Sade

Donatien Alphonse Francois, Marquis de Sade (1740-1814), one of the most perplexing personalities of Western culture, has been called 'the freest spirit who ever lived' and 'a frenetic and abominable assemblage of all crimes and obscenities'. Yet scant attention has been given to the two women who were the catalysts of his fate: his loyal, tolerant wife, Renee-Pelagie, and his vindictive mother-in-law, Madame de Montreuil. This groundbreaking account vividly brings to life these two dynamic women and the complex bonds they evolved with the rakish Marquis, as they dedicated themselves to protecting, curbing and, ultimately, confining him. Francine du Plessix Gray draws on thousands of pages of correspondence between the magnetic, aristocratic Marquis de Sade and his plain, bourgeois wife, to explore in historical and psychological detail what it was like to live with this maverick adventurer and man of letters in the decades before the French Revolution. She brilliantly recreates the extravagant hedonism and corruption of late-18th-century France, the ensuing Terror, and the oppression of the Napoleonic regime under which de Sade spent his last years.

Sade’s Sensibilities tells a new story of one of the most enduring and controversial figures in European literature. Blending ideas about subjectivity, identity and natural philosophy with politics and pornography, D.A.F. de Sade has fascinated writers and readers for two hundred years, and his materialist account of the human condition has been widely influential in post-structuralism, nihilism, and feminism. This new collection of essays considers Sade’s Enlightenment legacy, both within and beyond the narratives of radicalism and aberration that have historically marked the study of his oeuvre. From different points of view, these essays argue that Sade engaged with and influenced traditional Enlightenment paradigms—particularly those related to sensibility, subjectivity, and philosophy—as much as he resisted them. They thus recover a Sade more relevant, even foundational to our twenty-first century understanding of modernity, selfhood, and community. In Sade’s Sensibilities Sade is no longer a solitary, peripheral radical, but an Enlightenment philosopher in his own right.

There's nothing sweet about turning sixteen as three friends will soon find out. Fifteen-year-old Sade Washington has been harboring a secret from her two best friends, Crystal Jackson and Dena Bradford. Her secret is threatened to be revealed when she discovers she's pregnant. Once Sade's secret is out, it causes a wedge between her and her mother Joyce. Distraught at her mother's reactions, Sade toils with a love/hate relationship with her. Joyce struggles with keeping peace in her household. The relationship between her daughter and live-in boyfriend, Calvin has her in an emotional turmoil. Joyce is determined to make their home a happy one by any means necessary. Sade attempts to have a normal teen life, but as she turns sixteen, reality hits her head on. She must make choices that will not only affect her future, but that of her unborn child. Sade's Secret takes the reader on an emotional ride as it deals with a strong subject matter and the dynamics of mother-daughter relationships.

This book connects the philosophy of the Marquis de Sade—one of the most notorious, iconic, and yet poorly-understood figures within the history of European thought—with the broader themes of the Enlightenment. Rather than seeing himself as a mere pornographer, Sade understood himself as continuing the progressive tradition of French Enlightenment philosophy. Sade aspired to be a philosophe. This book uses intellectual history and the history of philosophy to reconstruct Sade’s philosophical ‘system’ and its historical context. Within the period’s discourse of sensibility Sade draws on the philosophical and the literary to form a relatively sophisticated ‘system’ which he deploys to critically engage with the two major strands of eighteenth-century ethical theory: the moral sense and natural law traditions. This work is of interest to: ‘Continental’ Philosophy, Critical Theory, French Studies, the History of Eighteenth-Century Philosophy, Literary Studies, the History of Moral Philosophy, and Enlightenment Studies.

A revival of the classical style in the comedy genre. A two-act play for at least five actors (2m, 3f) based on the short story "The Love Stratagem" by Marquis de Sade. Almost all the lines, plot, intrigues and characters except for Villeblanche were created by the author. So much so that the play does not contradict the style of the Marquis de Sade, either literally or intellectually. It is a comedy reminiscent of Molière, but with a Sadean taste. A woman disguised as a man is a typical Shakespearean theme. Bedrettin brought this theme into the work with the same sense of humor. The characteristics of the play include the use of double entendre, cross-dressing, comic love scenes, physical seduction, cynicism and other forms of daring language. There are no sets or props in the play except for chairs. Therefore, it has a low cost and is suitable for touring. For those who want to rediscover classic comedy with a modern touch.

No detailed description available for "De Sade's quantitative moral universe".

"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--

In 1775, the young Count de Sade decided to turn a flight from legal trouble into an opportunity to undertake the "grand tour." He transformed his sojourns in Florence, Rome, Naples, and their environs into a philosophical travelogue; alongside advice on where to go and what to see, his Journey to Italy would include analyses of local customs and institutions, history and politics, natural phenomena, and the development of the arts. For today’s readers, Journey to Italy provides remarkable portraits of major Italian cities and the surrounding countryside, vivid accounts of aristocratic and popular entertainments, and a clear sense of what it was like to be a tourist in eighteenth-century Italy – from scams, rough roads, and unreliable guidebooks to learned interlocutors, balls, and nights at the opera. We witness Sade learning about the lives of Roman emperors, the machinations and misdeeds of pontiffs, the power struggles of the Medici, the ancient libertine world revealed by the excavations of Herculaneum and Pompeii, and a host of artistic examples and cultural practices – the material he would soon metamorphose into trenchant satire, gothic horror, and violent sexual fantasy. This book presents the first English translation of Sade’s unfinished and unpolished Journey to Italy along with his extensive dossiers of notations, sketches, plans, and correspondence. The translation is accompanied by extensive explanatory annotations and preceded by a critical introduction that provides biographical, artistic, historical, and intellectual context for Sade’s fascinating project, connecting his travels in and writings about Italy to his later famous and controversial works.

The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.

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