Reminiscences Of Bateman Brown Jp

“An unabashedly honest ethnography . . . [from] a founder of ‘symbolic’ anthropology . . . reflections on his fieldwork over a period of . . . forty years. Brilliant.” (Kirkus Reviews) In looking back on four decades of anthropology in the field, Geertz has created a work that is a personal history as well as a retrospective reflection on developments in the human sciences amid political, social, and cultural changes in the world. An elegant summation of one of the most remarkable careers in anthropology, it is at the same time an eloquent statement of the purposes and possibilities of anthropology's interpretive powers. Through the prism of his fieldwork over forty years in two towns, Pare in Indonesia and Sefrou in Morocco, Geertz adopts various perspectives on anthropological research and analysis during the post-colonial period, the Cold War, and the emergence of the new states of Asia and Africa. Throughout, he clarifies his own position on a broad series of issues at once empirical, methodological, theoretical, and personal. The result is a truly original book, one that displays a particular way of practicing the human sciences and thus a particular—and particularly efficacious—view of what these sciences are, have been, and should become. “Geertz charts the transformation of cultural anthropology from a study of "primitive" people to a multidisciplinary investigation of a particular culture's symbolic systems, its interactions with the larger forces of history and modernization.” —Publishers Weekly “An elegant, almost meditative volume of reflections.” —The New Yorker “[An] engrossing story of a few key moments in American social science during the second half of the twentieth century as [Geetz] participated in them.” —New York Times Book Review

At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism. Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity. Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.