Reel To Real

Movies matter – that is the message of Reel to Real, bell hooks’ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about.

All too often, highly fictionalized cinematic depictions of the past are accepted as the unassailable truth by those unfamiliar with the "real" account. This book profiles sixty movies that portray actual moments in history, and compares the mythologized account of each event to what really happened. Movies chronicled include The Ten Commandments, Spartacus, A Man for All Seasons, Gladiator, Gandhi, Apollo 13, The Thin Red Line, Dances with Wolves, Braveheart, The Last Emperor, All the Presidents Men, Mutiny on the Bounty, Gone with the Wind, Bonnie & Clyde, Patton, and Elizabeth. Sanello also contrasts several historical figures with their filmed treatments, including Julius Caesar, Henry V, Christopher Columbus, Joan of Arc, Sir Thomas More, Jesus Christ, Catherine the Great, Sigmund Freud, and Harry Houdini. Lavishly illustrated with sixty film stills, Reel v. Real shows how a happening's genuine details are frequently reshaped and distorted by Hollywood's bottomless appetite for over-the-top flamboyance and melodrama.

Real trials and courtroom movies are made for each other. Lawyers are storytellers, courtrooms are theaters, and the trial process provides drama, surprise, suspense or comedy. This book will serve as a video guide to help you identify the courtroom movies you'd like to see. It ranks each of the films on a one- to four- gavel system, with four gavels for the classics. And it answers the questions you'll be asking as you see the films. Where does truth end and trickery begin? Can lawyers really pull rabbits out of hats with unexpected courtroom stunts? Did the trial process reveal the truth-or conceal it? How well do reel trials reflect real events? These are just some of the topics you'll encounter as the authors analyze over 200 courtroom movies, including such classics as To Kill a Mockingbird, My Cousin Vinny, 12 Angry Men, and The Trial of the Chicago 7. An index at the back of the book lists all of the films reviewed in the book. The book celebrates the courtroom genre that has intrigued viewers around the world. The authors will entertain and educate you on a fascinating journey through nine decades of reel law, lawyers and justice.

Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.

Utterly compelling and deeply personal, From Reel to Real is the true life account of a Hollywood art director's journey through success, failure, and the devastating effects of addiction.

The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London and Tokyo turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities. Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema. AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. They include: Cinema Paradiso It's a Wonderful Life Metropolis Brazil Blade Runner Annie Hall Taxi Driver Do the Right Thing My Beautiful Laundrette The Truman Show. Alsayyad argues that our understanding of the city cannot be viewed independently of cinematic experience. Films do not only capture the depiction of a society; they influence the way we construct images of the world and, as a result, how we operate within it. We are beginning to blur the distinction between what is real in the everyday, and how we imagine the everyday. Cinematic Urbanism explores this dynamic, bringing together insights from urban and film studies to illuminate current architectural debate. .

As the cradle-religion I belong to has been, at every age, probing into her managing and conserving of the Mmysterious Ttreasures entrusted to her, with the enlightenment, offered by Vatican Council II, I too longed to scrutinize my own handling of Catholic Christian Ffaith. I wanted to examine whether the religion I practice personally was real or reel? tTrue or false? gGenuine or false? aAuthentic or artificial? hHeartfelt or routine? fFruitful or poisonous? oOriginal or counterfeit? sSingle-hearted or double-hearted? Certainly, as a priest I had lot of occasions like recollections and retreats regularly to regularly assess the genuineness of my religious holdings and practices. Though I began 10ten years back, gathering all my scribbles and journals of evaluation about my personal religion, I started putting them seriously into a book form only after Pope Benedict XVI announced year 2012 as the Year of Faith. I considered it a call from God who wanted to befriend me more intensely and to promote to my friends this habit of assessing ones own faith. This is how this book was conceived and shaped. This book can be considered as a self-imposed act of examining my conscience about the identity, nature, and application, and practice of religion in my life. I hope and pray this effort of mine will surely assist my readers do the same, not only during this Year of Faith as it would be ended 24 November 24, 2013;, but also later on in life when tumult of waves and trials is daunting against our faith and religion.

REEL LIFE - REAL LIFE is a video guide with a difference. Whether you are looking for a movie that will help you probe the mysteries of love & sex, appreciate the demands & rewards of striving for personal fulfillment or face the challenges of serious illness, you will find guidance in these pages. The four authors, life-long film buffs, have pooled their professional experience in social work, education, & journalism to prepare more than 700 penetrating reviews of feature films. Including classics of the early cinema & the latest video releases, these movies provide valuable insights into 17 major life issues & situations, from aging to substance abuse. Other chapters include Family, Marriage & Divorce, Homosexuality, Friendship, Coming of Age, Prejudice, Violence & Rape, Feisty Women, Single Life, Taking a Stand, Mental Illness & War. The authors also offer their personal selection of "popcorn" movies - movies that promise pure entertainment for those moments when everyone longs to be transported by laughter, fantasy or adventure. Call Mary Ann Horenstein at 800-900-REEL for information or send a check for $12.95 plus $2.50 mailing costs to Fourth Write Press, P.O. Box 156, Kendall Park, NJ 08824-0156. Quantity discounts available.

All the facts and informed opinion that you need on the artists who made the history of this decade are contained in this single volume, distilled from The Virgin Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history.

No one was supposed to get hurt. But in March 1996, the robbery of a Hollywood Video store went horribly wrong, ending in a hail of gunfire and the worst mass murder in the history of Albuquerque, New Mexico. This book is based on the true story of three ex-cons who met through the New Mexico Community Corrections early release program. One was obsessed with movies and guns, another was hopelessly in love, and the third double-crossed them both. Initially, all hoped for a new and better life, but in this modern tragedy, the ex-cons' self-destructive impulses ultimately led to their doom and that of their innocent victims. An entire city was left to mourn.