Riot Green

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In a bold work that cuts across racial, ethnic, cultural, and national boundaries, Sheila Smith McKoy reveals how race colors the idea of violence in the United States and in South Africa—two countries inevitably and inextricably linked by the central role of skin color in personal and national identity. Although race riots are usually seen as black events in both the United States and South Africa, they have played a significant role in shaping the concept of whiteness and white power in both nations. This emerges clearly from Smith McKoy's examination of four riots that demonstrate the relationship between the two nations and the apartheid practices that have historically defined them: North Carolina's Wilmington Race Riot of 1898; the Soweto Uprising of 1976; the Los Angeles Rebellion in 1992; and the pre-election riot in Mmabatho, Bhoputhatswana in 1994. Pursuing these events through narratives, media reports, and film, Smith McKoy shows how white racial violence has been disguised by race riots in the political and power structures of both the United States and South Africa. The first transnational study to probe the abiding inclination to "blacken" riots, When Whites Riot unravels the connection between racial violence—both the white and the "raced"—in the United States and South Africa, as well as the social dynamics that this connection sustains.

"The short reign of Edward VI was a turbulent one, even by Tudor standards. In addition to such perennial problems as religious change, inflation, poor harvests, and war with Scotland and France - and to some extent as a result of them - the kingdom was threatened by widespread unrest, riots, and rebellions among the common people." "The riots and rebellions were, of course, put down, and their history was recorded by the educated ruling class. In this study, Barrett L. Beer looks at these dramatic events from the viewpoint of the rebellious commoners. Drawing on a variety of contemporary manuscript sources, he analyzes the themes of discontent that motivated them, the radical demands that challenged the social order, and the acts of repression and reform by which the government responded. Above the clamor of the streets and countryside runs the intricate story of the interaction and often confusing relations among the commoners, the gentry who controlled local government, and the king's councillors in London." "Rebellion and Riot provides insights into the critical mid-Tudor period in England. The discontents these riots reflected helped shape the direction of later history."--BOOK JACKET.

Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.

This collection of scholarly essays explores the role of history in terrorism studies and today’s counterterrorism initiatives. In Doomed to Repeat?, scholars, policy makers, and other practitioners explore how a better understanding of the past can help us combat terrorism in the future. The first section establishes a broader context for discussion by examining the connections between history and Terrorism Studies. The second section presents the insights of non-historians who know the importance of historical perspective in understanding current events. Section Three provides case studies that explore the history of terrorism and politically motivated violence. Section Four concludes by placing concerns about terrorism in regional and foreign policy context. “This collection helps us advance our understanding of terrorism beyond simplistic and dichotomist assertions about “them” and “us.” Taken together, these essays highlight the importance of analyzing, rather than assuming.” —Chris Dixon, Professor, School of History, Philosophy, Religion, and Classics, The University of Queensland, Australia

Leeds, 1980. Amid the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows. Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn – later replaced by Wayne Hussey – on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played hard both on and off the stage; neither Gunn nor Marx were natural rock 'n' roll animals, but the latter performed with such abandon that it was hard to believe he also wrote the Sisters' most delicate and beautiful music. Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T. S. Eliot and David Bowie who staked a powerful claim to be the greatest rock star of his generation. Drawing on dozens of interviews with band members and key figures in the Sisters' journey, Paint My Name in Black and Gold is the most complete account yet of how – against the odds and all reasonable expectation – these young men came to make transcendent and life-changing music.