Sixtus Kargel Ten Lute Pieces Transcribed For The Renaissance Guitar And Baritone Ukulele In Tablature And Modern Notation

Here are ten fun to play pieces by Sixtus Kargel transcribed from his 1574 Book of Lute Pieces for the six-course lute transcribed for the Renaissance guitar, guitar, and for the baritone ukulele. Recommended: Intermediate to Advanced

Contains a variety of solos originally written for the Renaissance lute and vihuela. All of these beautiful transcriptions are based on the original tablature. The pieces range in difficulty to provide appropriate challenges for players of both modest and advanced levels. Historical information and performance instructions accompany each piece, and helpful fingering suggestions are also included. Each piece is written in both standard classical guitar notation and modern TAB.

This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 – c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals. Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections.

Robert Johnson (c. 1583 – 1633) was the last of the great English lutenists; he served Prince Henry and was later a prominent figure in the court of Charles I. He wrote music for many plays and masques of the time, including several by Shakespeare. Decades after Johnson’s death, in a “Dialogue between the Author and His Lute” within Musick’s Monument and the persona of the Lute, writer and lutenist Thomas Mace described John Dowland and Robert Johnson as “Two famous men; Great Masters in My Art”. Despite such high praise and the fact that much of Johnson’s music is well-suited to the guitar, few guitarists play it. This comprehensive collection of solo lute works, transcribed for guitar in standard notation, is an attempt to remedy this shortcoming. It includes music for the beginner as well as the advanced player. The book’s 23 pieces range from Johnson’s delightful almains, galliards, masques and a single coranto to the somber intensity of the pavans and a fantasie. Dropped-D and lowered third-string tuning (F#) are frequently used to better approximate the tuning and range of the 9 or 10-course Renaissance lute.

This book is aimed at beginner lute and guitar players interested in playing Renaissance lute music on either instrument. Lute and guitar tablature are included, along with notes on technique, biographies of lute composers from the 16th century, and general advice on buying, stringing and tuning a lute. The book starts with single-line melodies, before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland, Francesco da Milano, Alonso Mudarra, Francesco Spinacino and others, with music from England, Scotland, Italy, France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself, an album worth owning. Includes access to online audio.

These forty-five compositions were transcribed for baritone ukulele but most are also playable on the soprano and tenor ukulele. The music progresses from fairly easy to more advanced pieces and includes compositions by Alinoni, Bach, Carulli, Chopin, Sor, Tarrega, Torroba and many more

While the 'ukulele is enjoying a well-deserved renaissance on the mainland, in the land of its birth, it has never gone out of style. Hawaiians took to the jumping flea right from the start, creating music of stunning beauty and versatility. Now intermediate players can learn to play lovely finger style solo arrangements of classic Hawaiian songs, folk songs, standards–even a few pieces from the classical guitar repertoire.The book offers 27 arrangements from around the world written in standard notation and tablature playable on any 'ukulele. Songs are grouped according to level of difficulty, starting with simple arrangements well within the grasp of dedicated beginners and intermediate players and leading through more challenging songs featuring unusual chord voicings, inversions up the neck, tricky fingerings and all the fun stuff the author could muster. to aid the student, the companion CD includes all of the songs taught. Includes chord charts, inversion studies, introductory material on finger-picking and making the transition from strumming to melodic playing.

Here are 60 compositions from the 16th Century transcribed for the baritone ukulele, Renaissance guitar, low G ukelele and many other four course instruments. Of course, they may all be played on the guitar.