Sita Valles

Fidel Castro's revolution and its foreign policy extensions have been the source of much U.S.-Latin American policy frustration during the last 30 years. Not only the ideological tensions, but the almost global sweep of Cuba's national pretensions have consumed U.S. resources and political capital, and thrust a small island nation to the forefront of global intrigue and crisis. But as this volume shows, there are signs that Cuba's internationalism is now at a crossroads. Fauriol and Loser have gathered together a distinguished group of specialists on Cuba to review principal aspects of Cuba's international relations. Among the new dimensions discussed are shifts in Cuba's African policy, the residual political impact of Grenada, developments in Central America, the aftermath of the Ochoa narcotics episode, and perhaps most significantly, the degree of tension between Cuba and both Moscow and Washington, and leadership succession beyond Castro. A primary issue for Cuba, the authors show, will be its isolation within the Soviet bloc, and its refusal to address Gorbachev's challenges to the status quo. At the very least, Cuba risks becoming an irrelevant anachronism amidst the groundswell of change in the communist world. These and other issues are addressed in a major review of Cuba's position in the world 30 years after its revolution. "Cuba: The International Dimension "will be of interest to researchers and policy makers concerned with Latin America and the Caribbean, as well as those interested in changes in the Third World and communist countries worldwide. Contributors include: Jiri Valenta, Jaime Suchlicki, William Ratliff, Ernest Evans, Juan Benemelis, Gillian Gunn, Scott MacDonald, Michael J. Mazaar, Constantine Menges, Jorge F. Perez-Lopez, Jorge Sanguinetty, Paula J. Pettavino, and Juan M. del Aguila.

On 27th May 1977, a small demonstration against the MPLA, the ruling party of Angola – led to the slaughter of thousands, if not tens of thousands, of people. These dreadful reprisals are little talked of in Angola today – and virtually unknown outside the country. In this book, journalist Lara Pawson tracks down the story of what really happened in the aftermath of that fateful day. In a series of vivid encounters, she talks to eyewitnesses, victims and even perpetrators of the violent and confusing events of the 27th May and the following weeks and months. From London to Lisbon to Luanda, she meets those who continue to live in the shadow of the appalling events of 40 years ago and who – in most cases – have been too afraid to speak about them before. As well as shedding light on the events of 1977, this book contributes to a deeper understanding of modern Angola – its people and its politics; past, present and future.

This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation. The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.

This book presents one of the first accounts of Christianity in colonial India by a nun. Set in Goa in the early eighteenth century, this translation of Soror Magdalena’s account from Portuguese brings to life a watershed moment in the politics of Christian faith in early colonial India. The volume recounts the nuns’ rebellion against the then Archbishop of Goa, Dom Frei Ignaçio de Santa Teresa. In their account they accused him of mistreating the nuns and implored the Superior General and the King of Portugal to replace him. It sketches the intricate relationships between the nuns themselves, the clerical and secular authorities, the fidalgos and the lower classes, Hindus and Catholics, and nuns and priests. It goes on to discuss the convent’s finances and the controversies surrounding them, the politics of the Church, as well as contemporary preoccupations with miracles and demons. Expertly annotated and introduced by Daniel Michon and David Addison Smith, this book is key to understanding Portuguese colonial rule in India. It will be of great interest to scholars and researchers of South Asian studies, Portuguese studies, religion, especially Christianity, and colonialism.

Goa’s magnetism and its promise of a relaxed, almost bohemian lifestyle, have always attracted admirers and colonizers. Before the locals could make up their minds about such interlopers, Covid-19 brought hordes of them to town—Michelle Mendonça Bambawale was one of them. In June 2020, Michelle found herself moving to the 160-year-old house she had inherited in Siolim, a village in North Goa, with her human and canine family. Having never lived in Goa before, she couldn’t help but wonder if her Goan ancestry made her an insider or if she would forever remain an outsider. In this memoir, she confronts her complex relationship with her Goan Catholic heritage and explores themes of identity, culture, migration, stereotypes and labels. She also uncovers some of the uncanniest legends that pervade Siolim, including those of St. Anthony and the Snake, Sao Joao, and the statue of Beethoven. She also takes us back to Siolim and Goa in the 1970s and 1980s, where she spent her summer vacations without paved roads or electricity, pulling water from a well. Today, she dodges reeking septic tankers, earth movers and piling plastic garbage while walking her Labrador, Haruki. Becoming Goan is a heartfelt and charming story of Michelle's love for this land that her grandparents left her. She cares deeply about Goa's biodiversity and is distraught about the environmental impact of tourism, construction and mining. Her devotion to Mother Earth deepens as she learns more about her roots, steeped as they are in syncretic traditions.

The Portuguese Colonial War and the African Liberation Struggles: Memory, Politics and Uses of the Past presents a critical and comparative analysis on the memory of the colonial and liberation wars that led to a regime change in Portugal and to the independence of five new African countries: Angola, Mozambique, Guinea-Bissau, Cape Verde, and São Tomé and Príncipe. Covering more than six decades and based on original archival research and critical analysis of sources and interviews, the book offers the first plural account of the public memorialisation of this contested past in Portugal and in former colonised territories in Africa, focussing on diachronic and synchronic processes of mnemonic production. This innovative exercise highlights the changing and crossed nature of political memories and social representations through time, emphasizing three modes of mnemonic intersections: the intersection of distinct historical times, the intersection between multiple products and practices of memory and the intersection connecting the different countries and national histories. The Portuguese Colonial War and the African Liberation Struggles: Memory, Politics and Uses of the Past a major output of the research developed by CROME – Crossed Memories, Politics of Silence, a project funded by a Starting Grant (715593) from the European Research Council (ERC). The book advances current knowledge on Portugal and Lusophone Africa and deepens ongoing conceptual and epistemological discussions regarding the relationship between social and individual memories, the dialectics between memory, power, and silence, and the uses and representations of the past in postcolonial states and societies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-NonCommercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.