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In South Louisiana, we live on a power point of our planet. A place where water comes to be purified. A place where 1,000-year-old cypress trees once grew. A place where fish still come to spawn and birds to nest. A place close to the Gulf of Mexico but where, as the old people used to say, "sweet water" could still be found that was fresh and good to drink. There is no sweet water down the bayou in Terrebonne Parish anymore. I've been trying to make sense of the strange beauty left here—the magic that is entangled in the ugliest underbelly of a plantation economy surrendered to the petro-chemical industry. Against this landscape, I see my Houma cousins coming back to Pointeaux-Chenes on the weekends and my jardin sauvage on Bayou Road. I see indigenous and métis people reclaiming New Orleans' original name, Bulbancha. I remind myself of my grandmother's story of her aunt who still crossed the Mississippi River every day in a pirogue. I see connections of unexpected, non-coincidental, life-affirming experiences that fuse the stories of our ancestors with our hopes and prayers for a better future.

More than parallel stories,Beyond the Bricksis a conversationabout life in New Orleans as the city's major public housingprojects are torn down. With childhoods spent in the Calliopeand St. Bernard projects, Daron and Pernell document whatthese communities meant, the new struggles of living outsidethe projects, and their families' new footholds in the city.The book describes the many cultures of teenage NewOrleans, showing the strengths and tensions of the differentscenes the authors call home. Daron and Pernell, bothaspiring artists, write about discovering their passions. Daronlearns to rap from his uncle, who helps him pen his firstlyrics. For Pernell, a love of dance comes from watchingother dancers on the floor of a local club.InBeyond the Bricks, Daron and Pernell examine bothwhere they have been and where they intend their talents totake them.

Written by the members during the year after Katrina, Nine Times writes about their lives, their parades, the storm, and the rebuilding process. Through interviews, photographs, and writing, Nine Times brings readers into their world of second lines, brass bands, Magee's Lounge, and the ties that bind.

Old South Baton Rouge is the culmination of diligent archival research and more than ten years of collecting oral histories about the Old South Baton Rouge community, including McKinley High School, the Baton Rouge Bus Boycott, the once-thriving OSBR business corridor, and the numerous churches and civic groups of the neighborhood.

The authoritative reference on the grammar of the Choctaw language, written and compiled by its leading scholarly expert.

Descended from ancient European hounds and used for hunting, herding, and even as a stalker of feral swamp pigs, the history of the Catahoula Leopard Dog has a history that sheds light on the interdependent relationship Louisiana has with its natural environment. Today these energetic and loyal Catahoula is are beloved, serving as the official state dog of Louisiana. This full-color, illustrated reference guide by Walter LeBon synthesizes geography, history, and anthropology to provide a delightful and informative discussion of this singular breed.?

Learning to play by ear is a unique part of becoming a musician in New Orleans. This life history and photography project explores the traditional methods of teaching brass band music in the city that gave birth to jazz. Through in-depth interviews, the bands, social and pleasure clubs, schools, churches, and other neighborhood institutions that have supported the music, and the spirit embodied in it, come to life.

For hundreds of years in Louisiana, lullabies were hummed, prayers were called, opera was performed, la-las were danced, and work and carnival songs were sung in Creole. A francophone language with connections to West Africa, Louisiana Creole is now one of the most endangered languages in the world. In this musical ethnography, you will find fifteen original and traditional Creole songs that cross time and musical genres such as blues, zydeco, and traditional jazz. African spirits, maroon villages, Congo Square, southwest Louisiana dance halls, and the Northside Skull and Bone Gang all make appearances. Beginning with an introduction to the history and grammar of the language, the accompanying essays include in-depth interviews with Creole speakers and their descendants, as well as photography, original artwork, archival documents, and altars. The book concludes with the Creole lyrics for each song, along with their English translations. Avek ye, vou ve 'koute, lir, chante, epi pale an Creole. (With them, you will listen, read, sing, and speak in Creole.) Includes audio CD of Creole compositions from Louisiana.

This anthology reflects on heritage, utopia, and questions of temporality in light of recent changes in the Americas, that is to say the rise to power of several right-wing governments. The essays argue that the focus of analysis should not simply be on changes of government, but rather on long-term transformations which have an impact on temporal imaginaries in the hemisphere.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...