Romance Intonation

This book offers the first comprehensive description of the prosody of nine Romance languages that takes into account internal dialectal variation. Teams of experts examine the prosody of Catalan, French, Friulian, Italian, Occitan, Portuguese, Romanian, Sardinian, and Spanish using the Autosegmental Metrical framework of intonational phonology and the Tones and Breaks Indices (ToBI) transcription system. The chapters all share a common methodology, based on a common Discourse Completion Task questionnaire, and provide extensive empirical data. The authors then analyse how intonation patterns work together with other grammatical means such as syntactic constructions and discourse particles in the linguistic marking of a varied set of sentence types and pragmatic meanings across Romance languages. The ToBI prosodic systems and annotations proposed for each language are based both on a phonological analysis of the target language as well as on the shared goal of using ToBI analyses that are comparable across Romance languages. This book will pave the way for more systematic typological comparisons of prosody across both Romance and non-Romance languages.

Using an innovative approach, this book focuses on a widely debated area of phonetics and phonology: intonation, and specifically its relation to metrics, its interface with syntax, and whether it can be attributed more to phonetics or phonology, or equally to both. Drawing on data from six Romance languages (French, Italian, Spanish, Portuguese, Catalan and Romanian), whose rich intonation patterns have long been of interest to linguists, Philippe Martin challenges the assumptions of traditional phonological approaches, and re-evaluates the data in favour of a new usage-based model of intonation. He proposes a unified description of the sentence prosodic structure, focusing on the dynamic and cognitive aspects of both production and perception of intonation in speech, leading to a unified grammar of Romance languages' sentence intonation. This book will be welcomed by researchers and advanced students in phonetics and phonology.

Languages differ regarding both the ways they group words into phrases and the surface cues they use to indicate relevant phrasing patterns. Modeling intonation in as many languages as possible has become a central goal of theoretical and empirical linguistics. However, intonational research has only recently begun to devote attention to the analysis of spontaneous speech, one of the central issues of this book. The volume contains eight contributions by international scholars, some of them members of the Research Center on “Multilingualism” (Hamburg, Germany), all of them experts on intonation and most also on multilingualism. A central goal of the present volume is to expand the cross-linguistic and multilingual perspective of phrasing, focusing thereby on languages from the Romance and Germanic families, among them Catalan, French, German, Italian, Occitan, and Spanish. Within Spanish, special attention is given to several Argentinean varieties, and within Italian, the Neapolitan variety is compared with the standard one.

This handbook is structured in two parts: it provides, on the one hand, a comprehensive (synchronic) overview of the phonetics and phonology (including prosody) of a breadth of Romance languages and focuses, on the other hand, on central topics of research in Romance segmental and suprasegmental phonology, including comparative and diachronic perspectives. Phonetics and phonology have always been a core discipline in Romance linguistics: the wide synchronic variety of languages and dialects derived from spoken Latin is extensively explored in numerous corpus and atlas projects, and for quite a few of these varieties there is also more or less ample documentation of at least some of their diachronic stages. This rich empirical database offers excellent testing grounds for different theoretical approaches and allows for substantial insights into phonological structuring as well as into (incipient, ongoing, or concluded) processes of phonological change. The volume can be read both as a state-of-the-art report of research in the field and as a manual of Romance languages with special emphasis on the key topics of phonetics and phonology.

Intonational Grammar in Ibero-Romance: Approaches across linguistic subfields is a volume of empirical research papers incorporating recent theoretical, methodological, and interdisciplinary advances in the field of intonation, as they relate to the Ibero-Romance languages. The volume brings together leading experts in Catalan, Portuguese, and Spanish, as well as in the intonation of Spanish in contact situations. The common thread is that each paper examines a specific topic related to the intonation of at least one Ibero-Romance language, framing the analysis in an experimental setting. The novel findings of each chapter hinge on critical connections that are made between the study of intonation and its related fields of linguistic inquiry, including syntax, pragmatics, sociophonetics, language acquisition and special populations. In this sense, the volume expands the traditional scope of Ibero-Romance intonation, including in it work on signed languages (LSC), individuals with autism spectrum disorder and individuals with Williams Syndrome. This volume establishes the precedent for researchers and advanced students who wish to explore the complexities of Ibero-Romance intonation. It also serves as a showcase of the most up-to-date methodologies in intonational research.

This volume brings together new research on theoretical Romance Linguistics; its intended audience is scholars in the field of formal grammar, especially those specializing in Romance languages. It represents the latest work on the structure of Romance languages, with relevant comparisons to other languages such as English and Basque. As the volume's title indicates, two related themes recur in these studies: the role of grammatical features in sub-modules of the grammar, and the interaction of sub-modules with each other and with external systems at the “interfaces”. The contributions to this volume, all framed within current theoretical models, explore these and related problems in the analysis of Romance. The volume contains studies on morphology, phonology, syntax and semantics, and includes language and subject indices.

This book presents a collection of pioneering papers reflecting current methods in prosody research with a focus on Romance languages. The rapid expansion of the field of prosody research in the last decades has given rise to a proliferation of methods that has left little room for the critical assessment of these methods. The aim of this volume is to bridge this gap by embracing original contributions, in which experts in the field assess, reflect, and discuss different methods of data gathering and analysis. The book might thus be of interest to scholars and established researchers as well as to students and young academics who wish to explore the topic of prosody, an expanding and promising area of study.

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"One of the most remarkable features of phonation is the disruption of the normal respiratory cycle. Indeed, outside phonation, the normal cycle of respiration presents a comparable duration for both the inspiration and the expiration (top of Figure 1.1). Figure 1.1 Respiration cycle, without phonation (top) and with phonation (bottom) The first produced prosodic units are breath groups. At early stages of language learning, children mainly use the necessary silent pause in the inspiration phase of their respiratory cycle as boundary markers of these units. The phonation process results from the air flow generated by the lung compression during the respiration-expiration phase. This air flow generates the necessary subglottal pressure needed to produce the vibration of the vocal folds for voiced sounds (vowels, voiced consonants), friction for fricative consonants, and intraoral pressure to allow the production of stop consonants"--

This collection of twenty articles, selected from the 33rd annual Linguistic Symposium on Romance Languages held at Indiana University in 2003, presents current theoretical approaches to a variety of issues in Romance linguistics. Invited speakers Luigi Burzio and Jose Ignacio Hualde contribute papers on the paradigmatics and syntagmatics of Italian verbal inflection and comparative/diachronic Romance intonation, respectively. The other papers, whose authors include both well-known researchers and younger scholars, represent such areas as French syntax (both synchronic and diachronic), second language acquisition (Spanish & English), Spanish intonation, phonology, syntax, and semantics, Italian semantics, Romanian morphology and syntax, Catalan phonology and morphology, and Galician phonology (two papers). The volume is rounded out by three explicitly comparative studies, one on proto-Romance phonology, one on microvariation in Romance syntax, and a third addressing syntactic microvariation among varieties of French and French-based creoles. Frameworks represented include Optimality Theory, Minimalism, and Construction Grammar.