticism. Taken together with the historical introduction by Landesman and Meeks, these texts clearly illustrate the profound influence that skeptical stances have had on the nature of philosophical inquiry. Draws a selection of texts from the skeptical tradition of Western philosophy as well as texts written by opponents of skepticism. Spans centuries of skeptical and anti-skeptical arguments, from Socrates to Rorty. Includes essays by Plato, Cicero, Diogenes Laertius, Descartes, Hume, Kant, Kierkegaard, Russell, Quine, Nagel, and many others. Provides a solid foundation for further study.