Saint Sebastians Head

1997, Boston -- Fifteen years ago an eleven-year-old girl died an unspeakable death in a small Midwestern city.... As a child, Weeble earns her nickname for her ability to stand up under difficult circumstances. Despite the squalor, neglect, and abuse of her home, Weeble adopts the role of protector, first for her younger sister, Annie, and then for her best friend, Lauren. When Lauren dies, Weeble hides her stark, painful childhood from herself in order to survive. Years later and now a civil engineer living thousands of miles away, Weeble's tenuous hold on her emotional state has started to unravel. The methods she uses to cope with her shame and grief no longer work. After winning a grant to create a Web site dedicated to the victims of serial killers, Weeble shuts out longtime friends and begins training for the Boston Sprint Triathlon. Running hard has always kept the nightmares at bay. Then during an early-morning run, she's caught off guard by a Freegan named Tom Paul, a glass artist and modern mystic. Weeble's numb detachment shatters. As her past increasingly invades her present, she will be forced to confront the truth of what happened that long ago summer. Using a structure that switches abruptly between radiant present and dark past, Saint Sebastian's Head tells the ultimately healing love story of a damaged woman and the faithful man who can see the hidden beauty of her soul.

Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music.

“Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new paths also; but none travelled further or mounted higher than he.” (Eugène Müntz)

Reprint of the original, first published in 1882.

Delving into reasons biographers assume Tuscan painter Leonardo da Vinci wrote the Notebooks, hunting down sources and original texts, South African art historian Susan Grundy uncovers it was only Leonardo’s young heir Milanese Francesco Melzi who said these were the artist's Notebooks. In the nineteenth century European scholars began to access these Notebooks in more depth, transcribing the arcane backwards Italian and translating them into English. They discovered a man who did not seem to be Tuscan Leoanrdo da Vinci, as he seemed to be a man from the East. Yet, this reality was closed down by researchers determined to continue with the myth of the self-educated genius from a farm in Tuscany.

This sequel to volume 1 contains all of Thérèse's letters from the end of September 1890 (during her novitiate) until her death in 1897, as well as many letters written to or about her. Here the mature Saint Thérèse shows the path of her growth as a religious and as a deep spiritual writer. The reader learns much about all of her correspondents, including her two "missionary brothers," and gains familiarity with the development of her thought and message. Fifty pages of complementary documents give us useful tools for studying the texts. This work has been translated from the critical edition by John Clarke, OCD. The ebook includes 4 pages of facsimiles of Thérèse's letters, plus a fully linked general and biblical index.

Read this book and the world's most famous image will never look the same again. For the world's greatest cultural icon still has secrets to reveal - not the silly secrets that the 'Leonardo loonies' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a 'universal picture' that became the prime vehicle for Leonardo's prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa's family. We discover Lisa's life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo's immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with its widespread poverty. We find out about the career and possessions of his father, a notable lawyer in Florence. The meaning of the portrait that resulted from these human circumstances is vividly illuminated though Renaissance love poetry and verses specifically dedicated to Leonardo. We come to understand how Leonardo's sciences of optics, psychology, anatomy and geology are embraced in his poetic science of art. Recent scientific examinations of the painting disclose how it evolved to assume its present appearance in Leonardo's experimental hands. Above all, we cut through the suppositions and the myths to show that the portrait is a product of real people in a real place at a real time. This is the book that brings back a sense of reality into the creation of the portrait of Lisa del Giocondo. And the actual Mona Lisa, it turns out, is even more astonishing and transcendent than the Mona Lisa of legend.