Sgeul Gu Latha

Joe Neil MacNeil holds in his memory a wealth of Gaelic folktales, learned in his youth in Cape Breton. For over a decade, he has told his tales to John Shaw, a specialist in Celtic folklore and fluent speaker of Gaelic. Shaw has recorded, transcribed, edited, and translated the tales and folklore into English. This rich and entertaining collection is the result of their collaboration. Folktales, anecdotes, proverbs, expressions, rhymes, superstitions, and games are presented in translation and, in the cloth edtion, in the original as well. All variations of the genre are represented: a fragment from the Ulster cycle, some items from the Fenian cycle, hero and wonder tales, fairy and witch lore, romantic tales, tales of the exemplum type, tales of cleverness, "numbskull" stories, animal tales, and tall tales.

Joe Neil MacNeil holds in his memory a wealth of Gaelic folktales, learned in his youth in Cape Breton. For over a decade, he has told his tales to John Shaw, a specialist in Celtic folklore and fluent speaker of Gaelic. Shaw has recorded, transcribed, edited, and translated the tales and folklore into English. This rich and entertaining collection is the result of their collaboration. Folktales, anecdotes, proverbs, expressions, rhymes, superstitions, and games are presented in translation and, in the cloth edtion, in the original as well. All variations of the genre are represented: a fragment from the Ulster cycle, some items from the Fenian cycle, hero and wonder tales, fairy and witch lore, romantic tales, tales of the exemplum type, tales of cleverness, "numbskull" stories, animal tales, and tall tales.

MacNeil also describes his early years in a Gaelic-speaking rural community, where story-telling is still a basic element of community life. He explains how he learned the tales and the customs and practices associated with their telling. He also introduces us to the families and individuals who were custodians of the tales. John Shaw's introduction outlines the informant's tradition and its place in the world of the European story-teller. The commentaries of MacNeil and Shaw, the tales, the games, and the other folk material offer a rich and unique perspective on the Gaelic culture generally, and as it has developed on Cape Breton Island in particular.

This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.

Few published collections of Gaelic song place the songs or their singers and communities in context. Brìgh an Òrain - A Story in Every Song corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, and historical contexts. It is the first major study of its kind to be undertaken for a Scottish Gaelic singer. The forty-eight songs and nine folktales in the collection are transcribed from field recordings and presented as the singer performed them, with an English translation provided. All the songs are accompanied by musical transcriptions. The book also includes a brief autobiography in Lauchie MacLellan's entertaining narrative style. John Shaw has added extensive notes and references, as well as photos and maps. In an era of growing appreciation of Celtic cultures, Brìgh an Òrain - A Story in Every Song makes an important Gaelic tradition available to the general reader. The materials also serve as a unique, adaptable resource for those with more specialized research or teaching interests in ethnology/folklore, Canadian studies, Gaelic language, ethnomusicology, Celtic studies, anthropology, and social history.

Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.

Headstrong heroines and hot-tempered chieftains, loch monsters and hill fairies, cattle raids and clan feuds, wise animals and foolish saints: the Scottish Highlands' folktales date back centuries and preserve the history and beliefs of a people deeply rooted in their land and culture. Oral traditions connect the modern world with the hearts and minds of Scottish Highlanders across the ages, bringing their world to life in vivid detail. This anthology includes new and approachable translations of folktales from the Scottish Highlands and Nova Scotia, providing extensive commentary on this rich storytelling tradition. Each story is annotated with information about its origins and any insights into its meaning. The original Scottish Gaelic texts, collected from a wide variety of rare and obscure sources, are provided in an appendix.