Singing Australian

"Dashing through the bush, in a rusty Holden ute, kicking up the dust, esky in the boot. Kelpie by my side, singing Christmas songs, it's summertime and I am in my singlet, shorts and thongs." One of the world's best-loved Christmas carols is given a hilarious Aussie twist. This version has become a staple at end-of-year school concerts. You can enjoy Colin Buchanan singing and then create your very own karaoke session - but wait until you hear the unique, once-in-a-lifetime blowfly version! Nick Bland's comical illustrations show the whole family enjoying Christmas Day.

New board book edition. A well-known Christmas song given a distinctly Australian feel - everything from kookaburras to sharks to Tassie devils! It's December in Australia and the days are getting warmer. When a young woman receives a kookaburra up a gum tree from her true love, it's a sign that Christmas is on the way.

This riveting book follows a small group of Australian front-line soldiers from their enlistment in the dark days of 1940 to the end of World War II. No ordinary soldiers, they were members of Don Company of the Second 43rd Battalion, part of the famous 9th Australian Division, which sustained more casualties and won more medals than any other Australian division. Inspired by American historian Stephen Ambrose's landmark book, Band of Brothers, about the US Army's Easy Company of the 506th Regiment, Mark Johnston, one of our best military historians, here gives an Australian company the same treatment. His book is a unique and powerful account of the everyday experiences of a small unit of Australian soldiers on the front line.

‘Imagined Sound’ is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of ‘imagined sound’, a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space. Emphasising sound and listening, this approach draws out and re-examines the key narratives that shape and are shaped by Australian landscapes and histories, stories of first contact, frontier violence, the explorer journey, the convict experience, non-Indigenous belonging, Pacific identity and contemporary Indigenous Dreaming. ‘Imagined Sound’ offers a compelling analysis of how these narratives are reharmonised in key works of literature and music.

“Since singing is so good a thing,I wish all men would learne to sing” (William Byrd, 1588) Over the centuries, there has been reluctance among boys and men to become involved in some forms of singing. Perspectives on Males and Singing tackles this conundrum head-on as the first academic volume to bring together leading thinkers and practitioners who share their insights on the involvement of males in singing. The authors share research that analyzes the axiomatic male disinclination to sing, and give strategies designed to engage males more successfully in performing vocal music emphasizing the many positive effects it can have on their lives. Inspired by a meeting at the Australian symposium ‘Boys and Voices’, which focused on the engagement of boys in singing, the volume includes contributions from leading authorities in Australia, New Zealand, Canada, the United States and Europe.

Manikay are the ancestral songs of Arnhem Land, passed down over generations and containing vital cultural knowledge. Singing Bones foregrounds the voices of manikay singers from Ngukurr in southeastern Arnhem Land, and charts their critically acclaimed collaboration with jazz musicians from the Australian Art Orchestra, Crossing Roper Bar. It offers an overview of Wägilak manikay narratives and style, including their social, ceremonial and linguistic aspects, and explores the Crossing Roper Bar project as an example of creative intercultural collaboration and a continuation of the manikay tradition.

Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.