Sacred Narrative

Alan Dundes defines myth as a sacred narrative that explains how the world and humanity came to be in their present form. This new volume brings together classic statements on the theory of myth by the authors. The twenty-two essays by leading experts on myth represent comparative, functionalist, myth-ritual, Jungian, Freudian, and structuralist approaches to studying the genre.

The thought of Paul Ricoeur continues its profound effect on theology, religious studies and biblical interpretation. The 28 papers contained in this volume constitute the most comprehensive overview of Ricoeur's writings in religion since 1970. Ricoeur's hermeneutical orientation and his sensitivity to the mystery of religious language offer fresh insight to the transformative potential of sacred literature, including the Bible.

This book shows the singular importance of narrative in the process of spiritual direction and reflects on this interactive process of sharing our sacred stories in pastoral contexts in order to hear and respond more deeply to the story God is telling in our lives.

This substantially expanded edition of Belden C. Lane's Landscapes of the Sacred includes a new introductory chapter that offers three new interpretive models for understanding American sacred space. Lane maintains his approach of interspersing shorter and more personal pieces among full-length essays that explore how Native American, early French and Spanish, Puritan New England, and Catholic Worker traditions has each expressed the connection between spirituality and place. A new section at the end of the book includes three chapters that address methodological issues in the study of spirituality, the symbol-making process of religious experience, and the tension between place and placelessness in Christian spirituality.

"Today’s teens are even more passionate about changing the world than the generation before them. They are learning just how closely their lives tie in to God’s sweeping story of redemption. And as they see how their journeys of faith are connected to an ongoing story, they are asking how to go deeper into that story. So how can we help align their passion with God’s mission so that their lives and the world can be changed? Story, Signs, and Sacred Rhythms presents a new model for youth ministry that is relevant to the missional church and the changing culture. After challenging youth pastors around the world to consider A New Kind of Youth Ministry, Chris Folmsbee now brings a practical approach to youth ministry that will: • offer a clear and compelling vision of a narrative-missional youth ministry • present a theologically rich and accurate summary of God’s story and mission • equip you with an approach to youth ministry that enables you to create, sustain, and refine environments for Christian transformation • unpack a ministry design that’s customizable, measurable, and evaluative, allowing you to refine and change course as needed • empower you to transform an emerging generation, resulting in teens joining God in his mission to restore the world By exploring a narrative approach that is about God’s story, looking at the signs of God, which are God’s images and metaphors to guide our lives, and discovering the saintly cadences that provide the connection between God and mission, you’ll find concepts and ideologies of an entirely new way of thinking about and doing youth ministry."

'Religious Narrative, Cognition and Culture' brings together some of the world's leading scholars in the fields of cognitive science and comparative religion. The essays range across diverse fields: the neurological processes and possible genetic foundations of how language emerged; the possible phylogenetic routes in the development of language and culture; the complex interrelations between the ontogenesis and the sociogenesis of cognitive processes; the value of a combination of neurology, narratology and a reworked speech-act approach that focuses on narrative; how the psychology of ritual helps make narrative beliefs possible; religious narratives; emotional communication; the role of gossip as religious narrative; area studies of religious narrative and cognition in the Bible; Indian Epic literature; Australian Aboriginal mythology and ritual; modern religious forms such as New Age, Asatro, astrological narrative and virtual rituals in cyberspace.

Biblical Epics: Sacred Narrative in the Hollywood Cinema is a major survey and analysis of the relationship between religion and film, and traces the development of this genre in Hollywood. The book examines the impact of religion, ethnicity, sexuality, and gender on this complex genre, within the context of American history. Together, Bruce Francis Babington and Peter William Evans raise questions of narrative spectacle, Jewish-Christian relations, authorship, star meanings, the representation of Christ, and sexual desire. The authors theorize the Biblical epic in its three main forms: the Old Testament epic; the Christ film; and the Roman-Christian epic. Films analyzed include David and Bathsheba, The Last Temptation of Christ, The King of Kings, The Greatest Story Ever Told, Demetrius and the Gladiators, Samson and Delilah, and Ben Hur.

In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements. Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory. The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and creativity.

Research on pilgrimage has traditionally fallen across a series of academic disciplines - anthropology, archaeology, art history, geography, history and theology. To date, relatively little work has been devoted to the issue of pilgrimage as writing and specifically as a form of travel-writing. The aim of the interdisciplinary essays gathered here is to examine the relations of Christian pilgrimage to the numerous narratives, which it generates and upon which it depends. Authors reveal not only the tensions between oral and written accounts but also the frequent ambiguities of journeys - the possibilities of shifts between secular and sacred forms and accounts of travel. Above all, the papers reveal the self-generating and multiple-authored characteristics of pilgrimage narrative: stories of past pilgrimage experience generate future stories and even future journeys. Simon Coleman moved to Sussex University in 2004, having spent 11 years at Durham University as Lecturer and then Reader in Anthropology, and Deputy Dean for the Faculty of Social Sciences and Health. John Elsner is Senior Research Fellow at Corpus Christi College, Oxford.

In a richly layered and beautifully illustrated narrative, Raymond Jonas tells the fascinating and surprisingly little-known story of the Sacré-Coeur, or Sacred Heart. The highest point in Paris and a celebrated tourist destination, the white-domed basilica of Sacré-Coeur on Montmartre is a key monument both to French Catholicism and to French national identity. Jonas masterfully reconstructs the history of the devotion responsible for the basilica, beginning with the apparition of the Sacred Heart to Marguerite Marie Alacoque in the seventeenth century, through the French Revolution and its aftermath, to the construction of the monumental church that has loomed over Paris since the end of the nineteenth century. Jonas focuses on key moments in the development of the cult: the founding apparition, its invocation during the plague of Marseilles, its adaptation as a royalist symbol during the French Revolution, and its elevation to a central position in Catholic devotional and political life in the crisis surrounding the Franco-Prussian War. He draws on a wealth of archival sources to produce a learned yet accessible narrative that encompasses a remarkable sweep of French politics, history, architecture, and art.