Rolling Nowhere

Hopping a freight in the St. Louis rail yards, Ted Conover0́4winner of the National Book Critics Circle Award0́4embarks on his dream trip, traveling the rails with "the knights of the road." Equipped with rummage store clothing, a bedroll, and his notebooks, Conover immerses himself in the peculiar culture of the hobo, where handshakes and intoductions are foreign, but where everyone knows where the Sally (Salvation Army) and the Willy (Goodwill) are. Along the way he encounters unexpected charity (a former cop goes out of his way to offer Conover a dollar) and indignities (what do you do when there are no public bathrooms?) and learns how to survive on the road.But above all, Conover gets to know the men and women who, for one reason or another, live this life. There's Lonny, who accepts that there are some towns he can't enter before dark because he's black, and Pistol Pete, a cowboy who claims his son is a doctor and his daughter a ballerina, and Sheba Sheila Sheils, who's built herself a house out of old tires. By turns resourceful and desperate, generous and mistrusting, independent and communal, philosophical and profoundly cynical, the tramps Conover meets show him a segment of humanity outside society, neither wholly romantic nor wholly tragic, and very much like the rest of us.

In Ted Conover's first book, now back in print, he enters a segment of humanity outside society and reports back on a world few of us would chose to enter but about which we are all curious. Hoboes fascinated Conover, but he had only encountered them in literature and folksongs. So, he decided to take a year off and ride the rails. Equipped with rummage-store clothing, a bedroll, and a few other belongings, he hops a freight train in St. Louis, becoming a tramp in order to discover their peculiar culture. The men and women he meets along the way are by turns generous and mistrusting, resourceful and desperate, philosophical and profoundly cynical. And the narrative he creates of his travels with them is unforgettable and moving.

Fire?ies at dawn. . . Winged essences, charred bodies still on ?re. This evocative poetry-essay collection issues a call for a renewed embracement of the readers own expressive self. Weve each a persona to hear --- a voice to resonate through silences of night and the noises of everyday. Life is a mystery hard to crack. We bang it like a door and strum it like a lyre until it opens some new portal through which the voice can authentically sound-out the truths of being human. Thats the happening of this book. Altarpieces have always been artistic creations to conceive lifes sacred space. This book follows that tradition, if rather untraditionally. These pieces speak to hear life on ones own terms; from ones own altar and cathedral. This gathering created a poet-self identity --- called Apokstrophes. The essays join with the poems to conceive poetry and the spiritual quest with a renewed existential-eco-romantic perspective; sounding that quest with both feet grounded on worldly other Planet Earth. The challenge to grasp life at the core is a wrenching-wrestling match with the Other, that ever-present dimension of poetry on lifes path. --- Joining philosophical play with the authenticity of word-pieces as true orients, OKellys book, with many poets helping along the way, has taken up that challenge with unflinching creativity. Want a spiritual adventure? Fly! Take the ride! Oh, the ride! Fins spurred in shivers of hide. Lifes dearness reined in the roll of the tide.

Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal exmples of the genre provide ample context and background for the study of this style of journalism.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR NONFICTION • An acclaimed journalist sets a new standard for bold, in-depth reporting in this first-hand account of life inside the penal system at Sing Sing. “Newjack is about as good as it gets—by turns gripping, funny, frightening, and sad.” —The Washington Post Book World When Ted Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply for a job as a prison officer himself. The result is an unprecedented work of eyewitness journalism: the account of Conover's year-long passage into storied Sing Sing prison as a rookie guard, or "newjack." As he struggles to become a good officer, Conover angers inmates, dodges blows, and attempts, in the face of overwhelming odds, to balance decency with toughness. Through his insights into the harsh culture of prison, the grueling and demeaning working conditions of the officers, and the unexpected ways the job encroaches on his own family life, we begin to see how our burgeoning prison system brutalizes everyone connected with it. An intimate portrait of a world few readers have ever experienced, Newjack is a haunting journey into a dark undercurrent of American life.

Since the Gilded Age, social scientists, middle-class reformers, and writers have left the comforts of their offices to "pass" as steel workers, coal miners, assembly-line laborers, waitresses, hoboes, and other working and poor people in an attempt to gain a fuller and more authentic understanding of the lives of the working class and the poor. In this first, sweeping study of undercover investigations of work and poverty in America, award-winning historian Mark Pittenger examines how intellectuals were shaped by their experiences with the poor, and how despite their sympathy toward working-class people, they unintentionally helped to develop the contemporary concept of a degraded and "other" American underclass. While contributing to our understanding of the history of American social thought, Class Unknown offers a new perspective on contemporary debates over how we understand and represent our own society and its class divisions.

In the years following the Civil War, a veritable army of homeless men swept across America's "wageworkers' frontier" and forged a beguiling and bedeviling counterculture known as "hobohemia." Celebrating unfettered masculinity and jealously guarding the American road as the preserve of white manhood, hoboes took command of downtown districts and swaggered onto center stage of the new urban culture. Less obviously, perhaps, they also staked their own claims on the American polity, claims that would in fact transform the very entitlements of American citizenship. In this eye-opening work of American history, Todd DePastino tells the epic story of hobohemia's rise and fall, and crafts a stunning new interpretation of the "American century" in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. DePastino shows how hoboes—with their reputation as dangers to civilization, sexual savages, and professional idlers—became a cultural and political force, influencing the creation of welfare state measures, the promotion of mass consumption, and the suburbanization of America. Citizen Hobo's sweeping retelling of American nationhood in light of enduring struggles over "home" does more than chart the change from "homelessness" to "houselessness." In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.

This rocket-paced follow-up to the Newbery Medal–winning novel Dead End in Norvelt opens deep in the shadow of the Cuban missile crisis. But instead of Russian warheads, other kinds of trouble are raining down on young Jack Gantos and his utopian town of Norvelt in western Pennsylvania. After an explosion, a new crime by an old murderer, and the sad passing of the town's founder, twelve-year-old Jack will soon find himself launched on a mission that takes him hundreds of miles away, escorting his slightly mental elderly mentor, Miss Volker, on her relentless pursuit of the oddest of outlaws. But as their trip turns south in more ways than one, it's increasingly clear that the farther from home they travel, the more off-the-wall Jack and Miss Volker's adventure becomes, in From Norvelt to Nowhere, a raucous road novel about roots and revenge, a last chance at love, and the power of a remarkable friendship. A Publishers Weekly Best Children's Book of 2013