Return Of The Barbarians

Barbarians are back. These small, highly mobile, and stateless groups are no longer confined to the pages of history; they are a contemporary reality in groups such as the Taliban, Al-Qaeda, and ISIL. Return of the Barbarians re-examines the threat of violent non-state actors throughout history, revealing key lessons that are applicable today. From the Roman Empire and its barbarian challenge on the Danube and Rhine, Russia and the steppes to the nineteenth-century Comanches, Jakub J. Grygiel shows how these groups have presented peculiar, long-term problems that could rarely be solved with a finite war or clearly demarcated diplomacy. To succeed and survive, states were often forced to alter their own internal structure, giving greater power and responsibility to the communities most directly affected by the barbarian menace. Understanding the barbarian challenge, and strategies employed to confront it, offers new insights into the contemporary security threats facing the Western world.

A modern classic by Nobel Laureate J.M. Coetzee. His latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. For decades the Magistrate has been a loyal servant of the Empire, running the affairs of a tiny frontier settlement and ignoring the impending war with the barbarians. When interrogation experts arrive, however, he witnesses the Empire's cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state. J. M. Coetzee's prize-winning novel is a startling allegory of the war between opressor and opressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency. Mark Rylance (Wolf Hall, Bridge of Spies), Ciro Guerra and producer Michael Fitzgerald are teaming up to to bring J.M. Coetzee's Waiting for the Barbarians to the big screen.

Reveals the threat of violent non-state actors throughout history and the lessons that are applicable to current security challenges.

With invective all the more deadly for its grace and wit, Lewis Lapham, editor of Harper's magazine, presents a portrait of a feckless American establishment gone large in the stomach and soft in the head. This acerbic commentary on the insouciance of the monied ruling class concludes with a forewarning piece where Lapham looks at the fate of indolent ruling classes throughout history.

Empires and Barbarians presents a fresh, provocative look at how a recognizable Europe came into being in the first millennium AD. With sharp analytic insight, Peter Heather explores the dynamics of migration and social and economic interaction that changed two vastly different worlds--the undeveloped barbarian world and the sophisticated Roman Empire--into remarkably similar societies and states. The book's vivid narrative begins at the time of Christ, when the Mediterranean circle, newly united under the Romans, hosted a politically sophisticated, economically advanced, and culturally developed civilization--one with philosophy, banking, professional armies, literature, stunning architecture, even garbage collection. The rest of Europe, meanwhile, was home to subsistence farmers living in small groups, dominated largely by Germanic speakers. Although having some iron tools and weapons, these mostly illiterate peoples worked mainly in wood and never built in stone. The farther east one went, the simpler it became: fewer iron tools and ever less productive economies. And yet ten centuries later, from the Atlantic to the Urals, the European world had turned. Slavic speakers had largely superseded Germanic speakers in central and Eastern Europe, literacy was growing, Christianity had spread, and most fundamentally, Mediterranean supremacy was broken. Bringing the whole of first millennium European history together, and challenging current arguments that migration played but a tiny role in this unfolding narrative, Empires and Barbarians views the destruction of the ancient world order in light of modern migration and globalization patterns.

An account of four generations of Mongol leaders, from Genghis Khan, through his sons, grandsons, and great-grandsons. The book is arranged into a series of narratives, which are grouped dynastically and chronologically covering the span of the Thirteenth Century, and dealing with the process by which the Mongols came to dominate Central Asia and spread outwards to come into contact with Europe, the Indian sub-continent, and China.

The final book in a historical Dragonlance trilogy. On the battle plains of Ansalon, all barbarians must band together. Raiders, nomads, and villagers. Ogres and elves. Dragons of good and evil. These are the forces that have joined battle to decide the fate of the first primitive civilization of Krynn. At the center of this whirlwind, the long-separated siblings Amero and Nianki are reunited. But foes long gone and presumed dead also join together, seeking vengeance and destruction once and for all. Best-selling writing team Thompson and Cook return again to the world of Dragonlance in this sweeping conclusion to the epic Barbarians trilogy.

Twenty years ago, five master criminals known as the Demon Princes raided Mount Pleasant to enslave thousands of inhabitants in the lawless Beyond. Now Morwen Sabine, a daughter of captives, has escaped her cruel master and returns to Mount Pleasant to recover the hidden treasure she hopes will buy her parents' freedom. But Mount Pleasant has changed. Morwen must cope with mystic cultists, murderous drug-smugglers, undercover "weasels" of the Interplanetary Police Coordinating Company, and the henchmen of the vicious pirate lord who owns her parents and wants Morwen returned. So he can kill her slowly... Barbarians of the Beyond is a return to "Jack Vance Space" and space-opera derring-do that follows in the science fiction Grandmaster's footsteps. "I really enjoyed Barbarians of the Beyond. Matthew Hughes does Jack Vance better than anyone except Jack himself." - George R. R. Martin "Lock the door, turn off the phone, get into a comfy chair, and deep-dive into a marvelous continuation of Jack Vance's Demon Princes series. Matthew Hughes is a treasure and Barbarians of the Beyond is a terrific adventure." - David Gerrold "Matthew Hughes follows nimbly in Jack Vance's footprints, then breaks some fresh trail. First-class space opera." - Robert J. Sawyer, Hugo Award-winning author of Hominids "Engaging and enchanting...a fine companion adventure to Jack Vance's The Demon Princes series, told with Matthew Hughes's excellent sense of charm, ethical complexity and exotic worldbuilding. Let's hope this is just the beginning!" - Kurt Busiek "Barbarians of the Beyond is just plain old-fashioned space opera fun with a relatable heroine who is sometimes fallible, rather than some Shaolin Temple kung fu megamaster. I enjoyed it a lot." - Glen Cook "...a tale that captures that special 'golden age' feel in which mankind has travelled far into the stars yet still behaves as though it's the Wild West." - David White, RNR Magazine "Deeply enjoyable and entirely delivers on its promise." - Andrew Wheeler, Editor, Science Fiction Book Club On the Paladins of Vance label, Spatterlight publishes original works by authors who have given their own imagination free rein in the many wonderful worlds of the Grandmaster of fantasy & sci-fi.

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN ART OF THE ESSAY AWARD Over the past decade and a half, Daniel Mendelsohn's reviews for The New York Review of Books, The New Yorker, and The New York Times Book Review have earned him a reputation as "one of the greatest critics of our time" (Poets & Writers). In Waiting for the Barbarians, he brings together twenty-four of his recent essays--each one glinting with "verve and sparkle," "acumen and passion"--on a wide range of subjects, from Avatar to the poems of Arthur Rimbaud, from our inexhaustible fascination with the Titanic to Susan Sontag's Journals. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the Spider-Man musical, Anne Carson's translations of Sappho) to trenchant takes on pop spectacles--none more explosively controversial than his dissection of Mad Men. Also gathered here are essays devoted to the art of fiction, from Jonathan Littell's Holocaust blockbuster The Kindly Ones to forgotten gems like the novels of Theodor Fontane. In a final section, "Private Lives," prefaced by Mendelsohn's New Yorker essay on fake memoirs, he considers the lives and work of writers as disparate as Leo Lerman, No�l Coward, and Jonathan Franzen. Waiting for the Barbarians once again demonstrates that Mendelsohn's "sweep as a cultural critic is as impressive as his depth."

In the turbulent era of late 1950s Manhattan—with jazz, the burgeoning Civil Rights Movement, and the Red Scare as the volatile ingredients—three groundbreaking black cartoonists defy convention and pay the price. Cliff Murphy is matinee handsome, a light-skinned, straight-haired black man and a comics artist known for his glamour girl art. He’s black uptown and white downtown, and he has an eye for the ladies, and they for him—including his boss’ wife, who knows Cliff’s creation, the Phantom Avenger, is about to be stolen from him. Though Stephaney “Stef” Rawls has her own romance-adventure strip for the largest black newspaper, she still has to work brutal hours as a maid to make ends meet. When she gets a lucrative offer to write and draw a “Negroes must reject agitation” flyer for the FBI, can she pass up the opportunity? Then there’s Oliver “Ollie” Jefferson, a decorated Korean War vet who writes and draws editorial cartoons under the pseudonym Attucks, for the daily Red newspaper The Struggle. But when a cop beats him down while walking his pregnant Korean wife-to-be home one night, Ollie becomes a symbol of oppression and the streets threaten to explode. These three friends will be tested and tried, will work in solidarity, and, just maybe, betray each other, in this explosive graphic novel—with prose by crime fiction author Gary Phillips and images by acclaimed artist-writer Dale Berry.