Soviet Military Operational Art

David Glantz examines the Soviet study of war, the re-emergence of the operation level, the evolution of the Soviet theory of operations in depth before 1941, and its application in the European theatre and the Far East between 1941 and 1945.

David Glantz examines the Soviet study of war, the re-emergence of the operation level and its connection with deep battle, the evolution of the Soviet theory of operations in depth before 1941, and its refinement and application in the European theatre and the Far East between 1941 and 1945.

Soviet military-theoretical theories are revealed in the words of those who created them in peacetime and applied them in war. This collection of texts has been taken from formerly classified material in the official Red Army General staff journal

Soviet military-theoretical theories are revealed in the words of those who created them in peacetime and applied them in war. This collection of texts has been taken from formerly classified material in the official Red Army General staff journal

This collection of texts has been taken from formerly classified material in the official Red Army General Staff journal 'Military Thought'. The results are two volumes of great scope based on archival evidence. They stand as a compulsory reference point for anyone with an interest in the operational endeavours of the Soviet Army from the 1920's onward.

The Soviet military concept of operational art and the associated theories such as "war of annihilations", "deep battle", and "deep operations" have been observed by the West since World War II. The Soviet government hid their military-theoretical work behind a veil of secrecy. Here, the Soviet theories are revealed in the words of those who created them in peacetime and applied them in war.

With the defeat and destruction of German Sixth Army at Stalingrad all but certain at the end of 1942, the war on the Eastern Front took a definitive turn as the Germans struggled to erect a new defensive front to halt the Soviet juggernaut driving west. Operation Don’s Main Attack is the first detailed study of the dramatic clash of armies that followed, unfolding inexorably over the course of two months across an expanse of more than 1,600 kilometers. Using recently released Russian archival material never before available to researchers, David M. Glantz provides a close-up account, from both sides, of the planning and conduct of Operation Don—the Soviet offensive by the Red Army's Southern front that aimed to capture Rostov in January–February 1943. His book includes a full array of plans, candid daily reports, situation maps, and strength and casualty reports prepared for the forces that participated in the offensive at every level. Drawing on an unprecedented and comprehensive range of documents, the book delves into many hitherto forbidden topics, such as unit strengths and losses and the foibles and attitudes of command cadre. Glantz’s work also presents rare insights into the military strategy, combat tactics, and operational art of such figures as Generals Eremenko and Malinovsky and Field Marshal Erich von Manstein. A uniquely informed study of a critical but virtually forgotten Soviet military operation, Operation Don’s Main Attack offers a fresh perspective on the nature of the twentieth century’s most terrible of wars.

A category of military art called naval operational art exists in the Soviet Union. For the Soviets the art is the scientific skill of planning and conducting the interlinked engagements, strikes, and maneuvers that comprise the modern naval operation. The Soviets exercise naval operational art according to principles of the art which the Soviets emphasize with a stiff formalism that can be exploited by the West. This study describes the art and its style and suggests Soviet naval war fighting scenarios based on the application of the principle of naval operational art.