Seeing Justice

Playing with Fire -- Images of Discipline -- Walks of Shame -- Spectacular Trials -- What Picture Would They Use? -- What's So Special About Video? -- Filming Police -- Police and Image Maintenance -- Everyday Racism and Rudeness -- Playing (Safely) With Fire.

A history of public executions in France from the medieval spectacle of suffering to the invention of the Revolutionary guillotine, up to the last public execution in 1939. Paul Friedland explores why spectacles of public execution were staged, as well as why thousands of spectators came to watch them.

The Magazine of Photography and Ideas. As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases "Vision & Justice," a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience. "Vision & Justice" includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation―Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine. "Vision and Justice" features two covers. This issue comes with an image by Richard Avedon, Martin Luther King, Jr., civil rights leader, with his father, Martin Luther King, Baptist minister, and his son, Martin Luther King III, Atlanta, Georgia, March 22, 1963.

A renowned Harvard professor's brilliant, sweeping, inspiring account of the role of justice in our society--and of the moral dilemmas we face as citizens What are our obligations to others as people in a free society? Should government tax the rich to help the poor? Is the free market fair? Is it sometimes wrong to tell the truth? Is killing sometimes morally required? Is it possible, or desirable, to legislate morality? Do individual rights and the common good conflict? Michael J. Sandel's "Justice" course is one of the most popular and influential at Harvard. Up to a thousand students pack the campus theater to hear Sandel relate the big questions of political philosophy to the most vexing issues of the day, and this fall, public television will air a series based on the course. Justice offers readers the same exhilarating journey that captivates Harvard students. This book is a searching, lyrical exploration of the meaning of justice, one that invites readers of all political persuasions to consider familiar controversies in fresh and illuminating ways. Affirmative action, same-sex marriage, physician-assisted suicide, abortion, national service, patriotism and dissent, the moral limits of markets—Sandel dramatizes the challenge of thinking through these con?icts, and shows how a surer grasp of philosophy can help us make sense of politics, morality, and our own convictions as well. Justice is lively, thought-provoking, and wise—an essential new addition to the small shelf of books that speak convincingly to the hard questions of our civic life.

He's become a household name: Johnnie L. Cochran, Jr., the brilliant orator and legal strategist who captained the Dream Team in the trial of the century. But behind the man the media created is a story of a life spent in the trenches of the American legal system, fighting not for clients as high-profile as O. J. Simpson but for individuals whose voices are too often silenced. JOURNEY TO JUSTICE is an unflinching portrait of Johnnie Cochran and the legal system that he has so profoundly influenced. It will forever change our understanding of what works and what doesn't in America's most noble and troubling institution.

Winner of the Hugo, Nebula, and Arthur C. Clarke Awards: This record-breaking novel follows a warship trapped in a human body on a quest for revenge. A must read for fans of Ursula K. Le Guin and James S. A. Corey. "There are few who write science fiction like Ann Leckie can. There are few who ever could." -- John Scalzi On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest. Once, she was the Justice of Toren -- a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy. Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.

Restorative justice pioneer Howard Zehr is also an accomplished photographer. He begins his latest book with a confession—"I have written this book in part to encourage myself to slow down, to heighten my imagination, to renew myself while I gain a new view of the creation and the creator." With this book, Zehr makes a gift to anyone who would like to couple photography with seeing and thinking more deeply. In each chapter he offers a Purpose, a Problem, and an Activity with a camera in order to "practice mindfulness." You'll not need a fancy camera, but if you have one it won't hurt. Zehr's chapter-by-chapter exercises are aimed at heightening visual awareness and imagination—all while doing good and working for justice. A title in The Little Books of Justice and Peacebuilding Series.

Since the hit HBO show The Wire premiered on June 2, 2002, it was viewed as much more than a typical police procedural. Over its five-season run it was praised by critics for its intricate examination of crime, life in the inner city, the criminal justice system, and the functioning of public institutions and the people who work in them. However, unlike other police and crime dramas, the police in The Wire did not solve cases on a weekly basis. The hardships faced by millions of people struggling to survive in the inner city were not softened. Rather than portraying characters as good or bad, The Wire does not flinch from portraying the good and bad sides of the police, criminals, educators, judges, lawyers, elected officials, or labor unions. Indeed, it presents an unvarnished view of the complex nature of the criminal justice system and the web of institutional linkages that impact individuals and society. The show's willingness to take the time to address complex issues and institutions in non-simplistic ways, has led academics and scholars from myriad disciplines to make The Wire a component of their scholarship and university teaching. While this book examines the problem of urban crime and an inefficient criminal justice system from the perspective of legal and social science scholars, it presents divergent and unique examinations of these oft-studied issues. This anthology is organized into four main sections. The first section features a socio-legal presentation of the interconnectedness of the criminal justice system, followed by an explanation of the negative impacts of urban inequality and poverty; it also highlights many institutional failures as well as the impact that systematic pressures have on individuals. The second and third sections cover topics such as police culture and practice, the War on Drugs and the repercussions of drug war policies, government and politics, and harm reduction strategies. The final section provides excellent linkages from the various scenes and themes from The Wire to criminological theory and practice. All of the chapters in this volume are useful in linking material from the show to academic concepts. Each chapter tackles a different topical focus area and they all do an excellent job in citing the relevant research as well as contemporary issues surrounding the chosen subject matter.

The substantially revised third edition of this widely-used text introduces nine major theoretical approaches and their key protagonists, including a new chapter on global justice, and assesses their ability to generate clear, consistent and illuminating accounts of justice as a distinctive social, political and legal value.

Richard Jaffe's explosive second edition of Quest for Justice: Defending the Damned affirms the vital role criminal defense lawyers play in the balance between life and death, liberty and lockup. It is a compelling journey into the legal and human drama of life or death criminal cases that often reads more like hard to imagine fiction, yet these cases are real. Quest for Justice invites readers into the courtroom and into the field with Richard Jaffe, a powerhouse Alabama defense attorney with more than four decades of experience, who has successfully defended hundreds of individuals accused of murder, including more than seventy cases where the defendant faced the death penalty, including the Olympic bomber Eric Robert Rudolph. According to the Equal Justice Initiative, in Alabama, nine people have been exonerated from death row-Jaffe represented four of them: James Willie "Bo" Cochran, Randal Padgett, Gary Drinkard, and Wesley Quick. Though every chapter reveals more alarming, gut-wrenching cases, and impediments to justice, Jaffe's unwavering determination, hope, and strategies in the courtroom yield many momentous victories for his clients and the cause of justice. In Quest for Justice: Defending the Damned, Richard Jaffe offers all audiences an accessible, page-turning perspective borne out of a life representing the damned in America's criminal justice system.