Some Go Home

Winner of the 2021 Mississippi Institute of Arts and Letters Award for Fiction A searing debut novel that follows three generations—fractured by murder, seeking redemption—in fictional Pitchlynn, Mississippi. An Iraq War veteran turned small-town homemaker, Colleen works hard to keep her deployment behind her—until pregnancy brings her buried trauma to the surface. She hides her mounting anxiety from her husband, Derby, who is in turn preoccupied with the retrial of his father, Hare Hobbs, for a decades-old, civil rights–era murder. Colleen and Derby’s community, including the descendants of the murder victim, still grapple with the fallout; corrections officer Doc and his wife, Jessica, have built their life in the shadow of this violent act. As a media frenzy builds, questions of Hare’s guilt—and of the townsfolks’ potential complicity in the crime—only magnify the ever-present tensions of class and race, tied always to the land and who can call it their own. At the center of these lingering questions is Wallis House, an antebellum estate that has recently passed to new hands. A brick-and-mortar representation of a town trying to erase its past, Wallis House is both the jewel of a gentrifying 2010s Pitchlynn, and the scene of the 1964 murder itself. When fresh violence erupts on the property grounds, the battle between old Pitchlynn and new, between memorial site and moving on, forces a reckoning and irreparable loss. Some Go Home twists together personal and collective history, binding north Mississippi to northside Chicago, in a richly textured, explosive depiction of both the American South and our larger cultural legacy.

This "thrilling" novel that follows three generations—fractured by murder, seeking redemption—in fictional Pitchlynn, Mississippi "has the grit, power, and soul of Janis Joplin and the hardscrabble depth of Johnny Cash." (Randall Kenan) An Iraq War veteran turned small-town homemaker, Colleen works hard to keep her deployment behind her—until pregnancy brings her buried trauma to the surface. She hides her mounting anxiety from her husband, Derby, who is in turn preoccupied with the retrial of his father, Hare Hobbs, for a decades-old, civil rights–era murder. Colleen and Derby’s community, including the descendants of the murder victim, still grapple with the fallout; corrections officer Doc and his wife, Jessica, have built their life in the shadow of this violent act. As a media frenzy builds, questions of Hare’s guilt—and of the townsfolks’ potential complicity in the crime—only magnify the ever-present tensions of class and race, tied always to the land and who can call it their own. At the center of these lingering questions is Wallis House, an antebellum estate that has recently passed to new hands. A brick-and-mortar representation of a town trying to erase its past, Wallis House is both the jewel of a gentrifying 2010s Pitchlynn, and the scene of the 1964 murder itself. When fresh violence erupts on the property grounds, the battle between old Pitchlynn and new, between memorial site and moving on, forces a reckoning and irreparable loss. Some Go Home twists together personal and collective history, binding north Mississippi to northside Chicago, in a richly textured, explosive depiction of both the American South and our larger cultural legacy.

What's the best room in the house? Is it the kitchen with its wonderful aromas and goodies? Or is it the front porch, where guests flock to visit on summer nights? Maybe it's the cozy bedroom, when you are snuggling deep under the covers on winter mornings. With gracious text and enchanting images, Newbery Medalist Cynthia Rylant and acclaimed illustrator Wendy Anderson Halperin invite readers home -- to remind us why there's no place like it!

A gay man returns to his conservative hometown in a tale of memory and murder inspired by true events: “An emotionally resonant, page-turning story.”—Booklist Some Go Hungry is a fictional account drawn from the author’s own experiences working in his family’s provincial Indiana restaurant, and wrestling with his sexual orientation, in a town that was rocked by the scandalous murder of his gay high school classmate in the 1980s. Now a young man who has embraced his sexuality, Grey Daniels returns from Miami Beach, Florida, to Fort Sackville, Indiana, to run Daniels’ Family Buffet for his ailing father. Understanding that knowledge of his sexuality may reap disastrous results on his family's half-century-old restaurant legacy—a popular Sunday dinner spot for the after-church crowd—Grey struggles to live his authentic, openly gay life. But he is truly put to the test when his former high school lover—and fellow classmate of the murdered student—returns to town as the youth pastor and choir director of the local fundamentalist Christian church. Some Go Hungry is the story of a man forced to choose between the happiness of others and his own joy, all the while realizing that compromising oneself—sacrificing your soul for the sake of others—is not living, but death. “This literary mystery follows Grey Daniels on a return trip to his hometown of Fort Sackville, Indiana where, decades earlier, one of his gay classmates was brutally murdered. While visiting, Grey must confront a painful past riddled in homophobia, secrets, religious hypocrisy and fear.”—Queerty “Some Go Hungry is at its best when confronting religious prejudice, and is even pulse-quickening when the narrator sits through one of his friend's sermons aimed directly at him....Only someone who has grown up in rural America could write so convincingly of the pressures there. It's also refreshing to find a book that relates the experience of being gay somewhere other than in a large city.”—Gay & Lesbian Review “Tells an important tale that in some ways is timeless, and in other ways could have been ripped from today's headlines.”—Mark Childress, author of Crazy in Alabama

"Today We Go Home shines an illuminating light on history and the female soldiers who have served this country from the Civil War to Afghanistan today. Kelli Estes passionately brings the past to life, interweaving the story of two women from different centuries whose journey towards hope is timeless."—GWENDOLYN WOMACK, USA Today bestselling author of The Fortune Teller and The Time Collector In this evocative work of historical fiction, USA Today bestselling author Kelli Estes pairs two military women who—in the Civil War and Afghanistan—share determination, honor, and a call to serve the United States, no matter the cost. Seattle, Washington: Larkin Bennett has always known her place, whether it's surrounded by her loving family in the lush greenery of the Pacific Northwest or conducting a dusty patrol in Afghanistan. But all of that changed the day tragedy struck her unit and took away everything she held dear. Soon after the disaster, Larkin discovers an unexpected treasure—the diary of Emily Wilson, a young woman who disguised herself as a man to fight for the Union in the Civil War. As Larkin struggles to heal, she finds herself drawn deeply into Emily's life and the secrets she kept. Indiana, 1861: The only thing more dangerous to Emily Wilson than a rebel soldier is the risk of her own comrades in the Union Army discovering her secret. But, as the war marches on and takes its terrible toll, Emily begins to question everything she thought she was willing to risk her life for. Historical fiction fans of Marie Benedict, Beatriz Williams, and Kate Quinn will be inspired by this story of two women in militaries, separated by centuries, but united in hope and dignity.

An anthology of Asian diasporic writers musing on the notion of “home.” “Bold and devastating . . . the very definition of reclamation.” —The International Examiner Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong. “The notion of home has always been elusive. But as evidenced in these stories, poems, and testaments, perhaps home is not so much a place, but a feeling one embodies. I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, New York Times-bestselling author of On Earth We’re Briefly Gorgeous “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, author of My Baby First Birthday “Language allows for many homes, and perhaps the writers—and readers of the anthology too—will succeed in returning home, or finding a home, through these words.” —NPR.org “Effectively dismantling all sorts of stereotypes, Buchanan’s anthology gives voice to notions of identity, belonging and displacement that are much more vast, complex and textually rich than mere geography.” —Shelf Awareness “Revolutionary for all the iterations of ‘home’ it shows through fiction, poetry, and memoir, sure to provoke a full range of emotions to swoon and clutch in my chest.” —Literary Hub

Gordon Korman’s uproarious, outrageous, and all-too-familiar summer camp adventure is BACK! Rudy Miller really isn’t into the whole camping thing. So when his parents send him to Camp Algonkian “for his own good” all he wants to do is go home. Rudy teams up with his cabin-mate Mike for a series of carefully planned — yet hilariously bungled — escape attempts. Unfortunately, their counsellor (and nemesis) Chip is as determined to keep them there as they are to get away. Rudy and Mike spend their days plotting, playing chess, and working off punishments for their failed escapes. Hmmm, maybe it isn’t such a bad way to spend the summer after all . . .

THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE! Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last. It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets. No one knew why they had come. No one knew how to make them go away - except perhaps, Luke Devereaux. Unfortunately he was going slightly bananas, so it wouldn't be easy. But for a science fiction writer nothing was impossible...

The author of the acclaimed Proust and the Squid follows up with a lively, ambitious, and deeply informative book that considers the future of the reading brain and our capacity for critical thinking, empathy, and reflection as we become increasingly dependent on digital technologies. A decade ago, Maryanne Wolf’s Proust and the Squid revealed what we know about how the brain learns to read and how reading changes the way we think and feel. Since then, the ways we process written language have changed dramatically with many concerned about both their own changes and that of children. New research on the reading brain chronicles these changes in the brains of children and adults as they learn to read while immersed in a digitally dominated medium. Drawing deeply on this research, this book comprises a series of letters Wolf writes to us—her beloved readers—to describe her concerns and her hopes about what is happening to the reading brain as it unavoidably changes to adapt to digital mediums. Wolf raises difficult questions, including: Will children learn to incorporate the full range of "deep reading" processes that are at the core of the expert reading brain? Will the mix of a seemingly infinite set of distractions for children’s attention and their quick access to immediate, voluminous information alter their ability to think for themselves? With information at their fingertips, will the next generation learn to build their own storehouse of knowledge, which could impede the ability to make analogies and draw inferences from what they know? Will all these influences change the formation in children and the use in adults of "slower" cognitive processes like critical thinking, personal reflection, imagination, and empathy that comprise deep reading and that influence both how we think and how we live our lives? How can we preserve deep reading processes in future iterations of the reading brain? Concerns about attention span, critical reasoning, and over-reliance on technology are never just about children—Wolf herself has found that, though she is a reading expert, her ability to read deeply has been impacted as she has become increasingly dependent on screens. Wolf draws on neuroscience, literature, education, and philosophy and blends historical, literary, and scientific facts with down-to-earth examples and warm anecdotes to illuminate complex ideas that culminate in a proposal for a biliterate reading brain. Provocative and intriguing, Reader, Come Home is a roadmap that provides a cautionary but hopeful perspective on the impact of technology on our brains and our most essential intellectual capacities—and what this could mean for our future.

Glory Boughton has returned to Gilead to care for her dying father. soon her brother, Jack—the prodigal son of the family, gone for twenty years—comes home too, looking for refuge and trying to make peace with a past littered with torment and pain. A troubled boy from childhood, an alcoholic who cannot hold a job, Jack is one of the great characters in recent literature. He is perpetually at odds with his surroundings and with his traditionalist father, though he remains Reverend Boughton’s most beloved child. Brilliant, beguiling, lovable and wayward, Jack forges an intense new bond with Glory and engages painfully with John Ames, his godfather and namesake. Home is a moving and healing book about families, family secrets and the passing of the generations, about love and death and faith. It is arguably Marilynne Robinson’s greatest work, an unforgettable embodiment of the deepest and most universal emotions.