Russias Orient

From a 1994 conference (U. of California, Berkeley), Borderlands Research Group participants present their findings based on unprecedented access to the hinterlands of what is the now the CIS. Fourteen contributors provide context for the current self- deterministic ethnic turmoil in Chechyna and elsewhere far from the Kremlin, via discussions of tsarist colonial policies and historical, heartland majority attitudes toward the "ignoble savages and unfaithful subjects" (read Muslim) of Russia's diverse Orient. Annotation copyrighted by Book News, Inc., Portland, OR

Building on long-forgotten archives and detailed case studies, Representing Russia's Orient reveals how complex representations of oriental subjects in nineteenth-century Russian art music, which often merged elements of East and West, contributed to the formation of Russia's national identity.

Russia's own Orient examines how intellectuals in early twentieth-century Russia offered a new and radical critique of the ways in which Oriental cultures were understood at the time. Out of the ferment of revolution and war, a group of scholars in St. Petersburg articulated fresh ideas about the relationship between power and knowledge, and about Europe and Asia as mere political and cultural constructs. Their ideas anticipated the work of Edward Said and post-colonial scholarship by half a century. The similarities between the two groups were, in fact, genealogical. Said was indebted, via Arab intellectuals of the 1960s who studied in the Soviet Union, to the revisionist ideas of Russian Orientologists of the fin de siècle. But why did this body of Russian scholarship of the early twentieth century turn out to be so innovative? Should we agree with a popular claim of the Russian elites about their country's particular affinity with the 'Orient'? There is no single answer to this question. The early twentieth century was a period when all over Europe a fascination with things 'Oriental' engendered the questioning of many nineteenth-century assumptions and prejudices. In that sense, the revisionism of Russian Orientologists was part of a pan-European trend. And yet, Tolz also argues that a set of political, social, and cultural factors, which were specific to Russia, allowed its imperial scholars to engage in an unusual dialogue with representatives of the empire's non-European minorities. It is together that they were able to articulate a powerful long-lasting critique of modern imperialism and colonialism, and to shape ethnic politics in Russia across the divide of the 1917 revolutions.

Here, the author examines Russian thinking about the Orient before the Revolution of 1917. He argues that the Russian Empire's bi-continental geography and the complicated nature of its encounter with Asia have all resulted in a variegated understanding of the East among its people.

This monograph provides a novel long-term approach to the role of Russia’s imperial legacies in its interactions with the former Soviet space. It develops ‘Hybrid Exceptionalism’ as a critical conceptual tool aimed at uncovering the great power’s self-positioning between ‘East’ and ‘West’, and its hierarchical claims over subalterns situated in both civilizational imaginaries. It explores how, in the Tsarist, Soviet, and contemporary eras, distinct civilizational spaces were created, and maintained, through narratives and practices emanating from Russia’s ambiguous relationship with Western modernity, and its part-identification with a subordinated ‘Orient’. The Romanov Empire’s struggles with ‘Russianness’, the USSR’s Marxism-Leninism, and contemporary Russia’s combination of feigned liberal and civilizational discourses are explored as the basis of a series of successive civilising missions, through an interdisciplinary engagement with official discourses, scholarship, and the arts. The book concludes with an exploration of contemporary policy implications for the West, and the former Soviet states themselves.

The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).

The eyes of the world are on the Middle East. Today, more than ever, this deeply-troubled region is the focus of power games between major global players vying for international influence. Absent from this scene for the past quarter century, Russia is now back with gusto. Yet its motivations, decision-making processes and strategic objectives remain hard to pin down. So just what is Russia up to in the Middle East? In this hard-hitting essay, leading analyst of Russian affairs Dmitri Trenin cuts through the hyperbole to offer a clear and nuanced analysis of Russia's involvement in the Middle East and its regional and global ramifications. Russia, he argues, cannot and will not supplant the U.S. as the leading external power in the region, but its actions are accelerating changes which will fundamentally remake the international system in the next two decades.

Throughout most of Russian history, two views of who the Russians are have dominated the minds of Russian intellectuals. Westerners assumed that Russia was part of the West, whilst Slavophiles saw Russia as part of a Slavic civilization. At present, it is Eurasianism that has emerged as the paradigm that has made attempts to place Russia in a broad civilizational context and it has recently become the only viable doctrine that is able to provide the very ideological justification for Russia’s existence as a multiethnic state. Eurasians assert that Russia is a civilization in its own right, a unique blend of Slavic and non-Slavic, mostly Turkic, people. While it is one of the important ideological trends in present-day Russia, Eurasianism, with its origins among Russian emigrants in the 1920s, has a long history. Placing Eurasianism in a broad context, this book covers the origins of Eurasianism, dwells on Eurasianism’s major philosophical paradigms, and places Eurasianism in the context of the development of Polish and Turkish thought. The final part deals with the modern modification of Eurasianism. The book is of great relevance to those who are interested in Russian/European and Asian history area studies.

The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).

Olivier Roy is one of the world's leading experts on political Islam. But he is not only a scholar—he is also a traveler. Roy's keen and iconoclastic insights emerge from a lifetime of study combined with intrepid exploration through Afghanistan and Central Asia. In this book-length interview, Roy tells the lively and colorful story of his many adventures and discoveries in a variety of social and political settings and how they have come to shape his understanding of the Islamic world and its complex recent history. In Search of the Lost Orient is a candid, personal account of the experiences that led Roy to challenge his youthful ideas of an untouched, romanticized East and build a new intellectual framework to better understand and cohabit with the religions, politics, and cultures of the East, West, North, and South. In conversation with Jean-Louis Schlegel of the French magazine Esprit, Roy offers insight into the key themes of his career. Roy's immersion in the complexities of many Central Asian territories started him on his critique of the idea of an essentialized Islam. Alongside tales of backpacking from Paris to Kabul, his Afghan decade during the Soviet invasion, and official travel to post-Soviet Central Asia in the 1990s, Roy reflects on the nature of political and humanitarian engagement in this part of the world. He recounts his formative years, education, and developing political commitments and speaks to his evolving place within France's shifting intellectual and religious cultures. This book outlines Roy's lifelong practice—a combination of deliberate research goals and chance encounters—that examines Islam, immigration, and, more broadly, the future of cultures, religions, and secularism in the face of globalization. Both a significant intellectual autobiography and a compelling travelogue through some of the world's pivotal places, In Search of the Lost Orient offers a striking testimony to the many facets of an exceptional thinker.