Safavid Iran And Her Neighbors

"The Safavid phenomenon : an introductory essay / Michel Mazzaoui -- Naqshbandis and Safavids : a contribution to the religious history of Iran and her neighbors / Hamid Algar -- The imagined embrace : gender, identity, and Iranian ethnicity in Jahangiri paintings / Juan R.I. Cole -- A Safavid poet in the heart of darkness : the Indian poems of Ashraf Mazandarani / Stephen Frederic Dale -- Muhammad Baqir Majlisi, family values, and the Safavids / Shireen Mahdavi -- Anti-Ottoman concerns and Caucasian interests : diplomatic relations between Iran and Russia, 1587-1639 / Rudi Matthee -- The Central Asian hajj-pilgrimage in the time of the early modern empires / R.D. McChesney -- A seventeenth-century Iranian Rabbi's polemical remarks on Jews, Christians, and Muslims / Vera B. Moreen -- The genesis of the Akhbārī revival / Devin Stewart"-- OhioLink Library Catalog.

Published in association with the Iran Heritage Foundation.

An original study of the transformation of Safavid Persia from a majority Sunni country to a Twelver Shi'i realm "Mysticism" in Iran is an in-depth analysis of significant transformations in the religious landscape of Safavid Iran that led to the marginalization of Sufism and the eventual emergence of 'irfan as an alternative Shi'i model of spirituality. Ata Anzali draws on a treasure-trove of manuscripts from Iranian archives to offer an original study of the transformation of Safavid Persia from a majority Sunni country to a Twelver Shi'i realm. The work straddles social and intellectual history, beginning with an examination of late Safavid social and religious contexts in which Twelver religious scholars launched a successful campaign against Sufism with the tacit approval of the court. This led to the social, political, and economic marginalization of Sufism, which was stigmatized as an illegitimate mode of piety rooted in a Sunni past. Anzali directs the reader's attention to creative and successful attempts by other members of the ulama to incorporate the Sufi tradition into the new Twelver milieu. He argues that the category of 'irfan, or "mysticism," was invented at the end of the Safavid period by mystically minded scholars such as Shah Muhammad Darabi and Qutb al-Din Nayrizi in reference to this domesticated form of Sufism. Key aspects of Sufi thought and practice were revisited in the new environment, which Anzali demonstrates by examining the evolving role of the spiritual master. This traditional Sufi function was reimagined by Shi'i intellectuals to incorporate the guidance of the infallible imams and their deputies, the ulama. Anzali goes on to address the institutionalization of 'irfan in Shi'i madrasas and the role played by prominent religious scholars of the eighteenth and early nineteenth centuries in this regard. The book closes with a chapter devoted to fascinating changes in the thought and practice of 'irfan in the twentieth century during the transformative processes of modernity. Focusing on the little-studied figure of Kayvan Qazvini and his writings, Anzali explains how 'irfan was embraced as a rational, science-friendly, nonsectarian, and anticlerical concept by secular Iranian intellectuals.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

The Safavid World brings together thirty chapters on many aspects of the complex Safavid state, 1501–1722. With the latest insights and arguments, some offer overviews of the period or topic at hand, and others present new interpretations of old questions based on newly found sources. In addition to political history and religious life, the chapters in this volume cover economic conditions, commercial links and activities, social relations, and artistic expressions. They do so in ways that stretch both the temporal and geographical perimeters of the subject, and contributors also examine Safavid Iran with an eye to both its Mongol and Timurid antecedents and its long afterlife following the fall of the dynasty. Unlike traditional scholarship which tended to view the country as unique, sui generis, and barely affected by the outside world, The Safavid World situates Iran in a wider, regional or global context. Examining the Safavids from their foundations in the fourteenth century to their relations with the rest of the world in the eighteenth century, this study is essential reading for undergraduates, postgraduates, and scholars of the Safavid world and the history and culture of Iran and the Middle East.

The sixteenth and seventeenth centuries saw the establishment of the new Safavid regime in Iran. Along with reuniting the Persian lands under one rule, the Safavids initiated the radical transformation of the religious landscape by introducing Imami Shi'ism as the official state faith and in this as in other ways, laying the foundations of Iran's modern identity. In this book, leading scholars of Iranian history, culture and politics examine the meaning of the idea of Iran in the Safavid period by examining contemporary experiences of both insiders and outsiders, asking how modern scholarship defines the distinctive features of the age. While sometimes viewed as a period of decline from the high points of classical Persian literature and the visual arts of preceding centuries, the chapters of this book demonstrate that the Safavid era was nevertheless a period of great literary and artistic activity in the realms of both secular and theological endeavour. With the establishment of comparable polities across western, southern and central Asia at broadly the same time, the book explores some of the literary and political interactions with Iran's Ottoman, Mughal and Uzbek neighbours. As the volume and frequency of European merchants and diplomats visiting Safavid Persia increased, especially in the seventeenth century, and as more Iranians recorded their own travel experiences to surrounding Muslim lands, the Safavid period is the first in which we can document and explore the contours of Iran's place in an expanding world, and gain insights into how Iranians saw themselves and others saw them.

Dedicated to the renowned Safavid historian Roger Savory, this book brings together a collection of studies on the Safavid state of Iran (1501-1722) from the perspectives of political, social, literary, and artistic history. Savory, a doyen of Safavid studies in the 1960s and 1970s, was responsible for expanding and popularizing the study of Iran in the 16th and 17th century. To celebrate this legacy, well-established scholars of medieval and early modern Iran have contributed specific studies reflecting an array of research interests and specializations, which include critical re-examinations of issues of gender, literature, art and architecture, cultural and linguistic currents, illustrated historical chronicles, and courtly and administrative practices under the Safavid dynasty. This unique compilation is indicative of a growing interest in Iran and Iranian studies in both the academic and public spheres, and as such contains a number of new perspectives which will serve to supplement and re-interpret the existing corpus of Safavid scholarly literature to date. It will be an important text for scholars of world history and Middle East studies, as well as to historians in general.

The Safavid dynasty originated as a fledgling apocalyptic mystical movement based in Iranian Azarbaijan, and grew into a large, cosmopolitan Irano-Islamic empire stretching from Baghdad to Herat. Here, Colin P. Mitchell examines how the Safavid state introduced and moulded a unique and vibrant political discourse, reflecting the social and religious heterogeneity of sixteenth-century Iran. Beginning with the millenarian-minded Shah Isma'il and concluding with the autocrat par excellence, Shah Abbas, Mitchell explores the phenomenon of state-sponsored rhetoric. A thorough investigation of the Safavid state and the significance of rhetoric, power and religion in its functioning, The Practice of Politics in Safavid Iran is indispensable for all those interested in Iranian history and politics and Middle East studies.

The Safavid dynasty, which reigned from the late fifteenth to the eighteenth century, links medieval with modern Iran. The Safavids witnessed wide-ranging developments in politics, warfare, science, philosophy, religion, art and architecture. But how did this dynasty manage to produce the longest lasting and most glorious of Iran's Islamic-period eras?Andrew Newman offers a complete re-evaluation of the Safavid place in history as they presided over these extraordinary developments and the wondrous flowering of Iranian culture. In the process, he dissects the Safavid story, from before the 1501 capture of Tabriz by Shah Ismail (1488-1524), the point at which Shiism became the realm's established faith; on to the sixteenth and early seventeenth century dominated by Shah Abbas (1587-1629), whose patronage of art and architecture from his capital of Isfahan embodied the Safavid spirit; and culminating with the reign of Sultan Husayn (reg. 1694-1722).Based on meticulous scholarship, Newman offers a valuable new interpretation of the rise of the Safavids and their eventual demise in the eighteenth century. "Safavid Iran," with its fresh insights and new research, is the definitive single volume work on the subject.

In December 1572 the Mughal emperor Akbar arrived in the port city of Khambayat. Having been raised in distant Kabul, Akbar, in his thirty years, had never been to the ocean. Presumably anxious with the news about the Mughal military campaign in Gujarat, several Portuguese merchants in Khambayat rushed to Akbar’s presence. This encounter marked the beginning of a long, complex, and unequal relationship between a continental Muslim empire that was expanding into south India, often looking back to Central Asia, and a European Christian maritime empire whose rulers considered themselves ‘kings of the sea’. By the middle of the seventeenth century, these two empires faced each other across thousands of kilometres from Sind to Bijapur, with a supplementary eastern arm in faraway Bengal. Focusing on borderland management, imperial projects, and cross-cultural circulation, this volume delves into the ways in which, between c. 1570 and c. 1640, the Portuguese understood and dealt with their undesirably close neighbours—the Mughals.