Sense And Transcendence

What is the philosophical sense of transcendence? What meaning can transcendence have in philosophy? What direction, organization, and order might it give to philosophy? And how does transcendence transform or inspire philosophical thinking? Sarah Allen confronts these questions as she explores Emmanuel Levinas's approach to transcendence, which is set within a phenomenological context. Levinas seeks an approach that does not subordinate transcendence to the self-referential activities of human consciousness, and which does not simply fall into ontotheological, metaphysical language about God. Looking for the philosophical sense of transcendence, Allen asserts, requires not only a questioning into transcendence, but a questioning of philosophy itself. Any reflection on human affectivity brings us up to the limits of philosophical thought and suggests that there are senses to transcendence that will always escape formulation in philosophical language.

This book examines the meaning of some of the most basic terms we use in both confessional and secular discussion about morality and religion. Is there any credible and distinctive meaning in what we refer to as “right and wrong” and “God”? What do we even mean by meaning itself? Outside specialist academic discourse these terms are rarely examined in depth. Here they are probed with as much rigor as possible, but also accessibly. Literary, philosophical, and theological sources are all widely drawn on in the discussion. Experiences of ordinary life help illustrate the issue and arguments at stake. As a collection of essays each section is freestanding. But there is also a clear overall connecting argument. It demonstrates a common trajectory towards “ultimacy” or “transcendence” in the meaning of these terms. It argues that the meaning of morality, of God, and of meaning itself, is not just an individual or social construction. It is grounded in what lies beyond us. In this way it offers an alternative to reductionist views, and advances a thesis about transcendence which connects across a wide range of both religious and non-religious experience.

Marcia Henry and Sally Parsons have created a delightful journey through the alphabet. Marcia s fun loving and appealing verse coupled with Sally s detailed artistic depiction of life on Madeline will captivate young and old as they travel through this familiar sequence. The book promotes literacy for youngsters, historical background for the older reader, and sheer pleasure for all. Carol Sowl, teacher, La Pointe SchoolSupported by a grant from the La Pointe Center, which is funded by the people of Madeline Island, the Wisconsin Arts Board, and the State of Wisconsin Full-color illustrations throughout Recommended for children ages 2 to 9 Madeline Island ABC Book contains: ABC verses and illustrationsA brief history of Madeline IslandAn ABC Island Treasure HuntAn Alphabet Search at the Madeline Island Historical Museum"

“Phenomenal . . . A must read for us who desire to topple the dictatorship of relativism and culture of death and replace it with the only alternative” (The Imaginative Conservative). Especially concerned with the public nature of religion, historian Glenn W. Olsen—author of Christian Marriage: A Historical Study and On the Road to Emmaus: The Catholic Dialogue with American and Modernity—sets forth an exhaustively researched and persuasive account of how religion has been reshaped in the modern period. The Turn to Transcendence traces both the loss of transcendence and attempts to recover it while making its own proposals. Neither reactionary nor modernist, it questions how—under conditions of modern life—some form of the sacred and some form of the secular might both flourish at the same time. But it also provides a warning that a religion unable to maintain itself with its own overt architecture, language, and calendars against an enveloping secular culture is destined for oblivion. “Glenn Olsen’s book could hardly be more pivotal or insightful. Confronting the growing amnesia regarding culture’s religious origin and transcendent purpose, Olsen proves both a masterful cartographer of modernity and a visionary of a culture that encourages and enables us to seek beyond ourselves.” —Carl A. Anderson, Supreme Knight of the Knights of Columbus “A brilliant book. It rests on an amazing amount of scholarship that is wide-ranging in history, literature, art, science, music, theology, and philosophy.” —James Hitchcock, professor of history, St. Louis University

Hans-Georg Gadamer is best known in the English-speaking world for his major work on philosophical hermeneutics, Truth and Method, and his writings on Plato. Brice Wachterhauser argues that only by viewing Gadamer's contribution to philosophy as an integrated whole, and by reading Gadamer's hermeneutical studies in light of his Plato studies, are we able to avoid certain key misunderstandings of Gadamer, as well as to comprehend more clearly the radical implications of Gadamer's thought.

Process, Praxis, and Transcendence is a North American philosophy of liberation that defends both metaphysics and philosophy of religion. The book moves from an existential phenomenology of the knowing and choosing subject through affirmation of a processive and liberating Christ to a critique and overcoming of neo-imperialism. Its ultimate theme explores what the appropriate theory and praxis of liberation is for those of us living "in the center of the empire" in North America and Western Europe.

Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness, this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.

Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.