Songs In Motion

Features an audio read-along! With a simple, witty story and free-spirited illustrations, Peter H. Reynolds entices even the stubbornly uncreative among us to make a mark -- and follow where it takes us. Her teacher smiled. "Just make a mark and see where it takes you." Art class is over, but Vashti is sitting glued to her chair in front of a blank piece of paper. The words of her teacher are a gentle invitation to express herself. But Vashti can’t draw - she’s no artist. To prove her point, Vashti jabs at a blank sheet of paper to make an unremarkable and angry mark. "There!" she says. That one little dot marks the beginning of Vashti’s journey of surprise and self-discovery. That special moment is the core of Peter H. Reynolds’s delicate fable about the creative spirit in all of us.

This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of poetry and music.

Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel nee Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especially by the fusion of poetry and music. Poetic meter itself has expressive qualities, and rhythmic variations contribute further to the modes of signification. These features often carry over into songs, even as they are set in the more strictly determined periodicities of musical meter. A new method of declamatory-schema analysis is presented to illustrate common possibilities for setting trimeter, tetrameter, and pentameter lines. Degrees of rhythmic regularity and irregularity are also considered. There has been a wealth of new work on metric theory and analysis in the past thirty years; here this research is reviewed and applied in song analysis. Topics include the nature of metric entrainment (drawing on music psychology), metric dissonance, hypermeter, and phrase rhythm. Whereas narrative accounts of the nineteenth-century Lied typically begin with Schubert, here forms of expansion and elision in songs by Hensel provide a point of departure. Repetition links up directly with motion in songs by Schubert, including his famous "Gretchen am Spinnrade." The doubling and reverberation of vocal melody creates a form of interiorized resonance in Schumann's songs. Brahms and Wolf are typically understood as polar opposites in the later nineteenth century; here the differences are clarified along with deeper affinities. Songs by both Brahms and Wolf may be understood as musical performances of poetic readings, and in this regard they both belong to a late period of cultural history [Publisher description].

(Easy Piano Songbook). Disney's Tangled is a story of adventure, heart, humor and hair lots of hair. The soundtrack matches the fun & adventure of the film, with original songs and score from legendary, 8-time Academy Award -winning composer Alan Menken and Tony and Grammy nominee Glenn Slater. Features Mandy Moore singing on several of the songs, and Grace Potter performing her hit "Something That I Want." Also includes easy arrangements of: Healing Incantation * I See the Light * I've Got a Dream * Mother Knows Best * and When Will My Life Begin, plus a stunning section of full-color art!

Ages 3 to 9 years. All of the songs and rhymes in this book, passed down from generation to generation, are full of wonder, magic, and make-believe and encourage children -- and parents -- to move with the beat. This collection includes beat games in which the song or rhyme follows the child's preferred beat tempo, games in which everyone stays in one place and the beat is felt in hand movements, and activities where the beat is put in the feet as everyone travels around the room. Among the popular songs included are "We're Going on a Bear Hunt," "Rig-a-Jig Jig," "Did You Ever See a Lassie," and "Cobbler, Cobbler."

When the world feels chaotic, find peace within through an accessible mindfulness practice from the bestselling picture-book dream team that brought us I Am Yoga. Express emotions through direct speech. Find empathy through imagination. Connect with the earth. Wonder at the beauty of the natural world. Breathe, taste, smell, touch, and be present. Perfect for the classroom or for bedtime, Susan Verde’s gentle, concrete narration and Peter H. Reynolds’s expressive watercolor illustrations bring the tenets of mindfulness to a kid-friendly level. Featuring an author’s note about the importance of mindfulness and a guided meditation for children, I Am Peace will help readers of all ages feel grounded and restored.

(Piano/Vocal/Guitar Songbook). Matching folio to this 2021 film about a one-of-a-kind kinkajou who embarks on an unforgettable musical adventure to deliver a love song on behalf of his owner. It features all-new original songs by Lin-Manuel Miranda and a score by Alex Lacamoire. Vivo is an exhilarating story about gathering your courage, finding family in unlikely friends, and the belief that music can open you to new worlds!