Regulating Internet Music For Compensation And Distribution

ABSTRACT: This study presents an economics analysis of Internet music file-sharing in peer to- peer environments. Prior research examines the problem from the perspective of either copyright owners, artists or the public, at the expense of the interwoven relationship of these parties in achieving the purposes of copyright and protecting the interests of the public in new technology, free speech and privacy. This study, by comparison, applies a law and economics analysis to this market, specifically identifying market failures associated with peer-to-peer environments as opposed to traditional music markets. At its core, this study addresses whether the traditional economic rationale for copyright, exclusive property rights-based copyright law, is proper in the digital environment and answer the following questions. How is the MP3/P2P market different from the traditional music market represented by the music industry's compact disks creation and distribution model? What market failures or irregularities are present in the MP3/P2P market? What are the characteristics of a compulsory licensing system that would address these market failures?

This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright’s objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in “law and economics” and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.

There is hardly an aspect of internet music promotion, sale and distribution which does not have a legal dimension. Since the stakeholders in the process includes artists, their managers, music publishers, record companies, distribution companies and the consumer, the law relating to internet music distribution is extremely complex. Andrew Sparrow's Music Distribution and the Internet provides those connected to the music and media industries with a guide to the legal requirements they must meet, answering questions such as: ¢ How should you conclude contracts with consumers over the internet? ¢ What are the various legal terms and conditions that should govern the sale of physical product to online music buyers? ¢ How should a website user's personal information be handled? ¢ What limitations are there on the way this data may be used for ongoing marketing of an artist's work or the merchandise associated with it? ¢ What are the latest copyright laws in this area and how do they apply to the internet? The book provides practical advice on how to approach key relationships with the internet buying consumer and other online media providers. The law is explained in straightforward terms and applied throughout in a music business context. Music Distribution and the Internet is an essential reference for anyone seeking to exploit and protect their rights and those of their artists in the rapidly expanding, constantly evolving and fascinating arena that is new media.

Regulatory compliance and risk management pose significant challenges in today's rapidly evolving financial landscape. Integrating Industry 4.0 technologies such as automation, AI, and machine learning has added complexity to these challenges. Financial institutions need help to keep pace with regulatory changes and technological advancements, leading to inefficiencies and increased compliance costs. Integrating RegTech Solutions for Industry 4.0 provides a comprehensive solution to this problem by offering insights into how regtech can help financial institutions navigate these challenges effectively. Through a series of case studies, this book demonstrates how leading financial institutions have successfully implemented regtech solutions to streamline compliance processes and manage risks efficiently. By showcasing real-world applications, the book offers practical strategies and best practices for integrating regtech into financial operations. Furthermore, the book explores the regulatory implications of Industry 4.0 technologies, such as IoT and blockchain, providing readers with a holistic view of the regulatory landscape.

Ethics and Technology, 5th Edition, by Herman Tavani introduces students to issues and controversies that comprise the relatively new field of cyberethics. This text examines a wide range of cyberethics issues--from specific issues of moral responsibility that directly affect computer and information technology (IT) professionals to broader social and ethical concerns that affect each of us in our day-to-day lives. The 5th edition shows how modern day controversies created by emerging technologies can be analyzed from the perspective of standard ethical concepts and theories.

This book provides a clear and authoritative explanation of the law governing the internet, both in the UK and globally. It identifies legal questions likely to arise, explains how to deal with them, and addresses key areas of contention.

The Twelfth Edition of this powerhouse best-selling text maintains its tradition as the most comprehensive, up-to-date guide to the music industry in all of its diversity. Readers new to the music business and seasoned professionals alike will find David and Tim Baskerville’s handbook the go-to source, regardless of their specialty within the music field. Music Business Handbook and Career Guide is ideal for introductory courses such as Introduction to the Music Business, Music and Media, and other survey courses as well as more specialized courses such as the record industry, music careers, artist management, and more. The fully updated Twelfth Edition includes a comprehensive discussion of the streaming revolution and its impact on all parts of the value chain, including composers, performing artists, publishers, and labels. The book also analyzes shifts in the competing platforms of consumption ranging from fast-shrinking physical formats and broadcasting to downloads and subscription services. This edition offers more vignettes than ever, illustrating how individuals in different industry roles advanced their careers, as well as how they’ve adjusted to the intertwining influences of technology, law, and culture.