Songs For The Fast And Pascha

Among the writers of the Syriac Christian tradition, none is as renowned as St. Ephrem of Nisibis (ca. 307?373), known to much of the later Christian world simply as "the Syrian." The great majority of Ephrem's works are poetry, with the madr??? ("teaching songs") especially prominent. This volume presents English translations of four complete madr??? cycles of Ephrem: On the Fast, On the Unleavened Bread, On the Crucifixion, and On the Resurrection. These collections include some of the most liturgically oriented songs in Ephrem's corpus, and, as such, provide a window into the celebration of Lent and Easter in the Syriac-speaking churches of northern Mesopotamia in the fourth century. Even more significantly, they represent some of the oldest surviving poetry composed for these liturgical seasons in the entire Christian tradition. Not only are the liturgical occasions of the springtime months a source of colorful imagery in these texts, but Ephrem also employs traditional motifs of warm weather, spring rainstorms, and revived vegetation, which likely reflect Hellenistic literary influences. Like all of Ephrem's poetry, these songs express early Christian theology in language that is symbolic, terse, and vibrant. They are rich with biblical allusions and references, especially to the Exodus and Passion narratives. They also reveal a contested religious environment in which Ephrem strove to promote the Christian Pascha and Christian interpretations of Scripture over and against those of Jewish communities in the region, thus maintaining firm boundaries around the identity and practices of the churches.

In this volume Blake Hartung explores the place of the passion and death of Jesus in the writings of Ephrem of Nisibis (ca. 307–373). The book argues that the genre of Ephrem’s works (usually short poems for public performance), is key to understanding his unsystematic approach. Ephrem drew widely upon the Passion narratives and traditional motifs related to Christ’s death and deployed them differently in distinct settings. Each chapter explores a key theme in Ephrem’s discourse about the death of Christ in context (including anti-Judaism, the defeat of death, and economic imagery). Ultimately, Hartung urges further consideration of the role of Christ’s death in early Christian thought and practice beyond the traditional confines of atonement theology.

This is the second of a two-volume set that includes Thomas Scheck's new translations of several of St. Jerome's previously untranslated exegetical letters. Epistle 85 to St. Paulinus of Nola contains Jerome's answers to two questions: how Exodus 7.13 and Romans 9.16 can be reconciled with free will, and what 1 Corinthians 7.14 means. Epistle 106 to Sunnias and Fretela, which deals with textual criticism of the Septuagint, consists of a meticulous defense of Jerome's new translation of the Latin Psalter. Epistle 112 is a response to three letters from St. Augustine: Ep. 56 (contained in the previous volume), Ep. 67, and Ep 104. In the face of Augustine's criticisms, Jerome defends his own endeavor to translate the Old Testament directly from the Hebrew text. He also vindicates his own ecclesiastical interpretation of Galatians 2.4-11, as he had set this forth in his Commentary on Galatians, and along the way he accuses Augustine of advocating the heresy of Judaizing. Epistle 119 to Minervius and Alexander contains Jerome's answers to some eschatological questions regarding the interpretation of 1 Corinthians 15.51 and 1 Thessalonians 4.17. In Epistle 120 to Hedibia, Jerome tackles twelve exegetical questions that focus on reconciling the discrepant Resurrection accounts in the Gospels, as well as questions about Romans 9.14-29, 2 Corinthians 2.16, and 1 Thessalonians 5.23. In Epistle 121 to Algasia, Jerome clarifies eleven exegetical questions dealing with passages in the Gospels and Paul's letters (Romans 5.7; 7.7-25; 9.3-5; Colossians 2.18-19; 2 Thessalonians 2.3). This letter also contains an exposition of the parable of the unjust steward (Luke 16.1-10), in which Jerome translates material from a commentary attributed to Theophilus of Antioch. In Epistle 129 to Dardanus, Jerome interprets "the promised land" and discusses the alleged crimes of the Jews. Epistle 130 to Demetrias is not an exegetical letter but an exhortation to the newly consecrated virgin on how to live out her vocation. In this letter Jerome reflects on Origenism and Pelagianism. Finally, in Epistle 140 to Cyprian the presbyter, Jerome expounds Psalm 90.

This volume provides the first English translation of the nine extant homilies on Psalms 36[37]–38[39] preached by Origen (d. 253/4) to his congregation at Caesarea as arranged and translated for Latin readers by his admirer, Rufinus of Aquileia (d. 411). These homilies are among the earliest extant examples of patristic preaching on the Psalter. The interpretation offered throughout these homilies, which is almost wholly moral, reflects Origen’s understanding of the “soul” of the scriptural text. These homilies provide a glimpse of Origen’s account of scriptural meaning, outlined in De principiis 4, in pastoral practice. In his preaching, Origen offers a vision of the Christian life as centered on the soul’s continuing conversion, growth, and progress, with particular reference to and within the context of the Church. The life of the believer is one of combat and struggle with powers opposed to Christ. It is Christ, as the divine Physician, who offers healing to the one who is wounded and ailing from sin, and it is Christ, as Wisdom and Word of God, who instructs and educates the believer in the life of the Spirit. These homilies reveal the substantial coherence of Origen’s thought, as expressed in the more speculative De principiis and as revealed in the more elaborate, nuptial theology found in his Commentary on the Canticle. This volume includes a robust introduction and complements the work of Joseph Trigg, whose translation from the original Greek of the cache of homilies discovered in Codex Monacensis 314 has recently appeared in this series.

Beginning with "spiritual" interpretation and anti-Judaic polemic to secure the Pesach institution narrative (Ex 12) for Christian proclamation, major centers of Asia Minor and Syria, then Upper Egypt and the West, develop distinct rhetorical structures that load first the day, then the date of Pascha, with theological meaning. The emergence of the four-gospel canon at the end of the second century enriches, but does not supplant, a dialogue between Christian rituals and the scriptures inherited from Judaism. The Antenicene Pascha takes a fresh approach to the scattered literary remains of the earliest paschal feast by acknowledging them for what they are: relics of heated disputes about ritual boundaries that had elevated the Pascha, an observance with no explicite reference in first century literature, to an icon of unity and orthodoxy at the Council of Nicaea. Just as these disputes repeat familiar patterns of establishing Christian identity, much modern scholarship employs hermeneutical categories derived from other conflicts (Great Schism, Reformation) that often obscure, rather than reveal, the history of the paschal celebration. This book will be of value not only to students of the liturgy, but also to those interested in the history of biblical hermeneutics, the canon, and the roots of Christian anti-Judaism.

Reprint of the original, first published in 1881.

Poetry in the English tradition from an American Orthodox Christian. Songs of Time and Season is a collection of poetry by Andrew Stephen Damick, an Orthodox Christian and lover of English literature. In it, he attempts to come to grips with many of the central themes of life in Christ -- what it means to love truly, the inner meaning of repentance, communion with the Divine, the great feasts of the Orthodox Church, holy places, and other central themes of sojourn in this earthly life. It features prominently his epithalamion Tradition's Time, a 12-stanza 365-line poem written for his own wedding which is arranged around the Church calendar. He invites you to come and savor with him the traditional forms of English poetry with a fresh dip into eternal waters. Click here for a full description and excerpts.

Ephrem is known for a theology that relies heavily on symbol and for a keen awareness of Jewish exegetical traditions. Yet he is also our earliest source for the reception of Nicaea among Syriac-speaking Christians. It is in his eighty-seven Hymns on Faith - the longest extant piece of early Syriac literature - that he develops his arguments against subordinationist christologies most fully. These hymns, most likely delivered orally and compiled after the author's death, were composed in Nisibis and Edessa between the 350s ans 373. They reveal an author conversant with Christological debates further to the west, but responding in a uniquely Syriac idiom. As such, they form an essential source for reconstructing the development of pro-Nicene thought in the eastern Mediterranean.