Slipknot All Hope Is Gone

With no fewer than nine members and a unique stage image based on grotesque masks and boiler suits, Slipknot retained a mystique that was unprecedented in the metal world, never allowing their faces to become known – so that the focus would remain on their music. The first edition of this book published in 2001 followed the band from their inception in Des Moines, Iowa in the mid-1990s through to the release of their second album: an updated edition followed in 2003. It’s now a decade since the first volume appeared, and in that time Slipknot have evolved into a completely different band from the one that first emerged into the limelight in 1999. Everyone knows their faces now. The band’s music is darker, deeper and more adult after four studio albums, three DVDs and a live release. Most strikingly, the sudden death of their bass player Paul Gray in 2010 has changed the face and the attitude of the group, although their commercial profile is, if anything, greater than it was before. Slipknot: All Hope Is Gone explores this unlikely and tragic evolution, with new chapters covering the band’s career to date – and it also asks what their future will be.

(Guitar Recorded Versions). Our matching folio to Slipknot's eponymous major label debut features these Des Moines masked marauders at their mega-aggro best! Includes photos and note-for-note transcriptions with tab for 14 songs: Diluted * Eeyore * Eyeless * Liberate * Me Inside * No Life * Only One * Prosthetics * Scissors * (Sic) * Spit It Out * Surfacing * Tattered and Torn * Wait and Bleed.

Slipknot, the instantly-recognisable heavy metal band from Des Moines, Iowa, shot to fame after the release of their first album in 1999, grabbing the attention of millions of adoring fans, and some not-so-adoring conservative commentators. From the first, Paul Harries photographed them on stage, backstage and through artistic eyes, and Dysfunctional Family Portraits is a fascinatingly creative look at this distinctive band. The name Dysfunctional Family Portraits perfectly sums up the band, a dysfunctional melee of chaos and aggressive music, while the humans behind the monstrous masks remained truly close, and their camaraderie comes across in these intimate photographic portraits. The energy and chaos of their live shows is particularly well-captured by Harries' brilliant shots, showing them in their natural habitat: that of loud, sweaty, energetic and adrenaline-fuelled music. Throughout Dysfunctional Family Portraits, Paul Harries guides the reader on a journey from Slipknot's beginnings with their truly terrifying masks and red boiler suits, through their changing looks and their artistic developments. As Paul Harries says, being a rock photographer is not an easy task. You have to be able to capture personality and the essence of a musical style in a visual medium. But photographing Slipknot is a whole new endeavour, capturing masked madmen straight out of a horror film while maintaining order among the chaos must have been difficult, but the brilliance of this book is testament to his ability as a photographer. Featuring full colour photographs of Slipknot throughout their journey as a band, you will get to see exclusive backstage antics, dynamic shots of their legendary live shows, as well as hundreds of other behind-the-scenes pictures and words from Harries and members of the band. Perfect for a Slipknot fan, but also ideal for anyone interested in modern heavy metal music or even darkly comic theatrics. A ridiculously entertaining band, the vibrant photographs in Dysfunctional Family Portraits are full of life and full of the energy that Slipknot, as a band, have transmitted through their music.

New York Times bestselling leadsinger of Slipknot and Stone Sour's hilarious trawl through the endless backwaters of human stupidity Corey Taylor has had it. Had it with the vagaries of human behavior and life in this postmodern digital blanked-out waiting room that passes for a world. Reality TV, awful music, terrible drivers, megamalls, airports, family reunions, bad fashion choices, other people's monstrous children, and badly-behaved "adult" human beings are warping life in the twenty-first century into an often-unbearable endurance test of one's patience, fortitude, and faith. You're Making Me Hate You is a blisteringly funny diatribe that skewers the worst aspects of human behavior with a knowing eye for every excruciating detail, told in the vivid way that only Corey Taylor can. Like his previous bestselling forays, You're Making Me Hate You is an unflinching glimpse into the mind of Corey Taylor, who spares no one from his seething gaze. Make no mistake: this is not the Corey Taylor you run into at meet-and-greets or in line at the coffee shop. This is not the kind and cuddly guy who kisses babies and takes pictures with your mom while leaving a voicemail for that distant cousin in college. This is not the loveable scamp who can poke just as much fun at himself as he does at the various rubes around him, though to be fair he does save one chapter for a brutal and lacerating self-analysis. This is Corey Motherfucking Taylor. This is the Great Big Mouth. This is that bastard you wonder about when you listen to Slipknot and Stone Sour. Funny, profane, blasphemous, and above all right on target, You're Making Me Hate You is pure Corey Taylor unleashed, exposing the underbelly of human depravity in all its ragged glory.

"The only plan right now is to kill everybody" Joey Jordison, drummerIgnoring every rule in the book and more besides, Slipknot are a notoriously controversial band who combine a talent for outrage with their music. Reminiscent of the outlandishness of punk, 'nu metal' has become the fastest growing area in rock, with Slipknot selling over 2 million copies of their debut album. And yet Slipknot spit, swear and risk injury night after night in their extraordinary live performances. Incredibly, their apparel of masks and boiler suits, which they refuse to remove, means that their fans still do not know what they look like. Jason Arnopp, the first British journalist to interview Slipknot face to mask, describes the transformation of the Des Moines crew into unorthodox mega stars. Featuring an introduction by the legendary Gene Simmons of Kiss, this biography will be the first published on the band either in the UK or America and will include exclusive interviews and in-depth information on the mysterious nine masked men.

Brace yourself for a roller coaster thrill ride as you join the Tattoo the Earth 2000 summer tour of America, the most insane tour ever inflicted on a continent. Featuring twenty of metal’s biggest bands, including Metallica, Slipknot, and Slayer, plus Filip Leu, Sean Vasquez, and the world’s best tattoo artists, these renegade outsiders pissed off all the wrong music business heavyweights but left delirious inked fans in their wake. Caravan of Pain is a rip-roaring music business underdog tale: compelling, hysterical, and cautionary. Its unique peek inside the world of music festivals, metal, and tattooing gives the reader a front row seat to a watershed time in our culture at the turn of the millennium. Told with candor and humor by the tour’s creator Scott Alderman and illustrated with memorabilia and never-before-seen photos, Caravan of Pain is a story of inspiration, persistence, and the dark side of following a dream. "...a rare chronicle of the era in which tattooing went from an underground activity to a part of the mainstream—a shift that Tattoo the Earth can lay claim to having energized. A highly entertaining account of one of rock's most colorful tours." - Kirkus Reviews "...provides interesting, hilarious and often harrowing insight into an era when tattooing was still largely an underground subculture and metal was feared by many." - Revolver "For anyone thinking of starting something like this it shows that you better do a deep background check into the type of people that you might be dealing with if you choose to move forward." - Kevin Lyman, Warped Tour Founder

A skewering of the American underbelly by the New York Times bestselling author of Seven Deadly Sins, A Funny Thing Happened on the Way to Heaven, and You're Making Me Hate You The always-outspoken hard rock vocalist Corey Taylor begins America 51 with a reflection on what his itinerant youth and frequent worldwide travels with his multiplatinum bands Slipknot and Stone Sour have taught him about what it means to be an American in an increasingly unstable world. He examines the way America sees itself, and likewise takes a look at how the world views us, and his findings should come as a surprise to no one. But behind Taylor's ranting and raving is a thoughtful and intelligent consideration, and even a sadness, of what America is compared to what it could and should be. Expertly balancing humor, outrage, and disbelief, America 51 proves that no element of what constitutes America is safe from Taylor's adept and scathing eye as he flawlessly skewers "the greatest country in the world" in his own signature style.