Return To Ruin

This volume of exiles’ accounts “[uses] the stories as springboards to discussing Iraqi history, politicization, and diasporic experiences in depth” (International Journal of Middle East Studies). With the U.S. invasion of Iraq, Iraqis abroad, hoping to return one day to a better Iraq, became uncertain exiles. Return to Ruin tells the human story of this exile in the context of decades of U.S. imperial interests in Iraq—from the U.S. backing of the 1963 Ba’th coup and support of Saddam Hussein’s regime in the 1980s, to the 1991 Gulf War and 2003 invasion and occupation. Zainab Saleh shares the experiences of Iraqis she met over fourteen years of fieldwork in Iraqi London—offering stories from an aging communist nostalgic for the streets she marched since childhood, a devout Shi’i dreaming of holy cities and family graves, and newly uprooted immigrants with fresh memories of loss, as well as her own. Focusing on debates among Iraqi exiles about what it means to be an Iraqi after years of displacement, Saleh weaves a narrative that draws attention to a once-dominant, vibrant Iraqi cultural landscape and social and political shifts among the diaspora after decades of authoritarianism, war, and occupation in Iraq. Through it all, this book illuminates how Iraqis continue to fashion a sense of belonging and imagine a future, built on the shards of these shattered memories.

Messala's once-passionate romance with Iras the Egyptian collapses, in this tale that follows his subsequent journey to health, his fluctuating fortunes in Roman society, and his attraction to various Roman beauties before he finds marital contentment in a new love.

SHE’S GOD. HE’S A GAMBLER. IT’S A MATCH MADE IN HEAVEN … OR HELL? Risk of Ruin is a love story unlike any you’ve ever read—dark, disturbing, irreverent, some might say sacrilegious—while protagonists Bart and Stacy may be the most compelling misfits to go on the lam since Bonnie and Clyde. The first work of fiction to be released by well-known gambling expert and author Arnold Snyder, Risk of Ruin is a provocative story of crime, passion, rebellion, and possible redemption that attempts to answer a question that has tormented gambling men since Adam placed that all-in bet on Eve: Is she worth the risk?

"An African tightrope walker who cannot die gets involved with a mysterious society that's convinced the world is ending and is drafted into the fight-to-the-death Tournament of Freaks, where she learns the terrible truth of who and what she really is"--

Sarah J. Maas hit the New York Times SERIES list at #1 with A Court of Wings and Ruin!

How two British World War I-era planes came to be found many decades later in India and returned to their former glory. In 2000, upon hearing rumors of aircraft parts being found in a maharaja’s palace in India, Guy Black took a trip that would lead to the most unexpected discovery of his life. Hidden away in a former elephant stable of the maharaja’s palace in Bikaner, Rajasthan, were the hulks of at least two DH9 bombers. This was no example of this WWI aircraft in existance in Britain. Recognizing their importance to the UK’s aviation heritage, and excited by the challenge of restoration, Guy set about negotiating their purchase and returning them back to England. In DH9: From Ruin to Restoration, Guy Black details the intriguing history of how these two rare aircraft (D-5649 and E-8894) came to be in India under the Imperial Gift Scheme. He also reveals the extraordinary efforts in recovering these two planes and the extensive restoration project undertaken to bring them to their former glory. With D-5649 restored as a static and proudly on display at IWM Duxford, he then set about getting E-8894 back to airworthy status. The book then moves on to the highly anticipated flight of E-8894 and the years of frustration that followed until its maiden flight with “Dodge” Bailey at the controls on May 13, 2019—making it the only WWI bomber flying anywhere in the world. Told in meticulous detail, this fully illustrated book includes a foreword by Andy Saunders and is a must-have of all WWI and aircraft enthusiasts.

The Ruin of Everything tells tales of abandoned children living in adult bodies. Bastards, bi-racial half-siblings, and orphans raised by aunts, they lose their last best love through brokenness like "the impossible loop in a stress dream." Racial ambiguity abounds and confounds US color lines. Tones stretch from lugubrious sorrow to wicked dramedy. Obstinately fluid in architecture and identity, stories range from slick Hollywood glam to essayistic musings, from traditional immigrant realism, to rehearsals of autofiction that grow more metatextual as the book goes along. Just as we think we've learned how to read Stapleton's stories, they shapeshift. And yet, the pieces reflect each other, a sad-clown funhouse hall of mirrors. Through wanton experiments with character, The Ruin of Everything asks us what is important to a tale and what it means to be American in country and continents. Lovers of Clarice Lispector and Luisa Valenzuela will find much to admire here. "An Anaïs Nin of late capitalism's bohemia, Lara Stapleton writes like an oracle of an underworld-of miscegenated loves and translocated broken souls-of characters unaware or ruinously conscious-and she inscribes that world in us with lust and wit and always that deep joy that encompasses sorrows bred in the bone, the race, the colors of one's skin, the heart, and of course the tongue: the word." -Gina Apostol, author of Insurrecto "With a keen eye for human ambitions and human frailties, Stapleton brings us the comic turmoil of characters steeped in the sorrows and absurdities of modern life; reaching for connection and erring, reaching for home and missing. Brimming with hard-edged loneliness, these stories reach into the underbellies of our deepest hopes and fears." -Laurel Flores Fantauzzo, author of My Heart Underwater

A New York Times Bestseller "Funny, subversive, and able to excavate such brutally honest sentences that you find yourself nodding your head in wonder and recognition." —Lin-Manuel Miranda, composer and lyricist of In the Heights and Hamilton: An American Musical Are you a sensible, universally competent individual? Are you tired of the crushing monotony of leaping gracefully from one lily pad of success to the next? Are you sick of doing everything right? In this brutally honest and humorous debut, musician and artist George Watsky chronicles the small triumphs over humiliation that make life bearable and how he has come to accept defeat as necessary to personal progress. The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical (his middle-school rap battle dominance) to the revelatory (his experiences with epilepsy), yet all are delivered with the type of linguistic dexterity and self-awareness that has won Watsky devoted fans across the globe. Alternately ribald and emotionally resonant, How to Ruin Everything announces a versatile writer with a promising career ahead.

Modern witchcraft blends with ancient Celtic mythology in an epic clash of witches and gods, perfect for fans of V.E. Schwab's Shades of Magic trilogy and The Chilling Adventures of Sabrina. Seventeen-year-old Dayna Walsh is struggling to cope with her somatic OCD; the aftermath of being outed as bisexual in her conservative Irish town; and the return of her long-absent mother, who barely seems like a parent. But all that really matters to her is ascending and finally, finally becoming a full witch—plans that are complicated when another coven, rumored to have a sordid history with black magic, arrives in town with premonitions of death. Dayna immediately finds herself at odds with the bewitchingly frustrating Meiner King, the granddaughter of their coven leader. And then a witch turns up murdered at a local sacred site, along with the blood symbol of the Butcher of Manchester—an infamous serial killer whose trail has long gone cold. The killer's motives are enmeshed in a complex web of witches and gods, and Dayna and Meiner soon find themselves at the center of it all. If they don't stop the Butcher, one of them will be next.