Sparring With Gil Kane

The Legendary Intellectual and Raconteur Talks to Hal Foster, Walt Kelly, Harvey Kurtzman, Howard Chaykin, Robert Crumb, and Other Artists.

Comic books and superhero stories mirror essential societal values and beliefs. We can be Superman, Batman, Wonder Woman, Spider-Man, Black Panther or Rocket Raccoon through our everyday choices. We can't fly, fix hyper drives or hear human heartbeats a mile away, but we can think about what Matt Murdock would do in a conflict, how Superman would respond to natural disasters and how Captain America would handle humanitarian crises. This book analyzes the impact of dozens of comics by examining the noble personalities, traits and actions of the main characters. Chapters detail how superheroes, comic books and other pop culture phenomena offer more than pure entertainment, and how we can better model ourselves after our favorite heroes. Through our good deeds, quick thinking and positive choices, we can become more like superheroes than we ever imagined.

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of "fake" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.

MEET LEV GLEASON, A REAL-LIFE COMICSSUPERHERO! Gleason was a titan among GoldenAge comics publishers who fought back against the censorship campaigns andparanoia of the Red Scare. After dropping out of Harvard to fight in France,Gleason moved to New York City and eventually made it big with groundbreakingtitles like Daredevil and Crime Does NotPay. Brett Dakin, Gleason's great-nephew,opens up the family archives-and the files of the FBI-to take you on a journeythrough the publisher's life and career. In American Daredevil, you'll learn thetruth about Gleason's rapid rise to the top of comics, unapologetic Progressiveactivism, and sudden fall from grace. Whetherit was Dr. Frederic Wertham and Seduction of the Innocent or the HouseUn-American Activities Committee, Gleason was always ready to take on the enemy.

Today, Churubusco is a residential suburb of Mexico City. In 1847, it was the stronghold of the San Patricios, a motley battalion of soldiers ― even some runaway American slaves ― who deserted the United States Army for a just, if suicidal, cause. In this graphic novel, Ferraris uses a bold charcoal technique to tell their story through the eyes of Gaetano Rizzo (based on a real U.S. soldier). A 22-year-old Sicilian immigrant, he joins the U.S. Army, who has promised him citizenship and a parcel of land if he will fight to take California away from Mexico. Soon, he sees sees the cruelty he is being ordered to inflict is no different from what he had escaped from in his home country.

Earth's star-crossed daughter is back! When Barbarella wanders into a war zone, the theocratic rulers of Parosia arrest and imprison her. A prison break is brewing, but now that she knows what the Parosians do to their own citizens Barbarella decides to make this fight her own...

Gil Kane, one of the most influential and dynamic artists in comics, made his name with his 1960s work on GREEN LANTERN and THE ATOM. After working at Marvel Comics in the 1970s on titles including The Amazing Spider-Man, Conan and more, Kaneshifted to animation, where he served as a character designer on the 1988 Superman animated TV series. He returned to DC in the 1980s to illustrate the adventures of Superman. Kane's dynamic artwork shined on titles like ACTION COMICS, SUPERMAN and others, where he drew not only The Man of Steel and his supporting cast but also numerous guest stars including The Flash, The Atom, the Teen Titans, Hawkman and Animal Man.

Before Peter Parker lost the first great love of his life, her father fell toone of Spider-Man's greatest adversaries. This is the story of Captain GeorgeStacy and the dying wish he made to Spider-Man.