Screening Ulster

This book presents extensive research into the cinematic representation of the British-identifying Protestant, unionist and loyalist community in Northern Ireland and is the first time such comprehensive analysis has been produced. Gallagher’s research traces the history of the community’s representation in cinema from the emergence of depictions of both nationalist and unionist communities in social-realist dramas in 1980s British and Irish cinema to today, through periods such as those focused on violent paramilitaries in the 1990s and irreverent comedy after the Northern Ireland peace process. The book addresses the perception that the Irish nationalist community has been depicted more frequently and favourably than unionism in films about the period of conflict known as “The Troubles”. Often argued to be the result of an Irish nationalist bias within Hollywood, Gallagher argues that there are other inherent and systemic reasons for this cinematic deficit.

This major work of synthesis presents an up-to-date assessment of the issues at the very root of the troubles in Northern Ireland. Framed against the background of Ulster history since the early 17th century, the major factors in the development of the Ulster question since 1945 are examined. These include: - The evolution of Ulster Unionism and the Nationalist and Republican traditions - The role of Britain - The increasingly important part played by external actors, especially the USA. Since the outbreak of the present troubles in August 1969, a thriving academic literature on Ulster and its history has emerged. Based on the most authoritative texts, this thoroughly revised and updated edition includes new materials on the period as a whole, and an assessment of the developments since the signing of the Good Friday Agreement in 1998.

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Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.

Drawing on his experiences directing films in Ireland, Haiti, Brazil and South Africa, McLaughlin reflects on the potential of documentary film to provide a platform for those who have experienced political violence to challenge dominant narratives that marginalises them, and that offers potential for personal and public healing. Using participatory methodologies, each case study analyses conditions of production, political context, participatory potential, and impact of the films on both survivors and the general public. Challenges are addressed and lessons suggested for similar projects in the areas of documentary film, transitional justice, participatory ethnography and political activism.

Part of the popular Core Topics series, this book provides a practical guide to pre-operative assessment for consultants and trainee anaesthetists. Chapters cover comprehensive evidence-based guidance for assessing and managing patients with particular conditions, as well as perioperative risk stratification and challenges of pre-assessment. The chapters have been written by specialists in the respective clinical fields, while all content has been edited by anaesthetists to assure it is relevant and accessible to the anaesthetist in the everyday pre-operative clinic. Written specifically for anaesthetists, this resource will allow every reader to contribute effectively in a multidisciplinary approach when assessing and risk stratifying patients to ensure that they are optimised before surgery.

This is an appraisal of clanship both with respect to its vitality and its eventual demise, in which the author views clanship as a socio-economic, as well as a political agency, deriving its strength from personal obligations and mutual service between chiefs and gentry and their clansmen. Its demise is attributed to the throwing over of these personal obligations by the clan elite, not to legislation or central government repression. The book discusses the impact on the clans of the inevitable shift, with the passage of time, from feudalism to capitalism, regardless of the "Forty Five". It draws upon estate papers, family correspondence, financial compacts, social bonds and recorded oral tradition rather than the biased records of central government.

Traces the history of film production in Northern Ireland from the beginnings of a local film industry in the 1920s and 1930s, when the first Northern Irish 'quota quickies' were made, through the propaganda films of the 1940s and 1950s and on to the cinema of the 'Troubles'.

Fully updated to meet current guidelines and standards of practice, this handbook provides concise and practical information for intellectual and learning disability nurses. Small enough to slip into a bag for daily reference but still highly detailed, this is an invaluable resource for everyone working in the field.