Renaissance Revivals

Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.

Rebecca's Revival is the remarkable story of a Caribbean woman--a slave turned evangelist--who helped inspire the rise of black Christianity in the Atlantic world. All but unknown today, Rebecca Protten left an enduring influence on African-American religion and society. Born in 1718, Protten had a childhood conversion experience, gained her freedom from bondage, and joined a group of German proselytizers from the Moravian Church. She embarked on an itinerant mission, preaching to hundreds of the enslaved Africans of St. Thomas, a Danish sugar colony in the West Indies. Laboring in obscurity and weathering persecution from hostile planters, Protten and other black preachers created the earliest African Protestant congregation in the Americas. Protten's eventful life--the recruiting of converts, an interracial marriage, a trial on charges of blasphemy and inciting of slaves, travels to Germany and West Africa--placed her on the cusp of an emerging international Afro-Atlantic evangelicalism. Her career provides a unique lens on this prophetic movement that would soon sweep through the slave quarters of the Caribbean and North America, radically transforming African-American culture. Jon Sensbach has pieced together this forgotten life of a black visionary from German, Danish, and Dutch records, including letters in Protten's own hand, to create an astounding tale of one woman's freedom amidst the slave trade. Protten's life, with its evangelical efforts on three continents, reveals the dynamic relations of the Atlantic world and affords great insight into the ways black Christianity developed in the New World.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

A vivid analysis of the history and revival of clinical psychedelic science Psychedelic drugs are making a comeback. In the mid-twentieth century, scientists actively studied the potential of drugs like LSD and psilocybin for treating mental health problems. After a decades-long hiatus, researchers are once again testing how effective these drugs are in relieving symptoms for a wide variety of psychiatric conditions, from depression and obsessive–compulsive disorder to posttraumatic stress disorder and substance addiction. In Acid Revival, Danielle Giffort examines how this new generation of researchers and their allies are working to rehabilitate psychedelic drugs and to usher in a new era of psychedelic medicine. As this team of researchers and mental health professionals revive the field of psychedelic science, they are haunted by the past and by one person in particular: psychedelic evangelist Timothy Leary. Drawing on extensive archival research and interviews with people working on scientific psychedelia, Giffort shows how today’s researchers tell stories about Leary as an “impure” scientist and perform his antithesis to address a series of lingering dilemmas that threaten to rupture their budding legitimacy. Acid Revival presents new information about the so-called psychedelic renaissance and highlights the cultural work involved with the reassembly of dormant areas of medical science. This colorful and accessible history of the rise, fall, and reemergence of psychedelic medicine is infused with intriguing narratives and personalities—a story for popular science aficionados as well as for scholars of the history of science and medicine.

Looks at the sixteenth-century depictions of Olympian deities.

One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.

The Democratic Party left rural America behind. This urgent rallying cry shows how Democrats can win back and empower overlooked communities that have been pushing politics to the right—and why long-term progressive political power depends on it. Through 2 successful elections in rural red districts that few thought could be won by a Democrat, twentysomethings Maine state senator Chloe Maxmin (D-District 13) and campaign manager Canyon Woodward saw how the Democratic Party has focused for too long on the interests of elite leaders and big donors, forcing the party to abandon the concerns of rural America—jeopardizing climate justice, racial equity, economic justice, and more. Dirt Road Revival looks at how we got here and lays out a road map for progressive campaigns in rural America to build an inclusive, robust, grassroots politics that fights for equity and justice across our country. First, Maxmin and Woodward detail how rural America has been left behind. They explore rural healthcare, economic struggle, brain drain, aging communities, whiteness and racism, education access, broadband, Big Agriculture, and more. Drawing on their own experiences, they paint a picture of rural America today and pinpoint the strategic failures of Democrats that have caused the party to lose its rural foothold. Next, they tell the story of their successful campaigns in the most rural county in the most rural state in the nation. In 2018, Maxmin became the only Democrat to ever win Maine House District 88 and then unseated the highest-ranking Republican in Maine —the Senate Minority Leader—in 2020, making her the youngest woman senator in Maine’s history. Finally, Maxmin and Woodward distill their experiences into concrete lessons that can be applied to rural districts across the country to build power from the state and local levels on up. They lay out a new long-term vision for Democrats to rebuild trust and win campaigns in rural America by translating progressive values to a rural context, moving beyond the failed strategies of establishment consultants and utilizing grassroots-movement organizing strategies to effectively engage moderate rural voters.

In America's Revival Heritage, Dr. Eddie Hyatt documents that it was Christian revivalists and refomrers seeking a renewal of all Christendom according to Scripture, that played the primary role in the founding of the United States of America. He shows that the Great Awakening of 1726-1760 had a direct bearing on the founding of the nation.