Shooting Rats At The Bibb County Dump

Armored Hearts, combining new poems and a selection from previous volumes, offers the power of idiomatic narrative at its naked best. "It is refreshing to read a poet who is not obliquely vague, who tells a story cleanly and convincingly, and yet who will not close down mysterious and complicated things about life that simply defy such closure."--Atlanta Journal-Constitution

"An exquisite storyteller."—The Southern Review "David Bottoms's poems just get better and better."—The Atlanta Journal-Constitution "One finds here what one expects in a book of good Southern poems: clear narratives . . . evocative images, searching irony, and meditative poise." —Library Journal Rooted in the customs of Southern families and peopled with undertakers, bluegrass musicians, daughters practicing karate, and elderly parents, David Bottoms' poems are generous, insightful, and lean headlong into familial wisdom. Past and present interweave with grandmothers spitting tobacco juice, ponds "filled with construction runoff," and the boyhood home-site paved over for a KFC. This is Bottoms' most personal and heartbreaking book. From "My Daughter Works the Heavy Bag": A bow to the instructor, then fighting stance, and the only girl in karate class faces the heavy bag. Small for fifth grade—willow-like, says her mother— sweaty hair tangled like blown willow branches. The boys try to ignore her. They fidget against the wall, smirk, practice their routine of huff and feint. Circle, barks the instructor, jab, circle, kick, and the black bag wobbles on its chain. Again and again, the bony jewels of her fist jab out in glistening precision, her flawless legs remember arabesque and glissade. Kick, jab, kick, and the bag coughs rhythmically from its gut. The boys fidget and wait . . . David Bottom, Georgia's Poet Laureate, was inducted into the Georgia Writers Hall of Fame in 2009. He teaches at Georgia State University and co-edits Five Points magazine. He lives in Marietta, Georgia.

In these 14 poems, David Bottoms waltzes through the "Christ-haunted South" and highlights how and where the afterlife intersects our daily lives. In a strong and musical voice, Bottoms, the poet laureate of Georgia, modernizes the narrative traditions of the American South. He encounters the ghosts of musicians and recounts strange instances of religious visitation: From "Vigilance": Like my neighbor again who grew a yellow rose wilted with the sign of the cross, or his sister in Biloxi who once saw the virgin swimming in a bowl of vegetable soup. Accolades, yes, to Ramona Barreras of Phoenix, Arizona, who pulled from her oven in 1977 a tortilla scorched with the face of Christ, which may or may not have been the face that appeared some ten years later in Bras D'Or on an outside wall of a Tim Horton's Restaurant, though both made the papers and drew their share of pilgrims. "What does it mean," Bottoms asks, "that God keeps stamping his image on pastry and French toast, on biscuits lightly burned around the edges?" At the core of this book is a seeker, a person trying to make sense out of an unintelligible world, confronting the darkest dimensions of human nature, and writing a gorgeous, meta-physically charged poetry. David Bottoms, the Poet Laureate of Georgia, teaches at Georgia State University in Atlanta. He is the author of four books of poems and founding editor of Five Points magazine. His work has been featured on National Public Radio and on The Southern Voice, a television series profiling Southern writers.

Bottoms has a breathtaking ability to capture human tenderness, vulnerability, and cruelty in a single line. His poems, set primarily in the American South, witness people in their moments of failure, as their fantasies and families collapse around them. Like Faulkner and Dickey, Bottom blurs the distinction between good and evil, while exploring the violent underbelly of our national history.

Robert Penn Warren, in a recent introduction given at the Library of Congress, wrote that in the work of David Bottoms "we find a strong and original new poet. Underlying all his work is the simple and unusual conviction that the world we see is trying to tell us something." In the thirty new poems collected in Under the Vulture-Tree, the world speaks to David Bottoms in startling and disturbing ways. Again, with uncompromising realism, Bottoms explores the wilderness we thought we'd civilized, the wilderness the world proves daily is alive in the human heart. Unusual, often startling situations, coupled with the poet's powerful narrative voice, create a drama that is extraordinary in poetry today, but it is his rare talent for revealing the universal in the specific that makes his vision true witness to our common struggle.

A Scrap in the Blessings Jar, a volume of new and selected poems by David Bottoms, captures the evolution of the poet’s spiritual quest over the past fifty years. A native and longtime resident of Georgia, Bottoms draws inspiration from the American South, and his work examines themes related to family dynamics, the woods, animals, fishing, and music in an effort to, as he once told an interviewer, “reveal something about the hidden things of the world, the vague or shadowy relationships and connections that exist just below the surface of our daily lives.” This book charts his progression from tightly wrought naturalistic narratives to works that reflect his shifting conception of the interplay between memory, the present, and the metaphysical. At heart, Bottoms remains a storyteller who employs figurative language to discover the extraordinary in the seemingly mundane, and whose poetry explores the depths of our existential condition and common humanity.

Writing on Napkins at the Sunshine Club includes a poet laureate of Georgia and of the United States¿and the poet who read at President Clinton¿s second inauguration. The oldest was born in 1905 and the two youngest in that ominous year of American history, 1968. The Pulitzer-winning Stanley Kunitz wrote a famous poem about the Indian Mounds. Miller Williams, father of the Grammy winning Lucinda Williams, lived in Macon in the early 1960s and became a friend of Flannery O¿Connor. In the late 1970s, soon after his Mercer days, David Bottoms writes the poems for Shooting Rats at the Bibb County Dump and wins the Walt Whitman Award. Jud Mitcham wins the Devins Award for his first book, Somewhere in Ecclesiastes, and Seaborn Jones is doing his stint with Mister Rogers¿ Neighborhood and would later connect, in San Francisco, to one of the last pure lines of surrealism in American expression. Several poets came out of Macon or arrived in Macon soon after. Between Mercer University and Macon State College the activity of poetry in Macon thrived. Adrienne Bond wrote her seminal poems and started up the Georgia Poetry Circuit. Judith Ortiz Cofer passed through Macon State at the brink of her position at the University of Georgia and in American letters as an important artistic spokesperson for women¿s experience. From Bruce Beasley and his hybrid poetics, to Stephen Bluestone and his learned craft in the lyric poem, this book presents a selection for all students of Southern Literature some of the best poems of other poets, too, like Anya Silver, Amanda Pecor, Marjorie Becker, and the late Reginald Shepherd who was as well-known at his early death as any poet of his generation. Many of these poets studied with and knew the important poets of their time. The poems, nevertheless, speak for themselves.

For years, Derrick Jensen has asked his audiences, "Do you think this culture will undergo a voluntary transformation to a sane and sustainable way of life?" No one ever says yes. Deep Green Resistance starts where the environmental movement leaves off: industrial civilization is incompatible with life. Technology can't fix it, and shopping—no matter how green—won’t stop it. To save this planet, we need a serious resistance movement that can bring down the industrial economy. Deep Green Resistance evaluates strategic options for resistance, from nonviolence to guerrilla warfare, and the conditions required for those options to be successful. It provides an exploration of organizational structures, recruitment, security, and target selection for both aboveground and underground action. Deep Green Resistance also discusses a culture of resistance and the crucial support role that it can play. Deep Green Resistance is a plan of action for anyone determined to fight for this planet—and win.