Soviet Russia

This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.

Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

First hand account of the history of rock music in the Soviet Union.

Offers a survey of commercial products created in Russia during the 1960s and 1970s through photographs and essays that describe the inspiration, design, and consumer success of each product.

In post-Soviet Russia, there is a persistent trend to repress, control, or even co-opt national history. By reshaping memory to suit a politically convenient narrative, Russia has fashioned a good future out of a "bad past." While Putin's regime has acquired nearly complete control over interpretations of the past, The Future of the Soviet Past reveals that Russia's inability to fully rewrite its Soviet history plays an essential part in its current political agenda. Diverse contributors consider the many ways in which public narrative shapes Russian culture—from cinema, television, and music to museums, legislature, and education—as well as how patriotism reflected in these forms of culture implies a casual acceptance of the valorization of Stalin and his role in World War II. The Future of the Soviet Past provides effective and nuanced examples of how Russia has reimagined its Soviet history as well as how that past still influences Russia's policymaking.

From the capricious reign of Catherine the Great and Alexander I to the provocative leadership of Mikhail Gorbachev, the author concentrates on the interplay between interests and ideologies in the relationship between the United States and the Soviet Union, in an even-handed, non-ideological narrative.

One of the world's best-known Russian scholars and a former consultant to both Gorbachev and Yeltsin analyzes the events that have transpired in the Russian federation since late August 1991, from the drastic liberalization of prices and "shock therapy" to the privatization of state owned property and Yeltsin's resignation and replacement by Vladimir Putin.

Almost twenty years after the Soviet Unions' end, what are we to make of its existence? Was it a heroic experiment, an unmitigated disaster, or a viable if flawed response to the modern world? Taking a fresh approach to the study of the Soviet Union, this Very Short Introduction blends political history with an investigation into the society and culture at the time. Stephen Lovell examines aspects of patriotism, political violence, poverty, and ideology; and provides answers to some of the big questions about the Soviet experience. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

I Found God in Soviet Russia, first published in 1959, is a profoundly moving account of author John Noble's religious epiphany while confined in a brutal Soviet prison following World War II. The book also recounts Noble's harrowing survival of the massive Allied fire-bombing of Dresden, where he and his family took shelter in the cellar of their home (which was partially destroyed during the raid). Following World War II, Noble, along with his father, were arrested in East Germany and held in several prison camps in Germany including the infamous Nazi-era Buchenwald. Noble is eventually transferred to Vorkuta in far northern Russia where he works in a coal mine. Sustained by his faith and devotion to God, Noble recounts his experiences, stories of his captors and fellow inmates, and the deep faith shown by many of the other prisoners. Of special note is a chapter devoted to three nuns who, as punishment for refusing to work, were placed outdoors in sub-zero weather in only lightweight-clothing. Miraculously, the nuns came through the ordeal without frostbite and were thereafter excused from work details. Following an imprisonment of nearly 10 years, Noble was eventually released to the West, and would go on to lecture about his experiences for the remainder of his life. I Found God in Soviet Russia complements the author's other book entitled I Was a Slave in Russia, which details the day-to-day life in the Soviet gulag.