Remembering Spain

This book explores the role of cultural heritage in post-conflict reconstruction, whether as a motor for the prolongation of violence or as a resource for building reconciliation. The research was driven by two main goals: to understand the post-conflict reconstruction process and to identify how this process evolves in the medium term and the impact it has on society. The Spanish Civil War (1936-39) and its subsequent phases of reconstruction provides the primary material for this exploration. In pursuit of the first goal, the book centers on the material practices and rhetorical strategies developed around cultural heritage in post-civil war Spain and the victorious Franco regime's reconstruction. The analysis captures a discursively complex set of practices that made up the reconstruction and in which a variety of Spanish heritage sites were claimed, rebuilt or restored, and represented - as signs of historical narratives, political legitimacy, and group identity. The reconstruction of the town of Gernika is a particularly emblematic instance of destruction and a significant symbol within the Basque regions of Spain, as well as internationally. By examining Gernika, it is possible to identify some of the trends common to the reconstruction as a whole, along with those aspects that pertain to its singular symbolic resonance. In order to achieve the second goal, the book examines the processes of selection, value change, and exclusionary dynamics of reconstruction. Exploring the possible impact of post-civil war reconstruction in the medium term is conducted in two time frames: the period of political transition that followed General Franco's death in 1975, and the 2004-2008 period when Rodriguez Zapatero's government undertook initiatives to 'recover the historic memory' of the war and dictatorship. Finally, the observations made of the Spanish reconstruction are analyzed in terms of how they might reveal general trends in post-conflict reconstruction processes in relation to cultural heritage. These insights are pertinent to the situations in Cambodia, Bosnia and Herzegovina, Afghanistan, and Iraq.

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath. Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain--from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos--provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.

Amid the shadows of war, one family faces an impossible choice that will change their lives forever. From bestseller Mario Escobar comes a 20th-century historical novel of sacrifice and resilience inspired by Spain’s famed Children of Morelia and the true events that shaped their lives. Madrid, 1934. Though the Spanish Civil War has not yet begun, the streets of Madrid have become dangerous for thirteen-year-old Marco Alcalde and his two younger sisters. Marco’s parents align themselves against the new fascist regime, unaware that their choice will endanger the entire family—nor do they predict the violence that is to come. In a desperate bid for safety, the Alcaldes join many other Spanish families in making an impossible choice to send their unaccompanied children across the ocean to the city of Morelia, Mexico—a place they’ve never seen or imagined, but whose government promises their children protection. Young Marco promises to look after his sisters in Mexico until their family can be reunited in Spain, but a harrowing journey ensues. As the growing children work to care for themselves and each other, they feel their sense of home, family, and identity slipping further and further away. As their memories of Spain fade, they begin to wonder if they will ever see their parents again or the glittering streets of the home they once loved. Based upon the true stories of the Children of Morelia, Mario Escobar’s Remember Me—now available for the first time in English—paints a poignant portrait of an immigrant family’s sacrificial love and endurance, detailing just how far we go for those we love. “Luminous and beautifully researched, Remember Me is a study of displacement, belonging, compassion, and forged family amid a heart- wrenching escape from the atrocities of the Spanish Civil War. Fans of Arturo Pérez-Reverte, Chanel Cleeton, and Lisa Wingate will be mesmerized.” —Rachel McMillan, author of The London Restoration Perfect for book clubs: Includes discussion questions, research notes from the author, and a historical timeline Based on real historical events: Full-length, 90,000-word historical novel based on the true stories of the Children of Morelia Researched and written by a subject-matter expert: Mario Escobar has a master's degree in modern history and lives in Madrid

Using a rich variety of sources, this book explores how the historical memory of the Spanish Civil War influenced the transition to democracy in Spain after Franco's death in 1975.

In this sophisticated study, Antonio Míguez Macho and his team of expert scholars explore the connections between violence and memory in modern Spain. Most importantly for a nation with an uncomfortable relationship with its own past, this book reveals how sites of violence also became sites of forgetting. Centred around places of violence such as concentration camps and military courts where prisoners endured horrific forced labour and were sentenced to death, this book looks at how and why the history of these sites were obscured. Issues addressed include: how Guernica came to represent Francoist front-line brutality and so concealed violence behind the lines; the need to preserve drawings made by concentration camp inmates that record a history the regime hoped to silence; the contests over plaques and monuments erected to honour victims; and the ways forging a historical record through human rights cases helps shape a new collective memory. Shining a spotlight on these important topics for the first time, this book provides a new perspective on one of the major issues of 20th-century Spanish history: the history and memory of Francoist violence. As such, Sites of Violence and Memory in Modern Spain is an invaluable resource for all scholars of modern Spain, memory culture, and public history.

This book examines contemporary recollection of Spain's transition to democracy in the late 1970s and its connection to the country's current political, financial and cultural crises through fiction, film, and television.

Charting Memory: Recalling Medieval Spain elaborates an interdiscursive picture of how Medieval Spain has been remembered by various Arab, Jewish, and Hispanic peoples from well before 1492 to the present. The collection breaks with traditional foci on the legacies of separate Iberian communities and their descendants, and on limited, largely textual sets of their related cultural practices. In distinct ways, this collection takes a multi-ethnic and multi-modal approach, departing from sociologist Maurice Halbwachs' premise that collective memories form not within individuals alone, but through the inner and inter-workings of actual and conceptual social milieux. The volume hereby foregrounds the constitutive roles of communities created through prayer, literary resonances, architecture, musical performance, and name giving, in shaping memories of medieval Spanish contexts as well as complex identities in the Balkans, the Near and Middle East, North Africa, Latin American, and the United States. The ten original essays in this collection, by international specialists in anthropology, ethnomusicology, literary criticism, folklore, and onomastics, are not arranged according to Arab, Jewish, and Hispanic cultural memories of medieval Spain. Instead, the collection's unique comparative emphasis illuminates ways in which various peoples have re-articulated memories relating to medieval Spain in and across physical, temporal, and social locations, with different types and degrees of impact.

The Spanish Civil War was fought not only on the streets and battlefields from 1936 to 1939 but also through memory and trauma in the decades that followed. This fascinating book reassesses the eras of war, dictatorship and transition to democracy in light of the memory boom in Spain since the late 1990s. It explores how the civil war and its repressive aftermath have been remembered and represented from 1939 to the present through the interweaving of war memories, political power and changing social relations. Acknowledgement and remembrance were circumscribed during the war's immediate aftermath and only the victors were free to remember collectively during the long Franco era. Michael Richards recasts social memory as a profoundly historical product of migration, political events and evolving forms of collective identity through the 1950s, the transition to democracy in the 1970s, and in the bitterly contested politics of memory since the 1990s.