Seriously Funny 01

A little while ago, concerned that the next time they got together, one of them would be in a coffin, Jeff Lucas and Adrian Plass decided to start exchanging letters and this book is the result. Breathtakingly honest, funny, moving and immensely enjoyable, Seriously Funny is a celebration of 21st century Christianity as well as a no-holds barred expose of its sillier side. And they are equally hard on themselves their most embarrassing moments are a joy to read. Adrian Plass and Jeff Lucas are renowned for their ability to express the silly side of Christian culture, and to cut through our pretensions and foibles with incisive wit. In this candid, moving, hilarious book, they join comedic forces to challenge and entertain us.

An investigation of the origins of comedy and the meaning of laughter, drawing on biology, anthropology, classical studies, behavioural science, philosophy and psychology - with a few authorial jokes along the way.

A monstrous mutt terrorizes the residents of Mousopolis.

#1 bestselling author James Patterson doles out the laughs in the first book in the hit series! Middle-schooler Jamie Grimm faces bullies and self-doubt as he chases his dream of becoming the world’s greatest comedian Jamie Grimm is a middle schooler on a mission: he wants to become the world's greatest standup comedian--even if he doesn't have a lot to laugh about these days. He's new in town and stuck living with his aunt, uncle, and their evil son Stevie, a bully who doesn't let Jamie's wheelchair stop him from messing with Jamie as much as possible. But Jamie doesn't let his situation get him down. When his Uncle Frankie mentions a contest called The Planet's Funniest Kid Comic, Jamie knows he has to enter. But are the judges only rewarding him out of pity because of his wheelchair, like Stevie suggests? Will Jamie ever share the secret of his troubled past instead of hiding behind his comedy act? Prepare to laugh and cheer along with Jamie in this highly-illustrated, heartfelt middle school story.

Finalist for the Thurber Prize for American Humor "One of the funniest writers in America." That’s what The New Yorker’s Andy Borowitz calls Jenny Allen—and with good reason. In her debut essay collection, the longtime humorist and performer declares no subject too sacred, no boundary impassable. With her eagle eye for the absurd and hilarious, Allen reports from the potholes midway through life’s journey. One moment she’s flirting shamelessly—and unsuccessfully—with a younger man at a wedding; the next she’s stumbling upon X-rated images on her daughter’s computer. She ponders the connection between her ex-husband’s questions about the location of their silverware, and the divorce that came a year later. While undergoing chemotherapy, she experiments with being a “wig person.” And she considers those perplexing questions that we never pause to ask: Why do people say “It is what it is”? What’s the point of fat-free half-and-half ? And haven’t we heard enough about memes? Jenny Allen’s musings range fluidly from the personal to the philosophical. She writes with the familiarity of someone telling a dinner party anecdote, forgoing decorum for candor and comedy. To read Would Everybody Please Stop? is to experience life with imaginative and incisive humor.

FUNNY: THE BOOK - EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT COMEDY

Feeling down in the dumps? Sometimes laughter is the best medicine. That's Really Funny offers a full dose for people from all walks of life with more than 1,000 belly-laughing jokes from today's hottest comedians. That's Funny was first published in 1996 and has sold more than 23,000 copies. It has also spawned four day-to-day calendars and a mini-book. That's Really Funny gathers together more favorite funny people and their wittiest lines in one great comedy club disguised as a book. It's a virtual who's who of comedy, featuring a complete cross section of the fresh and familiar faces that make you laugh. Whether you have a few minutes for one joke or 30 minutes for 10 or more, you'll discover some of the best jokes from the country's top performance headliners, movie and television favorites, and hot club comics. That's Really Funny pokes fun at just about every imaginable person, place, or thing with zero-precision accuracy. Fresh and funny, the book offers the hilarity of a comedy club right in the comfort of your home-without the hecklers or secondhand smoke.

A fabulous read for cozy winter evenings! - Sophie White, author of Unfiltered An unexpected love story of magical moments, Christmas surprises and life-affirming decisions - Lexie Byrne is back! And life is wonderful, thank you very much. She has met The One, is still watching Dirty Dancing on repeat, and everything is perfect. Or is it? FaceTiming and flying visits aren't quite the happily ever after Lexie pictured. With her best friend Annemarie nagging her that she deserves more than a part-time lover with an ever-present ex-wife in his life, Lexie can't help wondering if life is as wonderful as she's telling herself it is. Will a surprise trip for Christmas bring the magic back to her relationship? In the city of her dreams, a miracle might just be round the corner . . .

Michele Serros (1966–2015) is widely known for her groundbreaking book Chicana Falsa and Other Stories of Death, Identity, and Oxnard. Despite her status as a major figure in Chicanx literature, no scholar has written a book-length examination of her body of poetry, fiction, and nonfiction—until now. Cristina Herrera, also from Oxnard, weaves in history, autoethnography, and literary analysis to explore Chicana adolescence and young womanhood with a focus on place-making. Factoring in location, region, and landscape, Herrera asks what it means to grow up Chicana in settings that carry centuries of colonial violence, segregation, and everyday racism against Mexican American communities. She contends that Serros used her hometown to broaden understandings of who and what constitutes Chicanx communities and identities. By reading Serros’s work in tandem with her lived experience in the same setting, Herrera uncovers moments of adolescent subjectivity that could only be vocalized and constructed within this particular locale. Herrera pushes against the tendency to separate the author from the text and argues for a spatial understanding of Chicana adolescence, race, class, and young womanhood.