Resurrection Blues

Arthur Miller’s penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event have been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age.

First in the ghostly urban fantasy series by New York Times bestselling author Daniel José Older “Because I’m an inbetweener—and the only one anyone knows of at that—the dead turn to me when something is askew between them and the living. Usually, it’s something mundane like a suicide gone wrong or someone revived that shouldn’ta been.” Carlos Delacruz is one of the New York Council of the Dead’s most unusual agents—an inbetweener, partially resurrected from a death he barely recalls suffering, after a life that’s missing from his memory. He thinks he is one of a kind—until he encounters other entities walking the fine line between life and death. One inbetweener is a sorcerer. He’s summoned a horde of implike ngks capable of eliminating spirits, and they’re spreading through the city like a plague. They’ve already taken out some of NYCOD’s finest, leaving Carlos desperate to stop their master before he opens up the entrada to the Underworld—which would destroy the balance between the living and the dead. But in uncovering this man’s identity, Carlos confronts the truth of his own life—and death.…

They told him she was dead. Now he's not so sure. And there are easier ways to learn the awful truth . . . WHEN Levi Stone pushes a picture of his wife Lauren in another man's arms across private-eye Evan Buckley's desk, Evan's all set to show him the door - because he doesn't do that sort of sleazy gutter work anymore. But then Levi drops a bombshell that makes Evan change his mind - fast. And it's not only the uncanny and unnerving similarities to the unsolved disappearance of his own wife, Sarah. As Evan digs deeper into Lauren's shadowy past, the things he unearths force Levi to face the bitter truth - that he never knew his wife at all - or any of the dark secrets that surround her mother's death and the disappearance of her father. And Evan isn't the only one looking for Lauren. A man from the past she never knew, evil incarnate, sends his dogs to hunt her down, to exact his rightful revenge. It's payback time and Evan's caught in the middle of a lethal vendetta. But who is the hunter and who is the hunted?

The Essence of the Blues by Jim Snidero provides beginners and moderately advanced musicians with an introduction to the language of the blues. In 10 etudes focusing on various types of the blues, the musician learns to master the essential basics step by step. Each piece comes with an in-depth analysis of blues styles and music theory, appropriate scale exercises, tips for studying and practicing, suggestions for improvising, recommended listening, and specific techniques used by some of the all-time best jazz/blues musicians, including Miles Davis, Charlie Parker, B.B. King, Stanley Turrentine, and others. The accompanying play-along CD features world famous New York recording artists including Eric Alexander, Jeremy Pelt, Jim Snidero, Steve Davis, Mike LeDonne, Peter Washington, and others. Recorded at a world-class studio, these play alongs are deeply authentic, giving the musician a real-life playing experience to learn and enjoy the blues.

A wildly imaginative novel about a man who is reincarnated over ten thousand lifetimes to be with his one true love: Death herself. “Tales of gods and men akin to Neil Gaiman’s Sandman as penned by a kindred spirit of Douglas Adams.”—Kirkus Reviews (starred review) First we live. Then we die. And then . . . we get another try? Ten thousand tries, to be exact. Ten thousand lives to “get it right.” Answer all the Big Questions. Achieve Wisdom. And Become One with Everything. Milo has had 9,995 chances so far and has just five more lives to earn a place in the cosmic soul. If he doesn’t make the cut, oblivion awaits. But all Milo really wants is to fall forever into the arms of Death. Or Suzie, as he calls her. More than just Milo’s lover throughout his countless layovers in the Afterlife, Suzie is literally his reason for living—as he dives into one new existence after another, praying for the day he’ll never have to leave her side again. But Reincarnation Blues is more than a great love story: Every journey from cradle to grave offers Milo more pieces of the great cosmic puzzle—if only he can piece them together in time to finally understand what it means to be part of something bigger than infinity. As darkly enchanting as the works of Neil Gaiman and as wisely hilarious as Kurt Vonnegut’s, Michael Poore’s Reincarnation Blues is the story of everything that makes life profound, beautiful, absurd, and heartbreaking. Because it’s more than Milo and Suzie’s story. It’s your story, too. Praise for Reincarnation Blues “The most fun you’ll have reading about a man who has been killed by both catapult and car accident.”—NPR “This book made me laugh out loud. And then a page later, it made me sob. Reminiscent of Tom Robbins and Christopher Moore, Poore finds humor in the dark absurdities of life.”—Chicago Review of Books “Charming . . . surprisingly light and uplifting . . . It reads like a writer having fun.”—New York Journal of Books

A new edition of a classic history of the Mississippi River Delta Development Arrested is a major reinterpretation of the 200-year-old conflict between African American workers and the planters of the Mississippi Delta. The book measures the impact of the plantation system on those who suffered its depredations firsthand, while tracing the decline and resurrection of plantation ideology in national public policy debate. Despite countless defeats under the planter regime, African Americans in the Delta continued to push forward their agenda for social and economic justice. Throughout this remarkably interdisciplinary book, ranging across fields as diverse as rural studies, musicology, development studies, and anthropology, Woods demonstrates the role of music—including jazz, rock and roll, soul, rap and, above all, the blues—in sustaining a radical vision of social change.

Born in South Carolina, White spent his childhood as a lead boy for traveling blind bluesmen. In the early '30s he moved to New York and became a popular blues star, then introduced folk-blues to a mass white audience in the 1940s. He was famed both for his strong Civil Rights songs, which made him a favorite of the Roosevelts, and for his sexy stage persona. The king of Café Society-also home to Billie Holiday--he was the one bluesman to consistently pack the New York nightspots, and the first black singer-guitarist to act in Hollywood films and star on Broadway. In the 1950s, White's bitter compromise with the blacklisters left him with few friends on either end of the political spectrum. He spent much of the decade in Europe, then came back strong in the 1960s folk revival. By 1963, he was voted one of America's top three male folk stars, but his health was failing and he did not survive the decade. Written in an engaging style, Society Blues portrays the difficult balancing act that all black performers must face in a predominantly white culture. Through the twists and turns of White's life, it traces the evolution of the blues and folk revival, and is a must read for anyone interested in the history of American popular culture, as well as a fascinating life story. Visit the author's website to see the Josh White photo gallery and learn more about Elijah Wald.

The New York Times bestselling author of Half-Resurrection Blues returns in a new Bone Street Rumba Novel—a knife-edge, noir-shaded urban fantasy of crime after death. The streets of New York are hungry tonight... Carlos Delacruz straddles the line between the living and the not-so alive. As an agent for the Council of the Dead, he eliminates New York’s ghostlier problems. This time it’s a string of gruesome paranormal accidents in Brooklyn’s Von King Park that has already taken the lives of several locals—and is bound to take more. The incidents in the park have put Kia on edge. When she first met Carlos, he was the weird guy who came to Baba Eddie's botánica, where she worked. But the closer they’ve gotten, the more she’s seeing the world from Carlos’s point of view. In fact, she’s starting to see ghosts. And the situation is far more sinister than that—because whatever is bringing out the dead, it’s only just getting started.

V.I. Warshawski, “undoubtedly one of the best-written characters in mystery fiction” (The Baltimore Sun), returns in a collection of stories that bring new meaning to “ties that bind.” Decked out in her silk shirts and no-nonsense Attitude, V.I. is out to make a living—by the skin of her teeth. In “Grace Notes,” V.I. has barely finished her morning coffee when she sees an ad in the paper asking for information about her own mother, long dead. The paper leads V.I. to her newfound Italian cousin Vico, who’s looking for music composed by their great-grandmother. What’s the score? Clearly it’s something to kill for. . . . “The Pietro Andromache” finds V.I.’s friend Dr. Lotty Herschel with motive and means to dispatch her professional rival and steal his priceless statue. Lotty didn’t do it—but does she know who did? V.I. soon cuts to the art of the case—and it’s not a pretty picture at all! Summoned by an old high school friend to a race “At the Old Swimming Hole,” V.I. ends up swimming with the sharks—the FBI and a ruthless gambling kingpin—in a pool of blood. . . . And it’s only “Skin Deep” when a relaxing facial transformation transforms a client into a stiff. V.I.’s pal Sal needs help. Her beautician sister Evangeline is prime suspect—and V.I. has only eighteen hours to crack the case before it’s headline news. . . . “Three-Dot Po” proves there’s nothing like a dog. Especially a dog on the trail of her mistress’s killer, with V.I. in tow. . . . In “Strung Out,” love means nothing and V.I.’s quick to learn the score as her old friend’s tennis-champion daughter is under suspicion for strangling her father with a racket string. And there’s more, nine stories in all, in this masterful collection of short fiction starring V.I. Warshawski, “the most engaging woman in detective fiction since Dorothy Sayers’s Harriet Vane” (Newsweek).

Lonnie Johnson is a blues legend. His virtuosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. Yet Johnson mastered multiple instruments. He recorded with jazz icons such as Duke Ellington and Louis Armstrong, and he played vaudeville music, ballads, and popular songs. In this book, Julia Simon takes a closer look at Johnson’s musical legacy. Considering the full body of his work, Simon presents detailed analyses of Johnson’s music—his lyrics, technique, and styles—with particular attention to its sociohistorical context. Born in 1894 in New Orleans, Johnson's early experiences were shaped by French colonial understandings of race that challenge the Black-white binary. His performances call into question not only conventional understandings of race but also fixed notions of identity. Johnson was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson’s music challenges us to think about not only what we recognize and value in “the blues” but also what we leave unexamined, cannot account for, or choose not to hear. The Inconvenient Lonnie Johnson provides a reassessment of Johnson’s musical legacy and complicates basic assumptions about the blues, its production, and its reception.