Scientific Method in Æsthetics
Author | : Thomas Munro |
Publisher | : |
Total Pages | : 114 |
Release | : 1928 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Thomas Munro |
Publisher | : |
Total Pages | : 114 |
Release | : 1928 |
Genre | : Aesthetics |
ISBN | : |
Author | : Thomas Munro |
Publisher | : |
Total Pages | : 101 |
Release | : 1928 |
Genre | : Aesthetics |
ISBN | : |
Author | : Wu, Jie |
Publisher | : IGI Global |
Total Pages | : 301 |
Release | : 2019-10-25 |
Genre | : Philosophy |
ISBN | : 1799817040 |
The methodologies of aesthetic thought have always had a deep, historic foundation and serve as a staple of philosophy. Researchers have begun re-examining the structure and levels of aesthetics by tracing the history of this practice and studying European and Asian traditions. This systematic perspective is an emerging topic of exploration yet requires an appropriate level of research that further investigates the recent discoveries of systemic aesthetics in today’s modern world. New Aesthetic Thought, Methodology, and Structure of Systemic Philosophy is an essential reference source that discusses the organic connection between philosophy, mathematics, and aesthetics, as well as its application to other fields of human sciences. This book analyzes the history of aesthetics and studies the contemporary laws and function of beauty and nature. Featuring research on topics such as fundamental principles, mathematical methods, and humanistic logic, this book is ideally designed for philosophers, physicians, scientific researchers, mathematicians, systems engineers, complexity professionals, anthropologists, art designers, academicians, and students seeking coverage on the structure of artistic beauty through a systematic approach.
Author | : Arthur P. Shimamura |
Publisher | : OUP USA |
Total Pages | : 421 |
Release | : 2012-01-02 |
Genre | : Medical |
ISBN | : 0199732140 |
What do we do when we view a work of art? What does it mean to have an 'aesthetic' experience? Are such experiences purely in the eye of the beholder? This book addresses the nature of aesthetic experience from the perspectives of philosophy psychology and neuroscience.
Author | : Sholom J. Kahn |
Publisher | : Routledge |
Total Pages | : 298 |
Release | : 2016-05-05 |
Genre | : Philosophy |
ISBN | : 131720848X |
First published in 1953. This title provides an exposition and discussion on Hippolyte Taine (1828-1893), the leader of the Naturalist movement in French criticism. The book examines his theories and some of his practice, as a critic of literature and art. A more general consideration of the chief issues raised by his central problem is also given, namely the attempt to approach the analysis and judgement of works of art historically, and thus to provide an objective basis of criticism. This title will be of interest to students of art history and philosophy.
Author | : Thomas Munro |
Publisher | : |
Total Pages | : 400 |
Release | : 1956 |
Genre | : Aesthetics |
ISBN | : |
Author | : Sholom Jacob Kahn |
Publisher | : |
Total Pages | : 294 |
Release | : 2013-03 |
Genre | : |
ISBN | : 9781258627324 |
Author | : Alexander Wragge-Morley |
Publisher | : University of Chicago Press |
Total Pages | : 250 |
Release | : 2020-04-17 |
Genre | : Science |
ISBN | : 022668105X |
The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.
Author | : Thomas Munro |
Publisher | : |
Total Pages | : 89 |
Release | : 1928 |
Genre | : Aesthetics |
ISBN | : |
Author | : Benjamin Morgan |
Publisher | : University of Chicago Press |
Total Pages | : 380 |
Release | : 2017-05 |
Genre | : Art |
ISBN | : 022646220X |
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.