Samothrace The Temenos By P W Lehmann And D Spittle Pt 1 Text Pt 2 Plates

This book has its origin in a conference held at the British School at Athens in 2011 which aimed to explore the range of new archaeological information now available for the seventh century in Greek lands. It presents material data, combining accounts of recent discoveries (which often enable reinterpretation of older finds), regional reviews, and archaeologically focused critique of historical and art historical approaches and interpretations. The aim is to make readily accessible the material record as currently understood and to consider how it may contribute to broader critiques and new directions in research. The geographical focus is the old Greek world encompassing Macedonia and Ionia, and extending across to Sicily and southern Italy, considering also the wider trade circuits linking regional markets. The book does not aim for the pan- Mediterranean coverage of recent works: given that much of the latest innovative and critical scholarship has focused on the western Mediterranean in particular, it is necessary to bring old Greece back under the spotlight and to expose to critical scrutiny the often Athenocentric interpretative frameworks which continue to inform discussion of other parts of the Mediterranean.

Vols. 1-8, 1880-87, plates published separately and numbered I-LXXXIII.

A collection of 22 essays presenting the latest research on a comprehensive range of questions relating to the Greek presence at the site of Egyptian Naukratis as it is reflected in the pottery from there. The volume includes scientific analysis and is richly illustrated with photographs including colour illustrations, line drawings, maps and tables.

This book examines the mutual influence of architecture and human action during a key period of history: the Hellenistic age. During this era, the profound transformations in the Mediterranean's archaeological and historical record are detectable, pointing to a conscious intertwining of the physical (landscape, architecture, bodies) and social (practice) components of built space. Compiling the outcomes of a conference held in Kiel in 2018, the volume assembles contributions focusing on Hellenistic architecture as an action context, perceived in movement through built space. Sanctuaries, as a particularly coherent kind of built space featuring well-defined sets of architecture combined with ritual action, were chosen as the general frame for the analyses. The reciprocity between this sacred architecture and (religious) human action is traced through several layers starting from three specific case studies (Messene, Samothrace, Pella), extending to architectural modules, and finally encompassing overarching principles of design and use. As two additional case studies on caves and agorai show, the far-reaching entanglement of architecture and human action was neither restricted to highly architecturalised nor sacred spaces, but is characteristic of Hellenistic built space in general.

This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary,and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.