Rereading Victorian Fiction

This book offers a collection of essays on novels and short stories from the beginning of Victoria's reign through to the end of the nineteenth century and into our own times. The essays represent a wide range of critical and theoretical viewpoints on fiction, and they deal with a number of lesser-known Victorian Works as well as with some of the most canonical texts of the period. The chronological range of the volume is extended by essays which explore Victorian texts' connections with earlier literature, as well as by studies of twentieth-century novelists' responses to Victorian fiction. Overall this collection emphasizes the breadth and diversity of Victorian prose fiction and will be of interest to students and specialists alike.

How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

As any reader of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic re-reader of books. In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series. Among Walton's many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by "mainstream"; the underappreciated SF adventures of C. J. Cherryh; the field's many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie's Midnight's Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

First published in 1970 to great acclaim, this novel stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature--a novel that, according to Irving Howe, ranks with "Billy Budd" and "The Great Gatsby".

Roald Dahl's Esio Trot in glorious full colour! High up in a tall building lives Mr Hoppy all alone. Downstairs lives Mrs Silver. Mr Hoppy loves her. And Mrs Silver loves her tortoise, Alfie. Oh, if only Mr Hoppy could perform some great feat that would make him a hero in her eyes! Then one day his mind goes click and an amazing idea rushes into his head. With the help of a magical spell, some cabbage leaves and one hundred and forty tortoises, can shy Mr Hoppy win Mrs Silver's heart? And now you can listen to ESIO TROT ( with THE GIRAFFE AND THE PELLY AND ME) and other Roald Dahl audiobooks read by some very famous voices, including Kate Winslet, David Walliams and Steven Fry - plus there are added squelchy soundeffects from Pinewood Studios! And look out for new Roald Dahl apps in the App store and Google Play- including the disgusting TWIT OR MISS! and HOUSE OF TWITS inspired by the revolting Twits.

This book provides a critical reconsideration of nineteenth-century women's writing by exploring the significance of antifeminist representations for literary developments in the century's second half. It seeks to draw new attention to still neglected authors and works, while suggesting that their reappraisal at once demands and helps to facilitate a more encompassing rethinking of a number of long neglected writers and their still underestimated contribution to Victorian literary culture. Their changing classification, their marginalisation within canon formation, and most importantly, their resistance to simplifications suggested by these shifting categorisations prompts us to break out of such ideological straightjackets ourselves. In analysing a range of material that testifies to the wide spectrum, versatility, and reflexive interchanges of popular Victorian fiction, the essays in this collection work together to interrogate the significance of these still neglected works for the development of the novel genre.This collection makes an important contribution to the study of Victorian literature and especially of recently rediscovered popular writers. It will be of interest to literary critics and students working on the formation of the novel genre in general as well as on nineteenth-century culture more specifically.

Charlotte Yonge, a dedicated religious, didactic, and domestic novelist, has become one of the most effectively rediscovered Victorian women writers of the last decades. Her prolific output of fiction does not merely give a fascinatingly different insight into nineteenth-century popular culture; it also yields a startling complexity. This compels a reappraisal of the parameters that have long been limiting discussion of women writers of the time. Situating Yonge amidst developments in science, technology, imperialism, aesthetics, and the book market at her time, the individual contributions in this book explore her critical and often self-conscious engagement with current fads, controversies, and possible alternatives. Her marketing of her missionary stories, the wider significance of her contribution to Tractarian aesthetics, the impact of Darwinian science on her domestic chronicles, and her work as a successful editor of a newly established magazine show this self-confidently anti-feminist and domestic writer exert a profound influence on Victorian literature and culture. This book was previously published as a special issue of Women's Writing.

At the cusp of literary and cultural studies, this wide-ranging critical anthology reevaluates Victorian culture in the light of the literature of the period and vice versa. Also, essays by eminent and emerging Victorianists offer a reassessment, explicit and implicit, of Victorian studies and its methodologies.

Jennifer Egan described her Pulitzer Prize–winning novel A Visit from the Goon Squad as a combination of Proust and The Sopranos. In rereading the book, Ivan Kreilkamp takes Egan up on her comparison, showing how it blends a concern with the status of the novel in the twenty-first century with an elegiac meditation on how we experience the passage of time. Kreilkamp, a former music critic, examines how Egan’s characters turn to rock and especially punk in search of community and meaning. He considers what the novel’s portrayal of music says about the role of art in contemporary culture as digitization makes older technologies obsolete. Combining personal and critical reflection, he reveals how A Visit from the Goon Squad articulates and responds to the sense of loss many feel as cherished physical objects are replaced with immaterial data. For Kreilkamp, Egan’s novel compellingly combines the psychological realism of the nineteenth-century novel with more recent and transient forms such as the celebrity magazine profile or a PowerPoint presentation to provide a self-reflective diagnosis of the decay and endurance of literature. Arranged like Egan’s novel into A and B sides, this book highlights not only how A Visit from the Goon Squad speaks to our mass-media and digital present but also its page-turning pleasure.