Right Hand Left Hand

McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Why does European writing go from left to right, while Arabic and Hebrew go from right to left? And how do we know that Jack the Ripper was left-handed?

Describes for young readers left and right hands and what they can do. Includes activities.

Does being left-handed make a person different in any way that matters? Since the late Stone Age, approximately 10 percent of humans have been left-handed, yet for most of human history left-handedness has been stigmatized. In On the Other Hand, Howard I. Kushner traces the impact of left-handedness on human cognition, behavior, culture, and health. A left-hander himself, Kushner has long been interested in the meanings associated with left-handedness, and ultimately with whether hand preference can even be defined in a significant way. As he explores the medical and cultural history of left-handedness, Kushner describes the associated taboos, rituals, and stigma from around the globe. The words “left” and “left hand” have negative connotations in all languages, and left-handers have even historically been viewed as disabled. In this comprehensive history of left-handedness, Kushner asks why left-handedness exists. He examines the relationship—if any—between handedness, linguistics, and learning disabilities, reveals how toleration of left-handedness serves as a barometer of wider cultural toleration and permissiveness, and wonders why the reported number of left-handers is significantly lower in Asia and Africa than in the West. Written in a lively style that mixes personal biography with scholarly research, On the Other Hand tells a comprehensive story about the science, traditions, and prejudices surrounding left-handedness.

A group of 17 essays: The Throwing Madonna; The Lovable Cat: Mimicry Strikes Again; Woman the Toolmaker? Did Throwing Stones Lead to Bigger Brains? The Ratchets of Social Evolution; The Computer as Metaphor in Neurobiology; Last Year in Jerusalem; Computing Without Nerve Impulses; Aplysia, the Hare of the Ocean; Left Brain, Right Brain: Science or the New Phrenology? What to Do About Tic Douloureux; Linguistics and the Brain's Buffer; The Woodrow Wilson Story; Thinking Clearly About Schizophrenia; Of Cancer Pain, Magic Bullets, and Humor; Linguistics and the Brain's Buffer; Probing Language Cortex: The Second Wave; and The Creation Myth, Updated: A Scenario for Humankind.

You can shoot in the 70's!Ben Hogan has long believed that any golfer with average coordination can learn to break 80 if he applies himself intelligently -- and here, with Herbert Warren Wind, and artist Anthony Ravielli, he tells you, step by step, just how to go about it.The greatest golfer of our generation has distilled his experience as teacher, player, and observer of golf into a series of richly illustrated "visual instructions" that not only can improve your game and lower your score, but also can help you get even more fun out of what many people already think is the most enjoyable game in the world.Each chapter, each tested "fundamental" is explained and demonstrated with amazing detail and clarity. It's as though the master himself were right there at your elbow, giving you a personal lesson with the same thought and care that has gone into his lifetime of golf.The Modern Fundamentals of Golfis no instant and easy shortcut. There is none. But with Ben Hogan as your pro,you can master these basic movements very quickly.And then you can go on to develop a correct, powerful swing that willrepeat.As Ben Hogan says, it's only then that you'll "discover golf for the first time."

Ronald Reagan and Barack Obama have both signed bills into law with their left hands. And being left-handed certainly did not hold back the artistic achievements of Michelangelo or Raphael. And the dexterous guitar playing of Jimmi Hendrix may only have been aided by his southpaw tendencies. Left-handedness, in fact, would appear to be no big deal. Yet throughout history, it has been associated with clumsiness and generally dubious personality traits like untrustworthiness and insincerity. Even the Latin word for left, sinister, has ominous connotations. In The Puzzle of Left-handedness, Rik Smits uncovers why history has been so unkind to our lefthanded forebears. He carefully puts together the pieces of the puzzle, presenting an array of historical anecdotes, strange superstitions, and weird wives’ tales. Smits explains how left-handedness continues to be associated with maladies of all kinds, including mental retardation, alcoholism, asthma, hay fever, cancer, diabetes, insomnia, depression, and criminality. Even in the enlightened twenty-first century, left-handedness still meets with opposition—including from one prominent psychologist who equates it with infantile negativism, similar to a toddler’s refusal to eat what’s on his plate, and another who claims that left-handed people have average lifespans that are nine years shorter than those who favor the right hand. As Smits reminds us, such speculation is backed by little factual evidence, and the arguments presented by proponents of right-handedness tend to be humorously absurd. The Puzzle of Left-handedness is an enlightening, engaging, and entertaining odyssey through the puzzles and paradoxes, theories and myths, of left-handed lore. Chock full of facts and fiction, it’s a book to be read with both hands.

A collection of nine critical essays on the modern social science fiction novel, arranged in chronological order of their original publication.

100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.

131 Variations is a reinterpretation of Sol Lewitt's "122 Variations of Incomplete Open Cubes". Fleur van Dodewaard set about recreating and photographing the piece seeking to produce an exact copy. But in the process things went wrong: some cubes went missing, others appeared double and previously unknown variants arose. With her "131 Variations" Van Dodewaard demonstrates that the 122 variations listed and presented by Lewitt did not represent an exhaustive spectrum of all conceivable possibilities. Accordingly, the "failure" consciously introduces moments of arbitrariness, inconsistency and irrationality into this aleatory process to allow for an element of coincidence, thereby challenging mathematical logic.