Rediscovering The Muses

This pioneering collection of essays by musicologists, ethnographers, classicists, and historians describes the lost and marginalized musical traditions of women of both non-Western and Western cultures.

This pioneering collection of essays by musicologists, ethnographers, classicists, and historians describes the lost and marginalized musical traditions of women of both non-Western and Western cultures.

The second edition of the “milestone” work of history that focuses on female musicians through the ages (College Music Symposium). This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.

"Rediscovering Nancy Drew is a rich collection of literary memories and insightful cultural comments."--Journal of Children's Literature "Nancy, especially the Nancy of the original story, is our bright heroine, chasing down the shadows, conquering our worst fears, giving us a glimpse of our brave and better selves, proving to everybody exactly how admirable and wonderful a thing it is to be a girl. Thank you, Nancy Drew."--Nancy Pickard "Nancy Drew belongs to a moment in feminist history; it is a moment, I suggest, that we celebrate, allowing ourselves the satisfaction of praising her for what she dared and forgiving her for what she failed to undertake or understand."--Carolyn G. Heilbrun "Rediscovering Nancy Drew lights up the territory. It informs, delights, and acknowledges through love and scholarship a debt long overdue."--Dale H. Ross In 1991, women staff and faculty at the University of Iowa discovered that the pseudonymous author of the original Nancy Drew books, Carolyn Keene, was none other than Mildred Wirt Benson, the first person to earn a master's degree in journalism at Iowa. The excitement caused by their discovery led to the 1993 Nancy Drew Conference, which explored the remarkable passion for Nancy Drew that spans a wide spectrum of American society. The result: a lively collaboration of essays by and interviews with mystery writers, collectors, publishers, librarians, scholars, journalists, and fans which presents a spirited, informative, totally enjoyable tribute to the driver of that blue roadster so many readers have coveted.

The Nine Modern Day Muses (and a Bodyguard) are actually 10 powerful creativity principles in the guise of wise and playful Muses. This is the third edition of a popular book published in 2003 now updated expanded with new sections. These modern day Muses provide empowering, playful but practical tools and concepts, quotes and a dazzling experience of returning to, deepening or discovering ones creativity. The Muses are designed to bust through every block that stands in the way of a mortals' creative fulfillment in all aspects of their lives from business to parenting and from art to writing. Move through procrastination, overwhelm, perfectionism, self-sabotage, lack of focus to the joy of the creative process and its validation of our soul and spirit.

The story of how Arab editors of the late nineteenth and early twentieth centuries revolutionized Islamic literature Islamic book culture dates back to late antiquity, when Muslim scholars began to write down their doctrines on parchment, papyrus, and paper and then to compose increasingly elaborate analyses of, and commentaries on, these ideas. Movable type was adopted in the Middle East only in the early nineteenth century, and it wasn't until the second half of the century that the first works of classical Islamic religious scholarship were printed there. But from that moment on, Ahmed El Shamsy reveals, the technology of print transformed Islamic scholarship and Arabic literature. In the first wide-ranging account of the effects of print and the publishing industry on Islamic scholarship, El Shamsy tells the fascinating story of how a small group of editors and intellectuals brought forgotten works of Islamic literature into print and defined what became the classical canon of Islamic thought. Through the lens of the literary culture of nineteenth- and twentieth-century Arab cities—especially Cairo, a hot spot of the nascent publishing business—he explores the contributions of these individuals, who included some of the most important thinkers of the time. Through their efforts to find and publish classical literature, El Shamsy shows, many nearly lost works were recovered, disseminated, and harnessed for agendas of linguistic, ethical, and religious reform. Bringing to light the agents and events of the Islamic print revolution, Rediscovering the Islamic Classics is an absorbing examination of the central role printing and its advocates played in the intellectual history of the modern Arab world.

The richness of more than 3000 years of Egyptian civilization comes alive in the pages of this book. From the geology of the land, the first cities, social structure, religion, mummification and burial practices, languages, temple and house architecture and art, Egypt and the Egyptians is a comprehensive treatment of ancient Egypt. The illustrations, many appearing here for the first time, and extensive quotes from ancient letters, hymns, funerary texts and law codes, enliven the text. The result is a rare combination of up-to-date Egyptological and anthropological research, giving the reader the most current and expansive examination of Egypt. It is written for students, and for the general reader interested in this ancient land and its people. The extensive bibliography, suggestions for further reading, and glossary, make this book an excellent resource for exploring any aspect of ancient Egypt.

Cultivating the Muse looks beyond the secure and benign images traditionally associated with inspiration in classical literature and scholarship. In contrast to the shapeless collectivity of the Muses in ancient accounts, this collection aspires to redeem their shape in other more vitalforms, closer or more distant incarnations of the ever-elusive maiden. Protagonists -- or victims -- in a complex game of cultural exploration, the alternative Muses and muse-like figures of this book are manipulated, abused, or effaced, but at the same time they also advocate or resist their fatesand explore their own powers of persuasion. Inspiration is here not so much explored in its traditional cultic dimensions, but rather invoked for its capacity to trigger fervent debates about power, desire, knowledge, identity, and gender in the societies of ancient Greece and Rome.