Roads To Utopia

As the greatest book of Jewish mysticism, the Zohar is a revered and much-studied work. Yet, surprisingly, scholarship on the Zohar has yet to pay attention to its most unique literary device—the presentation of its insights while its teachers walk on the road. In these pages, rabbi and scholar David Greenstein offers the first examination of the "walking on the road" motif. Greenstein's original approach hones in on how this motif expresses the struggles with spatiality and the everyday presented in the Zohar. He argues that the walking theme is not a metaphor for realms to be collapsed into or transcended by the holy, as conventional interpretations would have it. Rather, it conveys us into those quotidian spaces that are obdurately present alongside the realm of the sacred. By embracing the reality of mundane existence, and recognizing the prosaic dimensions of the worldly path, the Zohar is an especially exceptional mystical treatise. In this volume, Greenstein makes visible a singular, though previously unstudied, achievement of the Zohar.

"William Murray provides a unique perspective that should be read, particularly by America's youth, at a time central planners are once again promising utopian dreams at a cost to the most productive among us.” ―Governor Mike Huckabee Utopian dreamers are deceived and deceiving. Their “fight for the people” rhetoric may sound good at first, but history proves egalitarian governments and the cultures they try to create destroy freedom, destroy creativity, destroy human lives, create poverty and misery, and often spread beyond their borders to bring others under slavery. Utopians believe that through their own personal brilliance a better society can be created on earth. When the belief in man as a creation in the image of God is completely rejected, the use of slavery and mass execution can be justified in the name of the creation of a utopian state for the masses. Pol Pot, Vladimir Lenin, Adolf Hitler, Joseph Stalin, Mao Tse-tung―together these so-called visionaries through their fanciful policies are responsible for the deaths of millions of people. In Utopian Road to Hell William J. Murray, son of atheist apologist Madelyn Murray O’Hair, describes the totalitarians throughout history and the current utopians who are determined to engage in social engineering to control the lives of every person on earth. From Marx to Hitler, Murray explains the progression of socialist engineering from its occultist roots to the extreme madness of the Nazis’ nationalistic racism. From Margaret Sanger’s Planned Parenthood and Saul Alinsky’s Rules for Radicals, the rebellious desire to be free from morality drives the “at-any-cost” campaigns such as abortion on demand, no-fault divorce, same-sex marriage, and overreaching government provisions. From Woodrow Wilson’s “living document” distortion of the Constitution and his income tax to FDR’s New Deal to Obama’s executive orders, those who seek centralized power typically do so by proclaiming some utopian scheme that they claim will perfect mankind and eliminate competition, greed, poverty, and war. William J. Murray masterfully educates us on the utopians’ swath of destruction throughout history and warns us of the dangers of present-day utopians fighting to hold power. We must heed the warning of George Washington when he said in his 1796 Farewell Address that it is important for those entrusted with the administration of this great and free nation, “to confine themselves within their respective constitutional spheres, avoiding in the exercise of the powers of one department to encroach upon another.” We must reclaim the freedom of the individual to avoid the continued path down the utopian road to hell.

For Erik Reece, life, at last, was good: he was newly married, gainfully employed, living in a creekside cabin in his beloved Kentucky woods. It sounded, as he describes it, "like a country song with a happy ending." And yet he was still haunted by a sense that the world--or, more specifically, his country--could be better. He couldn't ignore his conviction that, in fact, the good ol' USA was in the midst of great social, environmental, and political crises--that for the first time in our history, we were being swept into a future that had no future. Where did we--here, in the land of Jeffersonian optimism and better tomorrows--go wrong? Rather than despair, Reece turned to those who had dared to imagine radically different futures for America. What followed was a giant road trip and research adventure through the sites of America's utopian communities, both historical and contemporary, known and unknown, successful and catastrophic. What he uncovered was not just a series of lost histories and broken visionaries but also a continuing and vital but hidden idealistic tradition in American intellectual history. Utopia Drive is an important and definitive reconstruction of that tradition. It is also, perhaps, a new framework to help us find a genuinely sustainable way forward. " ... an engaging exploration -- and example -- of the fruitful tunnel-visions of dreamers turned doers." - Publishers Weekly

Noah had it easy. On any given day at the Utopia Animal Rescue Ranch in Medina, Texas, Nancy Parker-Simons, her husband Tony Simons, and a willing crew of employees and volunteers care for at least sixty rescued dogs, not to mention numerous cats, chickens, pigs, horses, wild mustangs, donkeys, and a rooster named Alfred Hitchcock—and Kinky Friedman, the rescue ranch's "Gandhi-like figure" who brings Nancy and Tony stray and abused animals, raises money for the rescue ranch, and makes sure no one leaves the ranch without a dog or two. In this entertaining book, Nancy Parker-Simons tells the heartwarming, often hilarious story of the Utopia Animal Rescue Ranch. She describes how a series of "it must have been fate" incidents brought her together with Tony Simons and Kinky Friedman, and how, in 1998, the three of them decided to create a no-kill haven for homeless and abused animals in the Texas Hill Country. Since their first rescue—the "magnificent seven" which were, in fact, forty-one dogs liberated from local animal shelters—"Cousin Nancy" and her crew have rescued over one thousand animals. Parker-Simons tells the fascinating stories of several dozen fortunate dogs, cats, and other animals that have come to the rescue ranch, either to be adopted by new owners or to live out their days in the ranch's "utopia." She also pays tribute to the many supporters who have helped keep the ark afloat, including First Lady Laura Bush, Willie Nelson, Jerry Jeff Walker, Dwight Yoakam, Robert Earl Keen, Molly Ivins, and Don Imus. Everyone who cares about animal welfare will find The Road to Utopia hard to resist.

In honor of the thirtieth anniversary of The Handmaid’s Tale: Margaret Atwood describes how she came to write her utopian, dystopian works. The word “utopia” comes from Thomas More’s book of the same name—meaning “no place” or “good place,” or both. In “Dire Cartographies,” from the essay collection In Other Worlds, Atwood coins the term “ustopia,” which combines utopia and dystopia, the imagined perfect society and its opposite. Each contains latent versions of the other. Following her intellectual journey and growing familiarity with ustopias fictional and real, from Atlantis to Avatar and Beowulf to Berlin in 1984 (and 1984), Atwood explains how years after abandoning a PhD thesis with chapters on good and bad societies, she produced novel-length dystopias and ustopias of her own. “My rules for The Handmaid’s Tale were simple,” Atwood writes. “I would not put into this book anything that humankind had not already done, somewhere, sometime, or for which it did not already have the tools.” With great wit and erudition, Atwood reveals the history behind her beloved creations.

Consisting of ten collaborative picture-essays that weave Cindy Milstein’s poetic words within Erik Ruin’s intricate yet bold paper-cut and scratch-board images, Paths toward Utopia suggests some of the here-and-now practices that prefigure, however imperfectly, the self-organization that would be commonplace in an egalitarian society. The book mines what we do in our daily lives for the already-existent gems of a freer future—premised on anarchistic ethics like cooperation and direct democracy. Its pages depict everything from seemingly ordinary activities like using parks as our commons to grandiose occupations of public space that construct do-it-ourselves communities, if only temporarily, including pieces such as “The Gift,” “Borrowing from the Library,” “Solidarity Is a Pizza,” and “Waking to Revolution.” The aim is to supply hints of what it routinely would be like to live, every day, in a world created from below, where coercion and hierarchy are largely vestiges of the past. Paths toward Utopia is not a rosy-eyed stroll, though. The book retains the tensions in present-day attempts to “model” horizontal institutions and relationships of mutual aid under increasingly vertical, exploitative, and alienated conditions. It tries to walk the line between potholes and potential. Yet if anarchist and other autonomist efforts are to serve as a clarion call to action, they must illuminate how people qualitatively, consensually, and ecologically shape their needs as well as desires. They must offer stepping-stones toward emancipation. This can only happen through experimentation, by us all, with diverse forms of self-determination and self-governance, even if riddled with contradictions in this contemporary moment. As the title piece to this book steadfastly asserts, “The precarious passage itself is our road map to a liberatory society.”

The quarter century that followed the end of the Second World War was marked by intense social and economic transformation: the changing face of postwar capitalism, a revolution in communications technology, the rise of youth culture, and the pronounced ascent of individual freedom all contributed to a dramatic push to remake, and thus improve, society. This push was especially felt within education, the primary vehicle for modernizing the postwar world from the ground up. Hall-Dennis and the Road to Utopia explores this moment of renewal through a powerful and influential education reform project: 1968's Living and Learning: The Report of the Provincial Committee on Aims and Objectives of Education in the Schools of Ontario. The Hall-Dennis report, as it became known, urged Ontarians to accept a new vision of education in which students were no longer organized in classes, their progress no longer measured by grades, and their experience no longer characterized by the painful acquisition of subjects, but rather by a joyous and open-ended process of learning. This new, democratic system of education was associated with the highest ideals of postwar progress, liberalism, and humanism, yet its recommendations were paradoxically both profoundly radical and fundamentally conservative. Its avant-garde research strategies and controversial "post-literate" curricular reforms were balanced by a pedagogical approach designed to mould students into obedient citizens and productive economic actors. As Canadians once again find themselves asking fundamental questions about the aims and objectives of education under radically changing circumstances, Josh Cole revisits Hall-Dennis to show how the committee and its report represent a significant moment in Canadian cultural and political history, a prescient document in the history of education, and a revealing expression of the fragmentary circumstances of global modernity in the second half of the twentieth century.

A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure, A Modern Utopia has been called "not so much a modern as a postmodern utopia."

This carefully crafted ebook: "A Modern Utopia (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. A Modern Utopia is presented as a tale told by a sketchily described character known only as the Owner of the Voice. This character "is not to be taken as the Voice of the ostensible author who fathers these pages," Wells warns. He is accompanied by another character known as "the botanist." Interspersed in the narrative are discursive remarks on various matters, creating what Wells called in his preface "a sort of shot-silk texture between philosophical discussion on the one hand and imaginative narrative on the other." Because of the complexity and sophistication of its narrative structure, H.G. Wells's A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability." Herbert George Wells (1866-1946), known as H. G. Wells, was a prolific English writer in many genres, including the novel, history, politics, and social commentary, and textbooks and rules for war games.

This carefully crafted ebook: "A Modern Utopia (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents. A Modern Utopia is presented as a tale told by a sketchily described character known only as the Owner of the Voice. This character "is not to be taken as the Voice of the ostensible author who fathers these pages," Wells warns. He is accompanied by another character known as "the botanist." Interspersed in the narrative are discursive remarks on various matters, creating what Wells called in his preface "a sort of shot-silk texture between philosophical discussion on the one hand and imaginative narrative on the other." Because of the complexity and sophistication of its narrative structure, H.G. Wells's A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability."