Sacrifice Box

"First published in the United States of America by Viking, an imprint of Penguin Random House LLC, 2018"--Title page verso.

'It is my attempt to fit the lives of citizens here, into the context of The Great War as a world-historical event. I think it's important to remember that we all make history, and are all made by history.'- Dean Ulland

At the dawn of the twentieth century, while Lima’s aristocrats hotly debated the future of a nation filled with “Indians,” thousands of Aymara and Quechua Indians left the pews of the Catholic Church and were baptized into Seventh-day Adventism. One of the most staggering Christian phenomena of our time, the mass conversion from Catholicism to various forms of Protestantism in Latin America was so successful that Catholic contemporaries became extremely anxious on noticing that parts of the Indigenous population in the Andean plateau had joined a Protestant church. In Sacrifice and Regeneration Yael Mabat focuses on the extraordinary success of Seventh-day Adventism in the Andean highlands at the beginning of the twentieth century and sheds light on the historical trajectories of Protestantism in Latin America. By approaching the religious conversion among Indigenous populations in the Andes as a multifaceted and dynamic interaction between converts, missionaries, and their social settings and networks, Mabat demonstrates how the religious and spiritual needs of converts also brought salvation to the missionaries. Conversion had important ramifications on the way social, political, and economic institutions on the local and national level functioned. At the same time, socioeconomic currents had both short-term and long-term impacts on idiosyncratic religious practices and beliefs that both accelerated and impeded religious change. Mabat’s innovative historical perspective on religious transformation allows us to better comprehend the complex and often contradictory way in which Protestantism took shape in Latin America.

Sacrifice and Modern War Writing presents the most extensive study to date of twentieth- and twenty-first-century war writing. Examining works by over 110 authors, Alex Houen surveys how war writing explores sacrifice in relation to major modern and contemporary conflicts, from the First World War to the War on Terror. Various conceptions of sacrifice are examined, including Christian, Jewish, Islamic, and secular. The discussion ranges across literary portrayals of multiple sacrificial practices, including ancient rituals of child sacrifice, martyrdom, scapegoating, and suicide bombing. Houen builds an innovative interdisciplinary approach to how war, sacrifice, and their representations interrelate, and a wide range of Anglophone literature is discussed, including novels, memoirs, short stories, essays, manifestoes, elegies, ballads, and lyric poetry. Whereas critics and theorists have tended to emphasize that war's reality exceeds any attempt to represent it, Houen contends that political, religious, and cultural frames of sacrifice have continued to play a significant part in shaping how war's reality is shaped and experienced. Those frames are inextricably tied to modes of representation, which include symbolism and mimesis. Sacrifice and Modern War Writing explores how sacrificial killing in war is itself riddled with symbolic transfigurations and mimetic exchanges, and it builds a fresh approach by arguing that the figurative and imaginative aspects of literary writing ironically become its very means of engaging closely with the reality of war's sacrifices. That approach also develops by using the literary analyses to critique and revise various prominent theories of sacrifice and war.

"When 15-year-old Wulliam's father is possessed by a dark spirit, Wull must care for him and take on his family's mantle of Riverkeep, tending the Danek"--

On a freezing January in 1992, five teenage girls crowded into a car. By the end of the night, only four of them were alive. The fifth had been tortured and mutilated nearly beyond recognition. Her name was Shanda Sharer; her age-twelve. When the people of Madison, Indiana heard that a brutal murder had been committed in their midst, they were stunned. Then the story became even more bizarre. The four accused murderers were all girls under the age of eighteen: Melinda Loveless, Laurle Tackett, Hope Rippey, and Tonl Lawrence. Here, for the first time, veteran true crime journalist Aphrodite Jones reveals the shocking truth behind the most savage crime in Indiana history-a tragic story of twisted love and insane jealousy, lesbianism, brutal child abuse, and sadistic ritual killing in small-town America...and of the young innocent who paid the ultimate price.

The New York Times Bestseller! In the aftermath of the Steroid Era that stained the game of baseball, at a time when so many players are so rich and therefore have a sense of entitlement that they haven't earned, ESPN baseball commentator Tim Kurkjian shows readers how to love the game more than ever, with incredible insight and stories that are hilarious, heartbreaking, and revealing. From what Pete Rose was doing in the batting cage a few minutes after getting out of prison, to why everyone strikes out these days and why no one seems to care, I'm Fascinated By Sacrifice Flies will surprise even longtime baseball fans. Tim explains the fear factor in the game, and what it feels like to get hit by a pitch; Adam LaRoche wanted to throw up in the batter's box. He examines the game's superstitions: Eliot Johnson's choice of bubble gum, a poker chip in Sean Burnett's back pocket. He unearths the unwritten rules of the game, takes readers inside ESPN, and reveals how Tony Gwynn made baseball so much more fun to watch. And, of course, Tim will explain to readers why he is fascinated by sacrifice flies.

Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.