Rices Language Of Buildings

A beautifully packaged, idiosyncratic introduction to British building styles, by the acclaimed illustrator and architectural enthusiast Matthew Rice. The Language of Buildings covers the grammar and vocabulary of British buildings, explaining the evolution of styles from Norman castles to Norman Foster. Its aim is to enable the reader to recognize, understand and date any British building. As Matthew Rice says, "Once you can speak any language, conversation can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it." The Language of Buildings will explain the language of architecture. With it in your hand, buildings will break down beguilingly into their component parts, ready for inspection and discussion. There will be no more references to that curly bit on top of the thing with the square protrusions. Ungainly and inept descriptions will be a thing of the past and, fluent in the world of volutes, hood moulds, lobed architraves and bucrania, you will be able to leave a cathedral or country house with as much to talk about as a film or play. The Language of Buildings starts with an explanation of the basic "Grammar" of buildings: elevation, plan, roof, gable and eave. This will enable the reader to better make use of what is to follow. It will also cover the Orders of Architecture--Doric, Tuscan, Ionic, Corinthian and Composite--so that the vital basics of Classicism are covered. Following this is the "Vocabulary." This will be a chronological reference section covering, period by period, the windows, doors and doorcases, columns, chimneys, arches, balustrades and pediments that make up the built environment.

RICE'S ARCHITECTURAL PRIMER covers the grammar and vocabulary of British buildings, explaining the evolution of styles from Norman castles to Norman Foster. Its aim is to enable the reader to recognise, understand and date any British building. As Matthew Rice says, ‘Once you can speak any language, conversation can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' RICE'S ARCHITECTURAL PRIMER will explain the language of architecture. With it in your hand, pocket or car, buildings will break down beguilingly into their component parts, ready for inspection and discussion. There will be no more references to that curly bit on top of the thing with the square protrusions. Ungainly and inept descriptions will be a thing of the past and, fluent in the world of volutes, hood moulds, lobed architraves and bucrania, you will be able to leave a cathedral or country house with as much to talk about as a film or play. RICE'S ARCHITECTURAL PRIMER starts with an explanation of the basic ‘Grammar' of buildings: elevation, plan, roof, gable and eave. This will enable the reader to better make use of what is to follow. It will also cover the Orders of Architecture – Doric, Tuscan, Ionic, Corinthian and Composite – so that the vital basics of Classicism are covered. Following this is the ‘Vocabulary'. This will be a chronological reference section covering, period by period, the windows, doors and doorcases, columns, chimneys, arches, balustrades and pediments that make up the built environment.

The countryside, towns and cities of Britain are full of churches. They represent some of the most iconic, beautiful and occasionally bizarre buildings in the country. They have a lot to say about our history, our art and our ideas. But how do you read them? Through charming illustrations, Rice's Church Primer reveals the basic grammar and vocabulary of church architecture throughout the United Kingdom. As Matthew Rice says, 'Once you can speak any language, conversations can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' Rice's Church Primer explains the language of architecture in churches, from the restrained Norman style of William the Conqueror to the gilded excesses of the Baroque. The primer begins with an explanation of the basic 'Grammar' of churches: elevation, plan, fronts, vaults and towers. This allows the reader to easily understand what follows. Next comes the 'Vocabulary' of styles in chronological order, from ancient Saxon churches to modern cathedrals. Each period covers component parts like doors, windows, towers, pews, panelling and pulpits. Finally, there is a map pinpointing some of the best churches around the country, so you can practise your newfound fluency in real life. With Matthew Rice's elegant and witty illustrations to guide you, suddenly you'll understand why naves are necessary, why towers are built as tall as possible and why sometimes even the most respectable church needs a good flying buttress.

This is the first monograph published in the United States on Carlos Jimenez, whose work has been linked to the new wave of Spanish architects as well as to Latin American architects such as Luis Barragan. Jimenez's buildings are known for their purity of form, use of bold color, and sophisticated ordering of spaces. His simple geometries allow light to define and animate his otherwise tranquil interiors. This monograph presents eight of the architect's most stunning projects, including the headquarters for the Houston Fine Arts Press, the new Spencer Studio Art Building at Williams College in Massachusetts, the Central Administration Building of the Museum of Fine Arts Houston, and Jimenez's own house and studio complex. Richly illustrated throughout with photographs, plans, and drawings, the book includes an introduction by Rafael Moneo, an essay by historian Stephen Fox, and a postscript by Lars Lerup, as well as complete project documentation.

Accessibly written, and with over 300 watercolour illustrations, Building Norfolk is an illustrated history of Norfolk's buildings, up to the present day. In the middle ages, Norfolk was one of England's most powerful regions, with Norwich the second biggest city in the British Isles. But by the time of the industrial revolution Norfolk was something of a backwater, and the transformations of this period passed it by. As a result, there is a higher density of old buildings left in Norfolk than anywhere else in Britain, and Building Norfolk does full justice to this extraordinary heritage of barns, farms, manor houses, villages, market towns, stone walls, churches and the great houses of Holkham and Houghton. But the book is not only about the past. Matthew Rice passionately believes in the value of earlier, local, solutions in addressing the challenges of future development. In its final quarter, his book becomes a plea for a well-mannered, intelligent modern interpretation of vernacular architecture, and concludes with a proposal for Worsted, a new town to built following the lessons of generations of Norfolk builders. Rice's support of Prince Charles' new town of Poundbury and his criticism of the current state of planning in Norfolk are sure to attract attention and controversy.

Discover Oxford, one of the jewels of European architecture. Much loved and much visited, the city offers an unparalleled collection of the best of English building through the centuries. Matthew Rice's Oxford is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the focus is on architectural detail, Rice describes how the city has been shaped by its history, topography and geology, but most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands. Ranging from the medieval to the contemporary, the book covers all the iconic buildings, such as the Radcliffe Camera, the Sheldonian Theatre and the college quads, as well as the distinctive details that you might otherwise miss. More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today's streets, lanes, parks and meadows. This book is the perfect guide.

The long-awaited reissue of the autobiography of Peter Rice, one of the main structural engineers behind the Sydney Opera House, the Pompidou Centre, the Menil Collection and Lloyd's of London. 'I am an engineer. Often people will call me an 'architect engineer' as a compliment. It is meant to signify a quality of engineer who is more imaginative and design-orientated than a normal engineer... To call an engineer an 'architect engineer' because he comes up with unusual or original solutions is essentially to misunderstand the role of the engineer in society.' An Engineer Imagines is a rare look into the professional creativity and philosophy of Peter Rice, who was widely acclaimed as the greatest structural engineer of his generation. He was a man who, in Renzo Piano's words, could design structures 'like a pianist who can play with his eyes shut'. Working with many of the world's greatest architects on buildings that became icons of contemporary architecture, he brought a uniquely poetic feeling to his work. Joining Ove Arup & Partners in 1956, Rice had heard that 'it was a place where an oddball could fit in.' Taking on Arup's theory of Total Design to heart, Rice writes about the role of the engineer in society, and how he himself applied his creativity to various projects. He admits he became an engineer by accident, tentatively feeling his way through a career without a natural instinct. But as he takes you through each of his projects, one-by-one, you can trace his development from graduate to veteran. Written in clear and poetic language, Rice's autobiography is perfect for those who want to better understand postwar buildings, our concrete environment, or are budding students of engineering and architecture.

A comprehensive, richly illustrated catalog focusing on materials used in great twentieth-century architecture Viewed primarily in technical terms pertaining to construction, material has often been overlooked in the discourse on architectural design. Yet, it is material that breathes life into architecture by realizing concepts into meaningful physical forms. Whether it is wood, glass, steel, plastic, or concrete, material can be employed with unlimited flexibility and carries both visual and emotional characteristics through its expression. The first book of its kind to focus on materiality from a design perspective, Material Precedent is masterfully presented, with an impressive collection of crisp line drawings along with historical, material, tectonic, and typological analysis of twentieth-century buildings, providing readers with detailed instruction that traces the traditions and trends of material as the defining premise in the making of architecture. This unrivaled text: Is illustrated throughout with detailed line drawings Is perfect for use in a design studio or simply for understanding the role of materials in buildings, for a designer of any level Includes a companion Web site By cataloging and comparing the concepts behind modern building science using architectural precedent, Material Precedent examines structure, form, effect, detail, sustainability, and performance through material application to provide a comprehensive analysis of the materiality of architecture.

VILLAGE BUILDINGS OF BRITAIN is an illustrated survey of vernacular building for everyone who believes in the importance of conservation and who wishes to have, in one beautiful volume, examples of village building styles from all over the country. Each of the eleven chapters includes a selection of buildings painted from life in watercolour in a highly original style which combines accuracy with charm. With his painter's eye for detail, Matthew Rice also picks out a variety of local features such as windows, doorways, ironworks and stonework which help to establish the character of each part of the country. In writing and illustrating this book Matthew Rice is not only arming his readers with a superb collection of architectual drawings but, with his heartfelt passion for conservation, trying to ensure that those people lucky enough to own a country cottage have a better idea of how to maintain or convert it in such a way that it continues to stand in harmony with its surroundings.

Whether you?re a first-time real estate investor or a seasoned professional, The Complete Guide to Buying and Selling Apartment Buildings helps you map out your future, find apartment buildings at a fair price, finance purchases, and manage your properties. Now revised and expanded, this Second Edition includes tax planning advice, case studies of real acquisitions, and appendixes that add detail to the big picture. Plus, it includes a handy glossary of all the terms investors need to know, helpful sample forms that make paperwork quick and easy, and updated real estate forecasts. With this comprehensive guide at hand you?ll find profits easy to come by.