Scenes From Village Life

Linked short stories set in a town in the midst of change: “One of the most powerful books you will read about present-day Israel.” —The Jewish Chronicle “‘Scenes from Village Life’ is like a symphony, its movements more impressive together than in isolation. There is, in each story, a particular chord or strain; but taken together, these chords rise and reverberate, evoking an unease so strong it’s almost a taste in the mouth . . . ‘Scenes from Village Life’ is a brief collection, but its brevity is a testament to its force. You will not soon forget it.” —The New York Times Book Review Strange things are happening in Tel Ilan, a century-old pioneer village. A disgruntled retired politician complains to his daughter that he hears the sounds of digging at night. Could it be their tenant, that young Arab? But then the young Arab hears the digging sounds too. And where has the mayor’s wife gone, vanished without a trace, her note saying “Don’t worry about me”? Around the village, the veneer of new wealth—gourmet restaurants, art galleries, a winery—barely conceals the scars of war and of past generations: disused air-raid shelters, rusting farm tools, and trucks left wherever they stopped. Scenes From Village Life is a memorable novel in stories by the inimitable Amos Oz: a brilliant, unsettling glimpse of what goes on beneath the surface of everyday life. Translated from Hebrew by Nicholas de Lange “Finely wrought . . . Oz writes characterizations that are subtle but surgically precise, rendering this work a powerfully understated treatment of an uneasy Israeli conscience.” —Publishers Weekly, starred review “Informed by everything, weighed down by nothing, this is an exquisite work of art.” —The Scotsman

A novel in stories by acclaimed Israeli author Amos Oz.

WINNER OF THE NOBEL PRIZE IN LITERATURE A dreamlike collection from the Nobel Prize-winning poet A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place: All the roads in the village unite at the fountain. Avenue of Liberty, Avenue of the Acacia Trees— The fountain rises at the center of the plaza; on sunny days, rainbows in the piss of the cherub. —from "tributaries" Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed. Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines—expansive, fluent, and full—manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

The first book from the acclaimed, award-winning author of A Tale of Love and Darkness and the New York Times Notable Book, Scenes from Village Life. The Washington Post praised Israeli author Amos Oz as “one of our essential writers, laying out for our observation, in ever-increasing breadth and profundity, the mad landscape of our time and his place.” Here, in his first book, is a disturbing and moving collection of short stories about kibbutz life. Each of the eight stories in this volume grips the reader from the first line, and convey the tension and intensity of feeling in the founding period of Israel, a brand-new state with an age-old history. Some are love stories, more are hate stories, and frequently the two urges intertwine. “A strong, beautiful, disturbing book. It speaks piercingly—whether wittingly or unwittingly, I know not—of a dimension of the Israeli experience not often discussed, of the specter of the other brother, of a haunting, an unhealed wound; it reminds us of polarizations everywhere that bind and diminish us, that may yet rend us.” —The New York Times “As you read, you feel yourself, in all these stories, sinking deeper into the loam of Oz’s sensibility, a paradoxical mix of sensuality and disdain. A good collection by an important international writer.” —Kirkus Reviews (starred review)

An atmospheric and gripping novel from an exciting new voice for fans of The Snow Child and The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared. South-West Germany, 1926. The disappearance of a baby girl calls for Constable Theodore Hildebrandt and his son Klaus to visit the remote village of Hindelheim, a place where nothing ever happens. But the news of the missing baby has brought darkness to the community. It is as if someone or something wicked is playing a game. As the wind blows and the mist thickens, tensions rise amongst the villagers as everyone falls under suspicion. And when the rumours begin and secrets start to unravel, the quiet village of Hindelheim is set to change for ever.

A record of America in the 50s with a rich cast of characters; writers, painters, actors, rich and famous - all part of the tumultuous lives and loves of Norman and Adele Mailer. This is the intimate story of a literary genious in search of himself and the woman who was with him every step of the way.

The long-awaited follow-up to the critically acclaimed, Booker longlisted Gifted, a provocative novel about an experimental open prison in India and the havoc a team of journalists wreaks on the delicate moral code of the inmates. After a long journey from England, Ray Bhullar arrives early on a winter morning at the gates of a remote Indian village called Ashwer which will be her home for the next three months. The door of the hut she will share with Serena, her English co-worker, is a loose sheet of metal, the windows simple holes in the walls. Beyond the lockless door, village life goes on as usual. And yet, the village is anything but normal. Despite the domestic chores being carried out, cooking, fetching water and sewing and laundering linens, Ashwer is a village of murderers, an experimental open prison. And when Ray and her crew take up residence, to observe and to make a documentary, it seems that they are innocent visitors into a violent world, on a mission to hold the place up to viewers as the ultimate example of tolerance. But the longer Ray and her colleagues stay and their need for drama intensifies, the line between innocence and guilt begins to blur and an unexpected and terrifying new kind of cruelty emerges. A mesmerizing and heartfelt tale of manipulation and personal morality, Nikita Lalwani's new novel brilliantly exposes how truly frail our moral judgment can be.