Skyros Carnival

Follow the fascinating course of history from classical Greece to the development of the modern nation in this fascinating portrait of Greek culture. From the most well-known temples and ruins of ancient Athens, Crete, and Delphi, to the contemporary disputes on the Island of Cyprus, students will gain an impressive understanding of Greek culture through the use of thought-provoking primary source material. Greece: A Primary Source Cultural Guide illuminates the origins of Greek mythology, examines ancient historical conflicts, and allows students a chance to glimpse such remarkable structures as the Parthenon and Acropolis alongside a comprehensive examination of the country, its people, and its influential artistic achievements.

Relates to carnival in Skyros in 1905.

Greece is famous for its glorious history, archaeological wealth, democracy and contribution to sciences, but it is also a land of rich folk heritage. A Greek Folk Journey acquaints you with this folk heritage by providing an insight into the abundance of customs, festivals and events to be found in all corners of the country, presented by the month. Ancient and more recent traditions live on in many of Greece's cities, towns or the smallest of villages, thanks to the dedication of local communities, cultural associations and local authorities. Many of the events have historic or religious backgrounds, others are contests or sporting competitions, including world-famous marathons, sailing regattas and chess tournaments. Interesting seasonal produce festivals also feature, such as cherry, watermelon, fig, mushroom, olive and wine festivals. Commercial and agricultural fairs, which have a local flavour and where entertainment and delicacies are offered to visitors, are described to entice you. And if that is not enough, A Greek Folk Journey serves up regional dishes, helping you to savour the flavours of glorious Greece.

The edited volume Audiovisual Media and Identity Issues in Southeastern Europe is an attempt to meet the challenges of text-based scholarship, to break medial one-dimensionality dictated by textuality and to shift the focus to the aural and visual dimensions of identity in a part of Europe heavily marked by the dynamics of political, cultural and social change, particularly during the last decades. The objective of this endeavour is to examine identity in Southeastern Europe by means of its communication media, specifically that of the photographic image and the sound recording. How are identities communicated? How are they performed and made physically perceptible? Brought to a point, the primary issue is one of how people perceive themselves and their environment on the basis of communication media, seen through a lens of different disciplines (social anthropology, ethnomusicology, media studies, sociology and history) and methodologies from the point of view of scholars from Southeastern Europe and their Western European colleagues. The book pursues a distinct comparative and historical perspective, examining the media representations from socialist and pre-socialist periods in relation to the role media play in the postsocialist discourse. Another focus is laid on local media representations and their impact on local self-images. This distinct historical and local approach allows new insights into how identities are constructed, performed and negotiated in the light of media, resulting in different forms of interpreting, re-appropriating and re-evaluting the past and traditions. This opens up questions on the role of media in relation to cultural policies and their potential to preserve or to transform local cultural heritage. The book is also an important contribution to the field of postsocialist studies in anthropology. It sheds a distinct cultural view on postsocialist transformation processes. Through a wide range of examples and first-hand results of basic field research from Greece, Bulgaria, Romania, Serbia, Albania and Slovenia this volume provides an opportunity for a comparative reconsideration of similar phenomena across national borders. It may serve also as a methodological reference work for scholars who are interested in the different ways of how to develop and practice “media reflexivity” in their own field research.

An introduction to the history, geography, language, schools, and social life and customs of Greece.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos – one of the most studied figures of the ancient Greek gods. Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before. As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.